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Displaying results 1 to 3 of 3.

  1. Home on the stage
    domestic spaces in modern drama
    Author: Grene, Nicholas
    Published: 2014
    Publisher:  Cambridge Univ. Press, Cambridge

    Machine generated contents note: Introduction: Ibsen and after; 1. A Doll's House: the drama of the interior; 2. The Cherry Orchard: all Russia; 3. Heartbreak House: waiting for the Zeppelin; 4. Long Day's Journey into Night: the Tyrones at home in... more

    Location:
    Universitätsbibliothek Bayreuth
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek der LMU München
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Machine generated contents note: Introduction: Ibsen and after; 1. A Doll's House: the drama of the interior; 2. The Cherry Orchard: all Russia; 3. Heartbreak House: waiting for the Zeppelin; 4. Long Day's Journey into Night: the Tyrones at home in America; 5. A Streetcar Named Desire: see-through representation; 6. Endgame: in the refuge; 7. The Homecoming: men's room; 8. Arcadia: seeing double; 9. Topdog/Underdog: welcome to the family; Conclusion: home base "As a serious drama set in an ordinary middle-class home, Ibsen's A Doll's House established a new politics of the interior that was to have a lasting impact upon twentieth-century drama. In this innovative study, Nicholas Grene traces the changing forms of the home on the stage through nine of the greatest of modern plays and playwrights. From Chekhov's The Cherry Orchard through to Williams's A Streetcar Named Desire, domestic spaces and personal crises have been employed to express wider social conditions and themes of class, gender and family. In the later twentieth century and beyond, the most radically experimental dramatists created their own challenging theatrical interiors, including Beckett in Endgame, Pinter in The Homecoming and Parks in Topdog/Underdog. Grene analyses the full significance of these versions of domestic spaces to offer fresh insights into the portrayal of the naturalistic environment in modern drama"--

     
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  2. Home on the stage
    domestic spaces in modern drama
    Author: Grene, Nicholas
    Published: 2014
    Publisher:  Cambridge Univ. Press, Cambridge

    Machine generated contents note: Introduction: Ibsen and after; 1. A Doll's House: the drama of the interior; 2. The Cherry Orchard: all Russia; 3. Heartbreak House: waiting for the Zeppelin; 4. Long Day's Journey into Night: the Tyrones at home in... more

    Location:
    Universität der Künste Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Machine generated contents note: Introduction: Ibsen and after; 1. A Doll's House: the drama of the interior; 2. The Cherry Orchard: all Russia; 3. Heartbreak House: waiting for the Zeppelin; 4. Long Day's Journey into Night: the Tyrones at home in America; 5. A Streetcar Named Desire: see-through representation; 6. Endgame: in the refuge; 7. The Homecoming: men's room; 8. Arcadia: seeing double; 9. Topdog/Underdog: welcome to the family; Conclusion: home base "As a serious drama set in an ordinary middle-class home, Ibsen's A Doll's House established a new politics of the interior that was to have a lasting impact upon twentieth-century drama. In this innovative study, Nicholas Grene traces the changing forms of the home on the stage through nine of the greatest of modern plays and playwrights. From Chekhov's The Cherry Orchard through to Williams's A Streetcar Named Desire, domestic spaces and personal crises have been employed to express wider social conditions and themes of class, gender and family. In the later twentieth century and beyond, the most radically experimental dramatists created their own challenging theatrical interiors, including Beckett in Endgame, Pinter in The Homecoming and Parks in Topdog/Underdog. Grene analyses the full significance of these versions of domestic spaces to offer fresh insights into the portrayal of the naturalistic environment in modern drama"--

     
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  3. Home on the stage
    domestic spaces in modern drama
    Author: Grene, Nicholas
    Published: 2014
    Publisher:  Cambridge University Press, Cambridge

    Machine generated contents note: Introduction: Ibsen and after; 1. A Doll's House: the drama of the interior; 2. The Cherry Orchard: all Russia; 3. Heartbreak House: waiting for the Zeppelin; 4. Long Day's Journey into Night: the Tyrones at home in... more

    Location:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    2015 A 12199
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2014 A 11354
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Württembergische Landesbibliothek
    Signature:
    64/18749
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    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek der Eberhard Karls Universität
    Signature:
    55 A 7413
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Machine generated contents note: Introduction: Ibsen and after; 1. A Doll's House: the drama of the interior; 2. The Cherry Orchard: all Russia; 3. Heartbreak House: waiting for the Zeppelin; 4. Long Day's Journey into Night: the Tyrones at home in America; 5. A Streetcar Named Desire: see-through representation; 6. Endgame: in the refuge; 7. The Homecoming: men's room; 8. Arcadia: seeing double; 9. Topdog/Underdog: welcome to the family; Conclusion: home base "As a serious drama set in an ordinary middle-class home, Ibsen's A Doll's House established a new politics of the interior that was to have a lasting impact upon twentieth-century drama. In this innovative study, Nicholas Grene traces the changing forms of the home on the stage through nine of the greatest of modern plays and playwrights. From Chekhov's The Cherry Orchard through to Williams's A Streetcar Named Desire, domestic spaces and personal crises have been employed to express wider social conditions and themes of class, gender and family. In the later twentieth century and beyond, the most radically experimental dramatists created their own challenging theatrical interiors, including Beckett in Endgame, Pinter in The Homecoming and Parks in Topdog/Underdog. Grene analyses the full significance of these versions of domestic spaces to offer fresh insights into the portrayal of the naturalistic environment in modern drama"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1107078091; 9781107078093
    Other identifier:
    9781107078093
    RVK Categories: HG 620
    Subjects: Domestic drama; Drama; Drama; Home in literature; Families in literature; DRAMA / English, Irish, Scottish, Welsh; Domestic drama; Drama; Families in literature; Home in literature; Domestic drama; Drama; Drama; Home in literature; Families in literature
    Scope: X, 242 S., Ill.
    Notes:

    Includes bibliographical references (pages 228-236) and index

    Machine generated contents note: Introduction: Ibsen and after; 1. A Doll's House: the drama of the interior; 2. The Cherry Orchard: all Russia; 3. Heartbreak House: waiting for the Zeppelin; 4. Long Day's Journey into Night: the Tyrones at home in America; 5. A Streetcar Named Desire: see-through representation; 6. Endgame: in the refuge; 7. The Homecoming: men's room; 8. Arcadia: seeing double; 9. Topdog/Underdog: welcome to the family; Conclusion: home base.