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  1. Armed forces
    masculinity and sexuality in the American war film
    Published: ©2007
    Publisher:  Rutgers University Press, New Brunswick, N.J.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0813540801; 0813541506; 1281151386; 9780813540801; 9780813541501; 9781281151384
    RVK Categories: AP 52700
    Subjects: PERFORMING ARTS / Film & Video / Reference; Male friendship; Masculinity; Motion pictures; War films; Film / Motiv / Mann / USA.; Sexualität / Film / USA.; Film / Sexualität / USA.; Krieg / Film / USA / Geschichte 20. Jh; Film / Krieg / USA / Geschichte 20. Jh; Film / Motiv (Kunst) / Männerfreundschaft / USA / Geschichte / 1895-2005; Männerfreundschaft / Motiv (Kunst) / Film / USA / Geschichte / 1895-2005; Männlichkeit / Motiv (Kunst) / Film / USA / Geschichte / 1895-2005; Kriegsfilm / USA / Geschichte / 1895-2005; PSYCHOLOGY / Human Sexuality; Film; War films; Male friendship in motion pictures; Masculinity in motion pictures; Kriegsfilm; Männlichkeit <Motiv>
    Scope: 1 Online-Ressource (x, 196 pages)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 181-185) and index

    In war films, the portrayal of deep friendships between men is commonplace. Given the sexually anxious nature of the American imagination, such bonds are often interpreted as carrying a homoerotic subtext. In Armed Forces, Robert Eberwein argues that an expanded conception of masculinity and sexuality is necessary in order to understand more fully the intricacy of these intense and emotional human relationships. Drawing on a range of examples from silent films such as What Price Glory and Wings to sound era works like The Deer Hunter, Platoon, Three Kings, and Pearl Harbor, he shows how close

    Acknowledgments -- - Introduction : Definitions -- - 1 - Paradigms in the silent era -- - 2 - Beyond triangles -- - 3 - Disavowing threats -- - 4 - Wounds -- - 5 - Drag -- - 6 - "Don't ask, don't tell" -- - 7 - Bodies, weapons -- - 8 - Fathers and sons -- - Conclusion : buddies, then and now -- - Notes -- - Selected bibliography -- - Index