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  1. Color codes
    modern theories of color in philosophy, painting and architecture, literature, music, and psychology
    Author: Riley, Charles A.
    Published: 1995
    Publisher:  Univ. Press of New England, Hanover, NH [u.a.]

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0874516714; 0874517427
    RVK Categories: CC 6900 ; LH 70080 ; LH 61342
    Subjects: Color in art; Arts; Color; Color
    Scope: XI, 351 S., Ill., 24 cm
    Notes:

    Includes bibliographical references (p. [339]-342) and index

    Messiaen ; Slawson -- Color in psychology. Kohler ; Arnheim ; Freud ; Jung ; Contemporary issues in color psychology ; Oliver Sachs.

    Introduction: The palette and the table -- Color in philosophy. Kant ; Goethe ; Hegel ; Wittgenstein ; Jonathan Westphal ; P.M.S. Hacker ; C.L. Hardin ; Spengler ; Adorno ; Barthes ; Derrida -- Color in painting and architecture. Painting: Monet ; Denis ; Degas ; Whistler ; van Gogh ; Gaugin ; Cezanne ; Robert and Sonia Delaunay ; Morgan Russell and Stanton Macdonald-Wright ; Matisse ; Kandinsky ; Albers ; Hofmann ; Avery ; Rothko ; Louis ; O'Keeffe ; Newman ; Stella ; Lictenstein ; Halley ; Ryman ; Mark Milloff ; Nancy Haynes ; Jaime Franco ; Charles Clough. Architecture: Le Courbusier ; Graves ; Stirling -- Color in literature. Gide ; Proust ; Joyce ; Trakl ; H.D. ; Stevens ; Hollander ; Pynchon ; A.S. Byatt -- Color in music. Wagner ; Stockhausen ; Schoenberg ;
  2. Color codes
    modern theories of color in philosophy, painting and architecture, literature, music, and psychology
    Author: Riley, Charles A.
    Published: 1995
    Publisher:  Univ. Press of New England, Hanover [u.a.]

    Color is an endlessly fascinating and controversial topic. "The first thing to realize about the study of color in our time is its uncanny ability to evade all attempts to systematically codify it," writes Charles A. Riley in this series of... more

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    Hochschule München, Bibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Color is an endlessly fascinating and controversial topic. "The first thing to realize about the study of color in our time is its uncanny ability to evade all attempts to systematically codify it," writes Charles A. Riley in this series of interconnected essays on the uses and meanings of color. Color Codes draws heavily on interviews with many of today's leading artists - Roy Lichtenstein, Frank Stella, Peter Halley, Lukas Foss, A. S. Byatt, and others - as well as seminal texts by a wide range of thinkers including Wittgenstein, Derrida, Barthes, Schoenberg, Kandinsky, Albers, Joyce, Pynchon, and Jung. Although Riley finds remarkable parallels among the theories and techniques of various disciplines, his emphasis is on the individual nature of the color sense. This resistance to a unified color theory gives the current aesthetic debate tremendous energy. "Because it is largely an unknown force, color remains one of the most vital sources of new styles and ideas, ready to be tapped by creative minds in the coming decades." In the studios of artists and composers, and in the recent writings of philosophers, psychologists, poets, and novelists, evidence of this emerging power is abundant. Creators, critics, and lay readers will find Color Codes accessible and stimulating.

     
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  3. Color codes
    modern theories of color in philosophy, painting and architecture, literature, music, and psychology
    Author: Riley, Charles A
    Published: 1995
    Publisher:  Univ. Press of New England, Hanover [u.a.]

    Location:
    Ruhr-Universität Bochum, Universitätsbibliothek
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    Universitätsbibliothek Duisburg-Essen
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    Source: Union catalogues
    Media type: Book
    Format: Print
    ISBN: 0874516714; 0874517427
    RVK Categories: CC 6900 ; LH 70080 ; LH 61346
    Subjects: Farbe; Ästhetik; Theorie; Farbe; Ästhetik; Farbenpsychologie; Farbenlehre
    Scope: XI, 351 S. : Ill.
  4. Color codes
    modern theories of color in philosophy, painting and architecture, literature, music, and psychology
    Author: Riley, Charles A.
    Published: 1995
    Publisher:  Univ. Press of New England, Hanover [u.a.]

    Location:
    Ruhr-Universität Bochum, Universitätsbibliothek
    Signature:
    PJB16263
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    Universitätsbibliothek Duisburg-Essen
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    JYLL1009
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    Source: Union catalogues
    Language: Undetermined
    Media type: Book
    ISBN: 0874516714; 0874517427
    RVK Categories: CC 6900 ; LH 61346 ; LH 70080
    Subjects: Ästhetik; Farbe; Farbenlehre; Theorie; Farbenpsychologie
    Scope: XI, 351 S., Ill.
  5. Color codes
    modern theories of color in philosophy, painting and architecture, literature, music, and psychology
    Author: Riley, Charles A.
    Published: 1995
    Publisher:  Univ. Press of New England, Hanover, NH [u.a.]

