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  1. Literature and the creative economy
    Author: Brouillette, Sarah
    Published: 2014
    Publisher:  Stanford Univ. Press, Stanford, Calif.

    Location:
    Universitäts- und Landesbibliothek Düsseldorf
    Signature:
    anga888.b875
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    Location:
    Universitäts- und Landesbibliothek Münster
    Signature:
    3K 57825
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  2. Literature and the creative economy
    Author: Brouillette, Sarah
    Published: 2014
    Publisher:  Stanford Univ. Press, Stanford, Calif.

    Location:
    Universitäts- und Landesbibliothek Düsseldorf
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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  3. Literature and the creative economy
    Author: Brouillette, Sarah
    Published: [2014]; © 2014
    Publisher:  Stanford University Press, Stanford, California

    The creative class and cultural governance -- Work as art, art as life -- The psychology of creativity -- Economy and pathology in Aravind Adiga's The white tiger and Monica Ali's In the kitchen -- Economy and authenticity in Daljit Nagra's Look we... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 A 919336
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    Location:
    Staats- und Universitätsbibliothek Bremen
    Signature:
    a ang 663.3/316
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    Location:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    2017 A 2805
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    Location:
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    Signature:
    EL/339/173
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    Location:
    Anglistisches Seminar der Universität, Bibliothek
    Signature:
    F BL 1892
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    Universitätsbibliothek Leipzig
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    Location:
    Otto-von-Guericke-Universität, Universitätsbibliothek
    Signature:
    2017.02595:1
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    Location:
    Universitätsbibliothek Mannheim
    Signature:
    2015 A 1828
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    Location:
    Universitätsbibliothek Rostock
    Signature:
    HN 1101 B875
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    The creative class and cultural governance -- Work as art, art as life -- The psychology of creativity -- Economy and pathology in Aravind Adiga's The white tiger and Monica Ali's In the kitchen -- Economy and authenticity in Daljit Nagra's Look we have coming to Dover! and Gautam Malkani's Londonstani -- The strange case of the writer-consultant -- Valuing the arts in Ian McEwan's Saturday For nearly twenty years, social scientists and policy makers have been highly interested in the idea of the creative economy. This book contends that mainstream considerations of the economic and social force of culture, including theories of the creative class and of cognitive and immaterial labor, are indebted to historic conceptions of the art of literary authorship. It shows how contemporary literature has been involved in and has responded to creative-economy phenomena, including the presentation of artists as models of contentedly flexible and self-managed work, the treatment of training in and exposure to art as a pathway to social inclusion, the use of culture and cultural institutions to increase property values, and support for cultural diversity as a means of growing cultural markets. Contemporary writers have not straightforwardly bemoaned these phenomena in a classic rejection of the instrumental application of art. They have tended to explore how their own critical capacities have become compatible with or even essential to a neoliberal economy that has embraced art's autonomous gestures as proof that authentic self-articulation and social engagement can and should occur within capitalism. Taking a sociological approach to literary criticism, this book interprets major works of contemporary fiction by Monica Ali, Aravind Adiga, Daljit Nagra, and Ian McEwan alongside government policy, social science, and theoretical explorations of creative work and immaterial labor

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781503602809; 9780804789486; 0804789487
    RVK Categories: HN 1101 ; HU 1111 ; MS 8010 ; QG 480 ; HP 1125 ; HN 1021 ; HU 1112
    Subjects: English literature; Creation (Literary, artistic, etc.); Authorship; Cultural industries; Cultural policy; English literature; Creation (Literary, artistic, etc.); Authorship; Cultural industries; Cultural policy
    Scope: IX, 238 Seiten, Illustrationen, 23 cm
    Notes:

    Literaturverzeichnis: Seite 209-230

    The creative class and cultural governanceWork as art, art as life -- The psychology of creativity -- Economy and pathology in Aravind Adiga's The white tiger and Monica Ali's In the kitchen -- Economy and authenticity in Daljit Nagra's Look we have coming to Dover! and Gautam Malkani's Londonstani -- The strange case of the writer-consultant -- Valuing the arts in Ian McEwan's Saturday.
  4. Literature and the creative economy
    Author: Brouillette, Sarah
    Published: [2014]; © 2014
    Publisher:  Stanford University Press, Stanford, California

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780804792431; 0804792437; 0804789487; 9780804789486
    Subjects: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Array; Autor; Kulturwirtschaft; Kreativität; Literatur; Englisch
    Scope: 1 online resource (249 pages), illustrations
    Notes:

    Print version record

    The creative class and cultural governance -- Work as art, art as life -- The psychology of creativity -- Economy and pathology in Aravind Adiga's The white tiger and Monica Ali's In the kitchen -- Economy and authenticity in Daljit Nagra's Look we have coming to Dover! and Gautam Malkani's Londonstani -- The strange case of the writer-consultant -- Valuing the arts in Ian McEwan's Saturday

    For nearly twenty years, social scientists and policy makers have been highly interested in the idea of the creative economy. This book contends that mainstream considerations of the economic and social force of culture, including theories of the creative class and of cognitive and immaterial labour, are indebted to historic conceptions of the art of literary authorship