This work examines Shakespeare's use of the word "Like" and argues that Shakespeare's theater is also Shakespeare's theory of the psychology of likeness and unlikeness in the human striving for an individual identity.
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This work examines Shakespeare's use of the word "Like" and argues that Shakespeare's theater is also Shakespeare's theory of the psychology of likeness and unlikeness in the human striving for an individual identity.
This work examines Shakespeare's use of the word "Like" and argues that Shakespeare's theater is also Shakespeare's theory of the psychology of likeness and unlikeness in the human striving for an individual identity.
Includes bibliographical references (p. [413]-426) and index