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  1. Eschatological subjects
    divine and literary judgment in fourteenth-century French poetry
    Published: 2014
    Publisher:  Ohio State Univ. Press, Columbus

    "Eschatological Subjects: Divine and Literary Judgment in Fourteenth-Century French Poetry takes an innovative approach to medieval eschatology by examining how poets cast themselves in the scene of judgment as defendants summoned to answer to the... more

    Universitäts- und Landesbibliothek Bonn
    W 2015/1322
    Loan of volumes, no copies

     

    "Eschatological Subjects: Divine and Literary Judgment in Fourteenth-Century French Poetry takes an innovative approach to medieval eschatology by examining how poets cast themselves in the scene of judgment as defendants summoned to answer to the Almighty for the sins of their writing. Since medieval Europeans lived in perpetual anxiety of divine judgment, constantly surrounded by reminders in art and literature, author J. M. Moreau shows that this is a natural extension of medieval life. But Eschatological Subjects goes even further to demonstrate the largely unrecognized duality of this judge figure: not just God, the judge is also the imperious and imperfect human reader. The simultaneous divine and human judgments in (and of) French poetry reveal much about the ethical stakes of writing vernacular poetry in the later Middle Ages and, most importantly, about the relationships between authors and audiences. Focusing on Guillaume de Deguileville, Guillaume de Machaut, and Jean Froissart (each of whom composed scenes in which they appear on trial before God), Moreau contributes important new insights on the complex "trial process" of later medieval literature, in which poetic authority and fame depended on the poet's ability to defend himself before a fearful court of reader opinion."..

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780814212691; 0814212697
    Edition: 1. ed.
    Series: Interventions : new studies in medieval culture
    Subjects: French poetry; Eschatology in literature; Judgment Day in literature; French poetry; LITERARY CRITICISM / Medieval; LITERARY CRITICISM / European / French; Eschatologie <Motiv>; Französisch; Lyrik
    Other subjects: Guillaume, de Deguileville, (active 14th century); Guillaume, de Machaut, (approximately 1300-1377); Froissart, Jean, (1338?-1410?)
    Scope: VII, 238 S.
    Notes:

    Includes bibliographical references and index

  2. Eschatological subjects
    divine and literary judgment in fourteenth-century French poetry
    Published: 2014
    Publisher:  Ohio State Univ. Press, Columbus

    "Eschatological Subjects: Divine and Literary Judgment in Fourteenth-Century French Poetry takes an innovative approach to medieval eschatology by examining how poets cast themselves in the scene of judgment as defendants summoned to answer to the... more

    Universitäts- und Landesbibliothek Bonn
    Unlimited inter-library loan, copies and loan

     

    "Eschatological Subjects: Divine and Literary Judgment in Fourteenth-Century French Poetry takes an innovative approach to medieval eschatology by examining how poets cast themselves in the scene of judgment as defendants summoned to answer to the Almighty for the sins of their writing. Since medieval Europeans lived in perpetual anxiety of divine judgment, constantly surrounded by reminders in art and literature, author J. M. Moreau shows that this is a natural extension of medieval life. But Eschatological Subjects goes even further to demonstrate the largely unrecognized duality of this judge figure: not just God, the judge is also the imperious and imperfect human reader. The simultaneous divine and human judgments in (and of) French poetry reveal much about the ethical stakes of writing vernacular poetry in the later Middle Ages and, most importantly, about the relationships between authors and audiences. Focusing on Guillaume de Deguileville, Guillaume de Machaut, and Jean Froissart (each of whom composed scenes in which they appear on trial before God), Moreau contributes important new insights on the complex "trial process" of later medieval literature, in which poetic authority and fame depended on the poet's ability to defend himself before a fearful court of reader opinion.".

     

    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780814212691; 0814212697
    Edition: 1. ed.
    Series: Interventions : new studies in medieval culture
    Subjects: French poetry; Eschatology in literature; Judgment Day in literature; French poetry; LITERARY CRITICISM / Medieval; LITERARY CRITICISM / European / French
    Other subjects: Guillaume de Deguileville (active 14th century); Guillaume de Machaut (approximately 1300-1377); Froissart, Jean (1338?-1410?)
    Scope: VII, 238 S.
    Notes:

    Includes bibliographical references and index

  3. Eschatological Subjects
    Divine and Literary Judgment in Fourteenth-Century French Poetry
    Published: 2014
    Publisher:  Ohio State University Press, Columbus ; Project MUSE, Baltimore, Md.

