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  1. Double jeopardy
    women who kill in Victorian fiction
    Published: ©1990
    Publisher:  University Press of Kentucky, Lexington, Ky.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813163765; 0813163765; 0813153581; 9780813153582
    Subjects: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; LITERARY CRITICISM / Feminist; Geschichte; English fiction; Women murderers; Detective and mystery stories, English; Women murderers in literature; Trials (Murder) in literature; Murder in literature; Englisch; Roman; Kriminalliteratur; Mörderin; Mörderin <Motiv>
    Scope: 193 pages
    Notes:

    Introduction: Twice Guilty: The Double Jeopardy of Women Who Kill -- The Worst of Women: Sisters in Crime -- Women and Victorian Law: A Curious Chivalry -- Charles Dickens: The Fiercest Impulses -- George Eliot: My Heart Said, "Die!" -- Mary Elizabeth Braddon: The Most Despicable of Her Sex -- Wilkie Collins: No Deliverance but in Death -- Thomas Hardy: A Desperate Remedy -- Arthur Conan Doyle: Vengeance Is Hers

    Murder fascinates readers, and when a woman murders, that fascination is compounded. The paradox of mother, lover, or wife as killer fills us with shock. A woman's violence is unexpected, unacceptable. Yet killing an abusive man can make her a cultural heroine. In Double Jeopardy, Virginia Morris examines the complex roots of contemporary attitudes toward women who kill by providing a new perspective on violent women in Victorian literature. British novelists from Dickens to Hardy, in their characterizations, contradicted the traditional Western assumption that women criminals were ""unnatural