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  1. Concerning the spiritual and the concrete in Kandinsky's art
    Published: [2014]; © 2014
    Publisher:  Stanford University Press, Stanford, California

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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  2. Concerning the spiritual and the concrete in Kandinsky's art
    Published: 2014
    Publisher:  Stanford University Press, Stanford, California

    Machine generated contents note:pt. IPAINTING IN THEORY --First Moment --Hegel's Aesthetics --Second Moment --pt. 1Kandinsky's Uber das Geistige in der Kunst --pt. 2Kandinsky's Punkt und Linie zu Flache and Related Essays --Third Moment --Kojeve's... more

    Hochschule Aalen, Bibliothek
    E-Book EBSCO
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    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Machine generated contents note:pt. IPAINTING IN THEORY --First Moment --Hegel's Aesthetics --Second Moment --pt. 1Kandinsky's Uber das Geistige in der Kunst --pt. 2Kandinsky's Punkt und Linie zu Flache and Related Essays --Third Moment --Kojeve's "Les Peintures concretes de Kandinsky" --pt. IIPAINTING IN PRACTICE --The Development Of Kandinsky's Oeuvre. This book examines the art and writings of Wassily Kandinsky, who is widely regarded as one of the first artists to produce non-representational paintings. Crucial to an understanding of Kandinsky's intentions is On the Spiritual in Art, the celebrated essay he published in 1911. Where most scholars have taken its repeated references to ""spirit"" as signaling quasi-religious or mystical concerns, Florman argues instead that Kandinsky's primary frame of reference was G.W.F. Hegel's Aesthetics, in which art had similarly been presented as a vehicle for the developing self-consciousness of spiri

     

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  3. Concerning the spiritual and the concrete in Kandinsky's art
    Published: [2014]
    Publisher:  Stanford University Press, Stanford, California

    This book examines the art and writings of Wassily Kandinsky, who is widely regarded as one of the first artists to produce non-representational paintings. Crucial to an understanding of Kandinsky's intentions is On the Spiritual in Art, the... more

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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Hochschulbibliothek Friedensau
    Online-Ressource
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    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
    No loan of volumes, only paper copies will be sent

     

    This book examines the art and writings of Wassily Kandinsky, who is widely regarded as one of the first artists to produce non-representational paintings. Crucial to an understanding of Kandinsky's intentions is On the Spiritual in Art, the celebrated essay he published in 1911. Where most scholars have taken its repeated references to ""spirit"" as signaling quasi-religious or mystical concerns, Florman argues instead that Kandinsky's primary frame of reference was G.W.F. Hegel's Aesthetics, in which art had similarly been presented as a vehicle for the developing self-consciousness of spiri

     

    Export to reference management software   RIS file
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    Volltext (lizenzpflichtig)