Publisher:
Southern Illinois University Press, Carbondale
Introduction: Why the Beats? Why Turkey? Why now? -- Labeling a phenomenon: the Beats as "underground" figures -- Building community outside the mainstream: underground poetix and the Turkish alternative press -- "What's your road, man?" Jack...
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Universitätsbibliothek der Eberhard Karls Universität
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Introduction: Why the Beats? Why Turkey? Why now? -- Labeling a phenomenon: the Beats as "underground" figures -- Building community outside the mainstream: underground poetix and the Turkish alternative press -- "What's your road, man?" Jack Kerouac's On the Road in Turkey -- The Beats on trial: the censorship of William S. Burroughs's The Soft Machine -- Howling in Turkish: appropriating the many faces of Allen Ginsberg -- Conclusion: the lessons of countercultural drift. In Turkey the Beat message of dissent is being given renewed life as publishers, editors, critics, readers, and others dissatisfied with the conservative social and political trends in the country have turned to the Beats and other countercultural forebears for alternatives. Through an examination of a broad range of literary translations, media portrayals, interviews, and other related materials, this book seeks to uncover how the Beats and their texts are being circulated, discussed, and used in Turkey to rethink the possibilities they might hold for social critique today. Mortenson examines how in Turkey the Beats have been framed by the label "underground literature"; explores the ways they are repurposed in the counterculture-inspired journal Underground Poetix; looks at the reception of Jack Kerouac's On the Road and how that reaction provides a better understanding of the construction of "American-ness"; delves into the recent obscenity trail of William S. Burrough's novel The Soft Machine and the attention the book's supporters brought to government repression and Turkish homophobia; and analyzes the various translations of Allen Ginsberg's Howl to demonstrate the relevance Ginsberg still holds for social rebellion today--back cover
