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  1. Identifying marks
    race, gender, and the marked body in nineteenth-century America
    Published: c2006
    Publisher:  University of Georgia Press, Athens

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 082032812X; 0820343951; 9780820328126; 9780820343952
    Subjects: Brandmarkung; Literatur; Narbe; Tätowierung; LITERARY CRITICISM / American / General; American literature; Human body in literature; Branding (Punishment); Tattooing; Sex role in literature; Race in literature; Brandmarkung; Literatur; Tätowierung <Motiv>
    Scope: 1 Online-Ressource (xii, 195 p.)
    Notes:

    Includes bibliographical references (p. 179-190) and index

    List of illustrations -- - Acknowledgments -- - Introduction : "Carved in flesh" -- - 1 - Capturing identity in ink : tattooing and the white captive -- - 2 - "Burning into the bone" : romantic love and the marked woman -- - 3 - "Tattooed still" : the inscription of female agency -- - 4. "The - skin of an American slave" : the mark of African American manhood in abolitionist literature -- - 5 - "Raising the stigma" : African American women and the corporeal legacy of slavery -- - Epilogue : Tattooed ladies -- - Notes -- - Works cited -- - Index

    "What we know of the marked body in nineteenth-century American literature and culture often begins with The Scarlet Letter's Hester Prynne and ends with Moby Dick's Queequeg. This study looks at the presence of marked men and women in a more challenging array of canonical and lesser-known works, including exploration narratives, romances, and frontier novels. Jennifer Putzi shows how tattoos, scars, and brands can function both as stigma and as emblem of healing and survival, thus blurring the borderline between the biological and social, the corporeal and spiritual."--Jacket

  2. Identifying marks
    race, gender, and the marked body in nineteenth-century America
    Published: c2006
    Publisher:  University of Georgia Press, Athens

    "What we know of the marked body in nineteenth-century American literature and culture often begins with The Scarlet Letter's Hester Prynne and ends with Moby Dick's Queequeg. This study looks at the presence of marked men and women in a more... more

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    Hochschule Aalen, Bibliothek
    E-Book EBSCO
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    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
    No inter-library loan

     

    "What we know of the marked body in nineteenth-century American literature and culture often begins with The Scarlet Letter's Hester Prynne and ends with Moby Dick's Queequeg. This study looks at the presence of marked men and women in a more challenging array of canonical and lesser-known works, including exploration narratives, romances, and frontier novels. Jennifer Putzi shows how tattoos, scars, and brands can function both as stigma and as emblem of healing and survival, thus blurring the borderline between the biological and social, the corporeal and spiritual."--Jacket

     

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