Includes bibliographical references (p. 249-269) and index
Florian N. Becker, Paola S. Hernández, and Brenda Werth: Introduction: Imagining human rights in twenty-first century theater
Florian N. Becker, Paola S. Hernández, and Brenda Werth: Introduction: Imagining human rights in twenty-first century theater
Anne Lambright: Section 1: transitional justice and civil society ; Dead body politics: Grupo Cultural Yuyachkani at Peru's Truth Commission
Luís Madureira: Where "God is like a longing": theater and social vulnerability in Mozambique
Paola S. Hernández: The ESMA: from torture chambers into new sites of memory
Brenda Werth: Surpassing metaphors of violence in postdictatorial Southern Cone theater
Lindsey Mantoan: Section 2: the "War on Terror" and the global economic order ; Place and misplaced rights in Guantánamo: Honor Bound to Defend Freedom
Christina Wilson: Challenging the "fetish of the verbatim": new aesthetics and familiar abuses in Christine Evan's Slow Falling Bird
Sarah M. Misemer: Stages of transit: Rascón Banda's Hotel Juáres and Peveroni's Berlin
Ana Elena Puga: Migrant melodrama, human rights, and Elvira Arellano
Camilla Stevens: Section 3: transnational publics ; "Get up, stand up, stand up for your rights": transnational belonging and rights of citizenship in Dominican theater
Joi Barrios: Theaters of Vigil and vigilance: a playwright's notes on theater and human rights in the Philippines
Elizabeth S. Anker: "The spectacle of our suffering": staging the international human rights imaginary in Tony Kushner's Homebody/Kabul
Eve Ensler, Lynn Nottage, and the campaign to end violence against women in the Democratic Republic of Congo: Broadway without borders
Anne Lambright: Section 1: transitional justice and civil society ; Dead body politics: Grupo Cultural Yuyachkani at Peru's Truth Commission
Luís Madureira: Where "God is like a longing": theater and social vulnerability in Mozambique
Paola S. Hernández: The ESMA: from torture chambers into new sites of memory
Brenda Werth: Surpassing metaphors of violence in postdictatorial Southern Cone theater
Lindsey Mantoan: Section 2: the "War on Terror" and the global economic order ; Place and misplaced rights in Guantánamo: Honor Bound to Defend Freedom
Christina Wilson: Challenging the "fetish of the verbatim": new aesthetics and familiar abuses in Christine Evan's Slow Falling Bird
Sarah M. Misemer: Stages of transit: Rascón Banda's Hotel Juáres and Peveroni's Berlin
Ana Elena Puga: Migrant melodrama, human rights, and Elvira Arellano
Camilla Stevens: Section 3: transnational publics ; "Get up, stand up, stand up for your rights": transnational belonging and rights of citizenship in Dominican theater
Joi Barrios: Theaters of Vigil and vigilance: a playwright's notes on theater and human rights in the Philippines
Elizabeth S. Anker: "The spectacle of our suffering": staging the international human rights imaginary in Tony Kushner's Homebody/Kabul
Eve Ensler, Lynn Nottage, and the campaign to end violence against women in the Democratic Republic of Congo: Broadway without borders
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