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  1. Sidney's poetics
    imitating creation
    Author: Mack, Michael
    Published: c2005
    Publisher:  Catholic University of America Press, Washington, D.C.

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0813216214; 9780813216218
    RVK Categories: HI 3645
    Subjects: LITERARY CRITICISM / Poetry; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Inventio; Imitatio; Apologie for poetrie (Sidney, Philip); Aesthetics; Aesthetics, British; Aesthetics, Modern; Creation (Literary, artistic, etc.); Poetics; Poetry; Geschichte; Ästhetik; Creation (Literary, artistic, etc.); Poetics; Aesthetics, Modern; Aesthetics, British; Poetry; Inventio; Imitatio
    Other subjects: Sidney, Philip / Defence of poesie; Sidney, Philip / 1554-1586 / Aesthetics; Sidney, Philip / 1554-1586 / Apologie for poetrie / Aesthetics; Sidney, Philip / 1554-1586; Sidney, Philip (1554-1586); Sidney, Philip (1554-1586): Apologie for poetrie; Sidney, Philip (1554-1586); Sidney, Philip (1554-1586): The defence of poesie
    Scope: 1 Online-Ressource (216 p.)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (p. 195-210) and index

    The history of creativity -- Sidney's fiction and the allegorical tradition -- The idea of poetry -- The imitation of creation -- From creation to regeneration -- The imitation of Cyrus -- Creativity and the origins of modernity

    "Sir Philip Sidney's Apology for Poetry (c. 1582) has often been identified as a landmark along the path from poetry understood as imitation to poetry understood as creation. Critics are, however, far from agreeing on the defining features of Sidney's transitional theory. By attending to Sidney's familiarity with patristic and contemporary theological works, Sidney's Poetics shows how theological considerations shaped Sidney's synthesis of the literary-critical traditions he inherited and led him to what is in fact the first full-fledged theory of poetic creativity

    No less bold than Pico's Oration, Sidney's Apology presents a truly original poetic theory that is at the same time an innovative conception of human nature, anticipating the Romantic poets by more than two centuries. For Sidney, the creative power of the poet is the power to regenerate the reader and, through the reader, the entire world." "Sidney's Poetics is essential reading not only for students and scholars of Renaissance literature and literary theory but also for all who want to understand how human beings write and read creatively."--BOOK JACKET.
  2. Sidney's poetics
    imitating creation
    Published: 2010
    Publisher:  Catholic University of America Press, Washington, D.C

    No less bold than Pico's Oration, Sidney's Apology presents a truly original poetic theory that is at the same time an innovative conception of human nature, anticipating the Romantic poets by more than two centuries. For Sidney, the creative power... more

    Access:
    Aggregator (lizenzpflichtig)

    Location:
    Hochschule Aalen, Bibliothek
    Signature:
    E-Book EBSCO
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Esslingen, Bibliothek
    Signature:
    E-Book Ebsco
    Inter-library loan:
    No inter-library loan

    Location:
    Saarländische Universitäts- und Landesbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek der Eberhard Karls Universität
    Inter-library loan:
    No inter-library loan

     

    No less bold than Pico's Oration, Sidney's Apology presents a truly original poetic theory that is at the same time an innovative conception of human nature, anticipating the Romantic poets by more than two centuries. For Sidney, the creative power of the poet is the power to regenerate the reader and, through the reader, the entire world." "Sidney's Poetics is essential reading not only for students and scholars of Renaissance literature and literary theory but also for all who want to understand how human beings write and read creatively."--BOOK JACKET "Sir Philip Sidney's Apology for Poetry (c. 1582) has often been identified as a landmark along the path from poetry understood as imitation to poetry understood as creation. Critics are, however, far from agreeing on the defining features of Sidney's transitional theory. By attending to Sidney's familiarity with patristic and contemporary theological works, Sidney's Poetics shows how theological considerations shaped Sidney's synthesis of the literary-critical traditions he inherited and led him to what is in fact the first full-fledged theory of poetic creativity. - No less bold than Pico's Oration, Sidney's Apology presents a truly original poetic theory that is at the same time an innovative conception of human nature, anticipating the Romantic poets by more than two centuries. For Sidney, the creative power of the poet is the power to regenerate the reader and, through the reader, the entire world." "Sidney's Poetics is essential reading not only for students and scholars of Renaissance literature and literary theory but also for all who want to understand how human beings write and read creatively."--BOOK JACKET

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813216218; 0813216214
    Subjects: Creation (Literary, artistic, etc.); Poetics; Aesthetics, Modern; Aesthetics, British; Poetry; Poetics; Aesthetics, Modern; Creation (Literary, artistic, etc.); Aesthetics, Modern; Creation (Literary, artistic, etc.); Poetics; Aesthetics, British; Poetry; LITERARY CRITICISM ; Poetry; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh; Aesthetics; Aesthetics, Modern; Creation (Literary, artistic, etc.); Poetics; Inventio; Imitatio; History
    Other subjects: Sidney, Philip 1554-1586; Sidney, Philip 1554-1586; Sidney, Philip (1554-1586); Sidney, Philip (1554-1586): Apologie for poetrie; Sidney, Philip 1554-1586; Sidney, Philip 1554-1586; Sidney, Philip 1554-1586; Sidney, Philip; Sidney, Philip
    Scope: Online Ressource (216 p.)
    Notes:

    Includes bibliographical references (p. 195-210) and index. - Description based on print version record

    Description based on print version record

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Online-Ausg. [S.l.] : HathiTrust Digital Library
  3. Sidney's poetics
    imitating creation
    Author: Mack, Michael
    Published: 2005
    Publisher:  Catholic University of America Press, Washington, D.C. ; EBSCO Industries, Inc., Birmingham, AL, USA

    "Sir Philip Sidney's Apology for Poetry (c. 1582) has often been identified as a landmark along the path from poetry understood as imitation to poetry understood as creation. Critics are, however, far from agreeing on the defining features of... more

    Location:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Inter-library loan:
    No inter-library loan

     

    "Sir Philip Sidney's Apology for Poetry (c. 1582) has often been identified as a landmark along the path from poetry understood as imitation to poetry understood as creation. Critics are, however, far from agreeing on the defining features of Sidney's transitional theory. By attending to Sidney's familiarity with patristic and contemporary theological works, Sidney's Poetics shows how theological considerations shaped Sidney's synthesis of the literary-critical traditions he inherited and led him to what is in fact the first full-fledged theory of poetic creativity. No less bold than Pico's Oration, Sidney's Apology presents a truly original poetic theory that is at the same time an innovative conception of human nature, anticipating the Romantic poets by more than two centuries. For Sidney, the creative power of the poet is the power to regenerate the reader and, through the reader, the entire world." "Sidney's Poetics is essential reading not only for students and scholars of Renaissance literature and literary theory but also for all who want to understand how human beings write and read creatively."--Jacket.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813216218; 0813216214
    Scope: 1 Online-Ressource (216 pages)
    Notes:

    Includes bibliographical references (pages 195-210) and index