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  1. A mirror to nature
    transformations in drama and aesthetics, 1660-1732
    Published: [1986]
    Publisher:  University Press of Kentucky, Lexington

    Cover; Title; Copyright; Contents; Acknowledgments; 1. The Four Stages of Dramatic Imitation, 1660-1732; 2. Imitation of Nature as Idea; 3. Imitation of Nature as ""The City Between""; 4. The Varieties of Dramatic Satire in the 1670s; 5. Nature as... more

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    Hochschule Aalen, Bibliothek
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    Hochschule Esslingen, Bibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Cover; Title; Copyright; Contents; Acknowledgments; 1. The Four Stages of Dramatic Imitation, 1660-1732; 2. Imitation of Nature as Idea; 3. Imitation of Nature as ""The City Between""; 4. The Varieties of Dramatic Satire in the 1670s; 5. Nature as the Experiential Actual, 1680-1700; 6. Imitation of the Inner Arena: Sentimental, Pornographic, or Novelistic?; 7. Emulation: The Early Eighteenth Century; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z. In this provocative study Rose Zimbardo examines a crucial revolution in aesthetics that took place in the late seventeenth century and that to this day dominates our response to literature. Although artists of that time continued to follow the precept ""imitate nature, "" that nature no longer corresponds to the earlier understanding of the term. What had been in essence an allegorical mode came to be a literal one. Focusing on the drama of the period as an exemplary form, Zimbardo shows how it moved from depicting a metaphysical reality of idea to portraying an inner reality of individual expe

     

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  2. A mirror to nature
    transformations in drama and aesthetics, 1660-1732
    Published: [1986]; © 1986
    Publisher:  University Press of Kentucky, Lexington

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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