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:1995:2900
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    Jacobs University Bremen gGmbH, IRC-Library
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    NX650.C676 R56 1995
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    Staats- und Universitätsbibliothek Bremen
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    a kun 049.6/211
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    Hochschule für Bildende Künste Dresden, Bibliothek
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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Universitätsbibliothek Freiburg
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    Universitätsbibliothek Greifswald
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
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    T 96 B 3475

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    Universitätsbibliothek Heidelberg
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    95 C 3539
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    Institut für Europäische Kunstgeschichte der Universität, Bibliothek
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    Äs 4600
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    Thüringer Universitäts- und Landesbibliothek
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    Staatliche Akademie der Bildenden Künste Karlsruhe, Bibliothek
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    Universitätsbibliothek Leipzig
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    Universitätsbibliothek Mannheim
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    96 A 3536
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    Universität des Saarlandes, Fachrichtung Kunst- und Kulturwissenschaft, Bibliothek
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    UB Weimar
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    134 516
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    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0874516714; 0874517427
    RVK Categories: CC 6900 ; LH 70080 ; LH 61342
    Subjects: Color in art; Arts; Color; Color
    Scope: XI, 351 S., Ill., 24 cm
    Notes:

    Includes bibliographical references (p. [339]-342) and index

    Messiaen ; Slawson -- Color in psychology. Kohler ; Arnheim ; Freud ; Jung ; Contemporary issues in color psychology ; Oliver Sachs.

    Introduction: The palette and the table -- Color in philosophy. Kant ; Goethe ; Hegel ; Wittgenstein ; Jonathan Westphal ; P.M.S. Hacker ; C.L. Hardin ; Spengler ; Adorno ; Barthes ; Derrida -- Color in painting and architecture. Painting: Monet ; Denis ; Degas ; Whistler ; van Gogh ; Gaugin ; Cezanne ; Robert and Sonia Delaunay ; Morgan Russell and Stanton Macdonald-Wright ; Matisse ; Kandinsky ; Albers ; Hofmann ; Avery ; Rothko ; Louis ; O'Keeffe ; Newman ; Stella ; Lictenstein ; Halley ; Ryman ; Mark Milloff ; Nancy Haynes ; Jaime Franco ; Charles Clough. Architecture: Le Courbusier ; Graves ; Stirling -- Color in literature. Gide ; Proust ; Joyce ; Trakl ; H.D. ; Stevens ; Hollander ; Pynchon ; A.S. Byatt -- Color in music. Wagner ; Stockhausen ; Schoenberg ;
  6. Color codes
    modern theories of color in philosophy, painting and architecture, literature, music, and psychology
    Author: Riley, Charles A.
    Published: 1995
    Publisher:  Univ. Press of New England, Hanover [u.a.]

    Location:
    TU Darmstadt, Universitäts- und Landesbibliothek - Schloss
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    /CC 6900 R573(2)
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    Universitätsbibliothek Gießen
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    Universität Mainz, Zentralbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0874516714; 0874517427; 9780874517422
    RVK Categories: CC 6900 ; LH 61342 ; LH 61346 ; LH 70080
    Edition: 2. [Dr.]
    Subjects: Farbe; Philosophie; Malerei; Architektur; Literatur; Musik; Psychologie
    Scope: XI, 351 S., Ill.
    Notes:

    Literaturverz. S. [339] - 342
  7. Color codes
    modern theories of color in philosophy, painting and architecture, literature, music, and psychology
    Author: Riley, Charles A.
    Published: 1995
    Publisher:  Univ. Press of New England, Hanover [u.a.]

    Color is an endlessly fascinating and controversial topic. "The first thing to realize about the study of color in our time is its uncanny ability to evade all attempts to systematically codify it," writes Charles A. Riley in this series of... more

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    Freie Universität Berlin, Universitätsbibliothek
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    Hochschule für Technik und Wirtschaft Berlin, Hochschulbibliothek
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Color is an endlessly fascinating and controversial topic. "The first thing to realize about the study of color in our time is its uncanny ability to evade all attempts to systematically codify it," writes Charles A. Riley in this series of interconnected essays on the uses and meanings of color. Color Codes draws heavily on interviews with many of today's leading artists - Roy Lichtenstein, Frank Stella, Peter Halley, Lukas Foss, A. S. Byatt, and others - as well as seminal texts by a wide range of thinkers including Wittgenstein, Derrida, Barthes, Schoenberg, Kandinsky, Albers, Joyce, Pynchon, and Jung. Although Riley finds remarkable parallels among the theories and techniques of various disciplines, his emphasis is on the individual nature of the color sense. This resistance to a unified color theory gives the current aesthetic debate tremendous energy. "Because it is largely an unknown force, color remains one of the most vital sources of new styles and ideas, ready to be tapped by creative minds in the coming decades." In the studios of artists and composers, and in the recent writings of philosophers, psychologists, poets, and novelists, evidence of this emerging power is abundant. Creators, critics, and lay readers will find Color Codes accessible and stimulating.

     
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