    "John Moreau explores how late medieval French poets used the idea of the last judgment to frame their own literary production and its reception among readers. Focusing on works by Deguileville, Machaut, and Froissart, Moreau argues that their use of... more

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    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
    No inter-library loan
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    Bibliothek der Frankfurt University of Applied Sciences
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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
    No inter-library loan
    Technische Hochschule Mittelhessen, Hochschulbibliothek Gießen
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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Universität Marburg, Universitätsbibliothek
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    "John Moreau explores how late medieval French poets used the idea of the last judgment to frame their own literary production and its reception among readers. Focusing on works by Deguileville, Machaut, and Froissart, Moreau argues that their use of the divine judgment theme to discuss authorial concerns betrays their anxiety about both their responsibility for what they write and for how their work will be received and consequently judged. The result of this study is a much more dynamic view of the medieval conception of the author role"--... "Eschatological Subjects: Divine and Literary Judgment in Fourteenth-Century French Poetry takes an innovative approach to medieval eschatology by examining how poets cast themselves in the scene of judgment as defendants summoned to answer to the Almighty for the sins of their writing. Since medieval Europeans lived in perpetual anxiety of divine judgment, constantly surrounded by reminders in art and literature, author J. M. Moreau shows that this is a natural extension of medieval life. But Eschatological Subjects goes even further to demonstrate the largely unrecognized duality of this judge figure: not just God, the judge is also the imperious and imperfect human reader. The simultaneous divine and human judgments in (and of) French poetry reveal much about the ethical stakes of writing vernacular poetry in the later Middle Ages and, most importantly, about the relationships between authors and audiences. Focusing on Guillaume de Deguileville, Guillaume de Machaut, and Jean Froissart (each of whom composed scenes in which they appear on trial before God), Moreau contributes important new insights on the complex "trial process" of later medieval literature, in which poetic authority and fame depended on the poet's ability to defend himself before a fearful court of reader opinion."--...

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 081427370X; 9780814212691; 0814212697; 9780814273708
    Edition: First edition.
    Series: Interventions : new studies in medieval culture
    Subjects: French poetry; Judgment Day in literature; Eschatology in literature; French poetry; LITERARY CRITICISM / European / French; LITERARY CRITICISM / Medieval
    Scope: 1 Online-Ressource (pages cm.)
    Notes:

    Includes bibliographical references and index

  4. Eschatological subjects
    divine and literary judgment in fourteenth-century French poetry
    Published: 2014
    Publisher:  Ohio State Univ. Press, Columbus

    "John Moreau explores how late medieval French poets used the idea of the last judgment to frame their own literary production and its reception among readers. Focusing on works by Deguileville, Machaut, and Froissart, Moreau argues that their use of... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    "John Moreau explores how late medieval French poets used the idea of the last judgment to frame their own literary production and its reception among readers. Focusing on works by Deguileville, Machaut, and Froissart, Moreau argues that their use of the divine judgment theme to discuss authorial concerns betrays their anxiety about both their responsibility for what they write and for how their work will be received and consequently judged. The result of this study is a much more dynamic view of the medieval conception of the author role"-- "Eschatological Subjects: Divine and Literary Judgment in Fourteenth-Century French Poetry takes an innovative approach to medieval eschatology by examining how poets cast themselves in the scene of judgment as defendants summoned to answer to the Almighty for the sins of their writing. Since medieval Europeans lived in perpetual anxiety of divine judgment, constantly surrounded by reminders in art and literature, author J. M. Moreau shows that this is a natural extension of medieval life. But Eschatological Subjects goes even further to demonstrate the largely unrecognized duality of this judge figure: not just God, the judge is also the imperious and imperfect human reader. The simultaneous divine and human judgments in (and of) French poetry reveal much about the ethical stakes of writing vernacular poetry in the later Middle Ages and, most importantly, about the relationships between authors and audiences. Focusing on Guillaume de Deguileville, Guillaume de Machaut, and Jean Froissart (each of whom composed scenes in which they appear on trial before God), Moreau contributes important new insights on the complex "trial process" of later medieval literature, in which poetic authority and fame depended on the poet's ability to defend himself before a fearful court of reader opinion."--

