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  1. Visual power and fame in René d'Anjou, Geoffrey Chaucer, and the Black Prince
    Published: 2010
    Publisher:  Palgrave Macmillan, New York

    Reading semiotically against the backdrop of Arthurian narratives, this study examines how these canonical medieval texts explore fame's visual power. Reading semiotically against the backdrop of Arthurian narratives, this study examines how these... more

    Hochschulbibliothek Friedensau
    Online-Ressource
    No inter-library loan

     

    Reading semiotically against the backdrop of Arthurian narratives, this study examines how these canonical medieval texts explore fame's visual power. Reading semiotically against the backdrop of Arthurian narratives, this study examines how these canonical medieval texts explore fame's visual power

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1282909487; 140397053X; 9780230106536; 9781282909489; 9781403970534
    Edition: 1st ed
    Series: The new Middle Ages
    Subjects: Fame in literature; Literature, Medieval; Visual perception in literature; Civilization, Medieval, in literature
    Other subjects: Edward Prince of Wales (1330-1376); René King of Naples and Jerusalem (1409-1480); Chaucer, Geoffrey (d. 1400): House of fame
    Scope: Online-Ressource (xx, 227 p), ill
    Notes:

    Includes bibliographical references and index

    Electronic reproduction; Available via World Wide Web

    Cover; Contents; List of Illustrations; Preface; Acknowledgments; Introduction; 1 Fame and Fürstenspiegel; 2 René d'Anjou's Negotiations with Fame: Creating for a Future Past; 3 Chaucer's House of Fame: The Quasi-Iconoclastic Present; 4 Edward the Black Prince, the Future King; Conclusion; Notes; Works Cited; Previous Publications; Index