Papers presented at a symposium held Apr. 17-19, 1993, at Stony Brook, N.Y Aldo Scaglione: Humanism vs. universalism and Catholic vs. Protestant education: the case of Comenius Aldo Scaglione: Humanism vs. universalism and Catholic vs. Protestant education: the case of Comenius Anthony Oldcorn: Torquato Tasso, poet on the edge: the case of Il re Torrismondo Franco Fido: Dreams and experiences of elsewhere: voyage poems in seventeenth-century Italian literature Paolo Cherchi Giovan Battista Marino's L'Adone: a key to baroque civilization: The metamorphoses of Adonis Olimpia A.I. Pelosi: The ellipse and the circle: an analysis of Ciro di Pers between Anima in barocco and neo-Platonism Elias L. Rivers: G(c)đngora and his readers Alan S. Trueblood: Metaphor and metamorphosis in the Spanish baroque: the Soledades of Pedro Espinosa Antonio Carre(c)ło: Of "orders" and "disorders": analogy in Spanish baroque poetry John Roger Paas: Sigmund von Birken (1626-1681): a microliterary study of a German baroque poet at work George C. Schoolfield: Cupio dissolvi: deathbed poems of the German baroque Arnold Stein: Versions of baroque in seventeenth-century English poetry James V. Mirollo: The death of Venus: right reading of baroque verbal and visual texts Louis L. Martz.: "Hail holy light": Milton, Rembrandt, and the Protestant baroque Anthony Oldcorn: Torquato Tasso, poet on the edge: the case of Il re Torrismondo Franco Fido: Dreams and experiences of elsewhere: voyage poems in seventeenth-century Italian literature Paolo Cherchi -Giovan Battista Marino's L'Adone: a key to baroque civilization: The metamorphoses of Adonis Olimpia A.I. Pelosi: The ellipse and the circle: an analysis of Ciro di Pers between Anima in barocco and neo-Platonism Elias L. Rivers: Góngora and his readers Alan S. Trueblood: Metaphor and metamorphosis in the Spanish baroque: the Soledades of Pedro Espinosa Antonio Carreño: Of "orders" and "disorders": analogy in Spanish baroque poetry John Roger Paas: Sigmund von Birken (1626-1681): a microliterary study of a German baroque poet at work George C. Schoolfield: Cupio dissolvi: deathbed poems of the German baroque Arnold Stein: Versions of baroque in seventeenth-century English poetry James V. Mirollo: The death of Venus: right reading of baroque verbal and visual texts Louis L. Martz.: "Hail holy light": Milton, Rembrandt, and the Protestant baroque |