     

    Export to reference management software   RIS file
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780814212691; 0814212697
    Edition: 1. ed.
    Series: Interventions : new studies in medieval culture
    Subjects: French poetry; French poetry; Eschatology in literature; Judgment Day in literature
    Other subjects: Guillaume de Deguileville (active 14th century); Guillaume de Machaut (approximately 1300-1377); Froissart, Jean (1338?-1410?)
    Scope: VII, 238 S, 24 cm
    Notes:

    Includes bibliographical references and index

  5. Eschatological subjects
    divine and literary judgment in fourteenth-century French poetry
    Published: 2014
    Publisher:  Ohio State Univ. Press, Columbus

    "Eschatological Subjects: Divine and Literary Judgment in Fourteenth-Century French Poetry takes an innovative approach to medieval eschatology by examining how poets cast themselves in the scene of judgment as defendants summoned to answer to the... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    "Eschatological Subjects: Divine and Literary Judgment in Fourteenth-Century French Poetry takes an innovative approach to medieval eschatology by examining how poets cast themselves in the scene of judgment as defendants summoned to answer to the Almighty for the sins of their writing. Since medieval Europeans lived in perpetual anxiety of divine judgment, constantly surrounded by reminders in art and literature, author J. M. Moreau shows that this is a natural extension of medieval life. But Eschatological Subjects goes even further to demonstrate the largely unrecognized duality of this judge figure: not just God, the judge is also the imperious and imperfect human reader. The simultaneous divine and human judgments in (and of) French poetry reveal much about the ethical stakes of writing vernacular poetry in the later Middle Ages and, most importantly, about the relationships between authors and audiences. Focusing on Guillaume de Deguileville, Guillaume de Machaut, and Jean Froissart (each of whom composed scenes in which they appear on trial before God), Moreau contributes important new insights on the complex "trial process" of later medieval literature, in which poetic authority and fame depended on the poet's ability to defend himself before a fearful court of reader opinion."..

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
  6. Eschatological subjects
    divine and literary judgment in fourteenth-century French poetry
    Published: 2014
    Publisher:  Ohio State Univ. Press, Columbus

    "John Moreau explores how late medieval French poets used the idea of the last judgment to frame their own literary production and its reception among readers. Focusing on works by Deguileville, Machaut, and Froissart, Moreau argues that their use of... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 935213
    Unlimited inter-library loan, copies and loan

     

    "John Moreau explores how late medieval French poets used the idea of the last judgment to frame their own literary production and its reception among readers. Focusing on works by Deguileville, Machaut, and Froissart, Moreau argues that their use of the divine judgment theme to discuss authorial concerns betrays their anxiety about both their responsibility for what they write and for how their work will be received and consequently judged. The result of this study is a much more dynamic view of the medieval conception of the author role"-- "Eschatological Subjects: Divine and Literary Judgment in Fourteenth-Century French Poetry takes an innovative approach to medieval eschatology by examining how poets cast themselves in the scene of judgment as defendants summoned to answer to the Almighty for the sins of their writing. Since medieval Europeans lived in perpetual anxiety of divine judgment, constantly surrounded by reminders in art and literature, author J. M. Moreau shows that this is a natural extension of medieval life. But Eschatological Subjects goes even further to demonstrate the largely unrecognized duality of this judge figure: not just God, the judge is also the imperious and imperfect human reader. The simultaneous divine and human judgments in (and of) French poetry reveal much about the ethical stakes of writing vernacular poetry in the later Middle Ages and, most importantly, about the relationships between authors and audiences. Focusing on Guillaume de Deguileville, Guillaume de Machaut, and Jean Froissart (each of whom composed scenes in which they appear on trial before God), Moreau contributes important new insights on the complex "trial process" of later medieval literature, in which poetic authority and fame depended on the poet's ability to defend himself before a fearful court of reader opinion."--

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780814212691; 0814212697
    Edition: 1. ed.
    Series: Interventions : new studies in medieval culture
    Subjects: French poetry; French poetry; Eschatology in literature; Judgment Day in literature
    Other subjects: Guillaume de Deguileville (active 14th century); Guillaume de Machaut (approximately 1300-1377); Froissart, Jean (1338?-1410?)
    Scope: VII, 238 S, 24 cm
    Notes:

    Includes bibliographical references and index