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  1. The cinematic imagination
    Indian popular films as social history
    Author: Virdi, Jyotika
    Published: 2003
    Publisher:  Rutgers University Press, New Brunswick, N.J

    Nation and its discontents. The nation, in theory ; The creative ImagiNation ; Theorizing national cinema ; Nation and its embodiments ; Pleasure and terror of the feminine. -- The idealized woman. Fixing the figure of the woman ; Woman, community,... more

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    Nation and its discontents. The nation, in theory ; The creative ImagiNation ; Theorizing national cinema ; Nation and its embodiments ; Pleasure and terror of the feminine. -- The idealized woman. Fixing the figure of the woman ; Woman, community, nation ; The "social butterfly." -- Heroes and villains: narrating the nation. Masculinity ; Heroes and villains ; Sons and mothers. -- Heroines, romance, and social history. Reading resistance ; Contesting the Laxman Rekha ; Film/star text: reading social change. -- The sexed body. Filmic love ; Victims to vigilantes ; Rape and the rape threat ; The sexed body and specular pleasure ; Double-speak about the body ; Unsettled scores. -- Re-reading romance. Transgressions of "true love" ; Reinstating "family values" ; Romantic love and the culture of consumption ; The end of the Nehruvian Era

     
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    Content information
    Volltext (Deutschlandweit zugänglich)
    Volltext (Deutschlandweit zugänglich)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813535289; 081353528X
    RVK Categories: AP 44965 ; AP 59765
    Series: EBSCOhost eBook Collection
    Subjects: Motion pictures; Motion pictures; Motion pictures; Motion pictures; Motion pictures; Motion pictures; Motion pictures; Motion pictures; Motion pictures; Filmkunst; Films; Sociale aspecten; Nation ; Motiv ; Film ; Indien; Film ; Gesellschaft ; Indien ; Geschichte 1947-2000; Film ; Gesellschaft ; Indien ; Geschichte; Film ; Motiv ; Nation ; Indien; Film ; Sozialgeschichte ; Indien ; 1950-2002; PERFORMING ARTS ; Film & Video ; Reference; Motion pictures; Motion pictures ; Social aspects; Motion pictures; Motion pictures; Film; Sozialgeschichte
    Other subjects: Electronic books
    Scope: Online-Ressource
    Notes:

    Includes bibliographical references and index

    ""Contents""; ""Preface""; ""Acknowledgments""; ""Introduction""; ""Chapter 1: Nation and Its Discontents""; ""Chapter 2: The Idealized Woman""; ""Chapter 3: Heroes and Villains: Narrating the Nation""; ""Chapter 4: Heroines, Romance, and Social History""; ""Chapter 5: The Sexed Body""; ""Chapter 6: Re-reading Romance""; ""Conclusion""; ""Notes""; ""Index""

    Nation and its discontents. The nation, in theory ; The creative ImagiNation ; Theorizing national cinema ; Nation and its embodiments ; Pleasure and terror of the feminine. -- The idealized woman. Fixing the figure of the woman ; Woman, community, nation ; The "social butterfly." -- Heroes and villains: narrating the nation. Masculinity ; Heroes and villains ; Sons and mothers. -- Heroines, romance, and social history. Reading resistance ; Contesting the Laxman Rekha ; Film/star text: reading social change. -- The sexed body. Filmic love ; Victims to vigilantes ; Rape and the rape threat ; The sexed body and specular pleasure ; Double-speak about the body ; Unsettled scores. -- Re-reading romance. Transgressions of "true love" ; Reinstating "family values" ; Romantic love and the culture of consumption ; The end of the Nehruvian Era

    Nation and its discontents. The nation, in theory ; The creative ImagiNation ; Theorizing national cinema ; Nation and its embodiments ; Pleasure and terror of the feminine.The idealized woman. Fixing the figure of the woman ; Woman, community, nation ; The "social butterfly." -- Heroes and villains: narrating the nation. Masculinity ; Heroes and villains ; Sons and mothers. -- Heroines, romance, and social history. Reading resistance ; Contesting the Laxman Rekha ; Film/star text: reading social change. -- The sexed body. Filmic love ; Victims to vigilantes ; Rape and the rape threat ; The sexed body and specular pleasure ; Double-speak about the body ; Unsettled scores. -- Re-reading romance. Transgressions of "true love" ; Reinstating "family values" ; Romantic love and the culture of consumption ; The end of the Nehruvian Era.
  2. The cinematic imagiNation [sic]
    Indian popular films as social history
    Published: (c)2003
    Publisher:  Rutgers University Press, New Brunswick, N.J

    Nation and its discontents. The nation, in theory ; The creative ImagiNation ; Theorizing national cinema ; Nation and its embodiments ; Pleasure and terror of the feminine. -- The idealized woman. Fixing the figure of the woman ; Woman, community,... more

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    Nation and its discontents. The nation, in theory ; The creative ImagiNation ; Theorizing national cinema ; Nation and its embodiments ; Pleasure and terror of the feminine. -- The idealized woman. Fixing the figure of the woman ; Woman, community, nation ; The "social butterfly." -- Heroes and villains: narrating the nation. Masculinity ; Heroes and villains ; Sons and mothers. -- Heroines, romance, and social history. Reading resistance ; Contesting the Laxman Rekha ; Film/star text: reading social change. -- The sexed body. Filmic love ; Victims to vigilantes ; Rape and the rape threat ; The sexed body and specular pleasure ; Double-speak about the body ; Unsettled scores. -- Re-reading romance. Transgressions of "true love" ; Reinstating "family values" ; Romantic love and the culture of consumption ; The end of the Nehruvian Era

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 081353528X; 9780813535289
    Subjects: Motion pictures; Motion pictures; Motion pictures; Motion pictures; Motion pictures; Motion pictures; Motion pictures; Motion pictures; Filmkunst; Films; Sociale aspecten; Nation ; Motiv ; Film ; Indien; Film ; Gesellschaft ; Indien ; Geschichte 1947-2000; Film ; Gesellschaft ; Indien ; Geschichte; Film ; Motiv ; Nation ; Indien; Film ; Sozialgeschichte ; Indien ; 1950-2002; Film; PERFORMING ARTS ; Film & Video ; Reference; Motion pictures; Motion pictures ; Social aspects
    Scope: Online Ressource (xvi, 258 pages), illustrations
    Notes:

    Includes bibliographical references and index. - Description based on print version record

    Nation and its discontents. The nation, in theory ; The creative ImagiNation ; Theorizing national cinema ; Nation and its embodiments ; Pleasure and terror of the feminine.The idealized woman. Fixing the figure of the woman ; Woman, community, nation ; The "social butterfly." -- Heroes and villains: narrating the nation. Masculinity ; Heroes and villains ; Sons and mothers. -- Heroines, romance, and social history. Reading resistance ; Contesting the Laxman Rekha ; Film/star text: reading social change. -- The sexed body. Filmic love ; Victims to vigilantes ; Rape and the rape threat ; The sexed body and specular pleasure ; Double-speak about the body ; Unsettled scores. -- Re-reading romance. Transgressions of "true love" ; Reinstating "family values" ; Romantic love and the culture of consumption ; The end of the Nehruvian Era.