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  1. Space, time, and presence in the icon
    seeing the world with the eyes of God
    Author: Antonova, Clemena
    Published: 2009
    Publisher:  Ashgate, Farnham

    Location:
    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
    Signature:
    02/BM 2700 A635
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780754667988; 0754667987
    RVK Categories: BM 2700
    Series: Ashgate studies in theology, imagination, and the arts
    Subjects: Byzantinismus; Christliche Kunst; Gegenwart Gottes; Raum-Zeit <Motiv>; Ikonographie; Abstraktion
    Scope: XII, 193 S., Ill.
    Notes:

    Includes bibliographical references and index
  2. Space, time, and presence in the icon
    seeing the world with the eyes of God
    Author: Antonova, Clemena
    Published: 2011
    Publisher:  Ashgate Publ., Farnham [u.a.]

    Location:
    Universität Marburg, Universitätsbibliothek
    Signature:
    001 BM 2700 A635
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780754667988; 9780754697381; 0754667987
    RVK Categories: BM 2700
    Edition: Reprint.
    Series: Ashgate studies in theology, imagination, and the arts
    Subjects: Byzantinismus; Christliche Kunst; Gegenwart Gottes; Raum-Zeit <Motiv>; Ikonographie; Abstraktion
    Scope: XII, 193 S., Ill., graph. Darst.
    Notes:

    Literaturverz. S. [173] - 190
  3. Space, time, and presence in the icon
    seeing the world with the eyes of God
    Author: Antonova, Clemena
    Published: 2011
    Publisher:  Ashgate, Farnham [u.a.]

    Location:
    Monumenta Germaniae Historica, Deutsches Institut für Erforschung des Mittelalters, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780754667988; 0754667987; 9780754697381; 075469738X
    Edition: Reprint.
    Series: Ashgate studies in theology, imagination and the arts
    Subjects: Ikonographie; Ikonenmalerei; Raum-Zeit <Motiv>; Byzantinismus; Abstraktion; Christliche Kunst; Gegenwart Gottes
    Other subjects: Florenskij, Pavel Aleksandrovič (1882-1937); Rublëv, Andrej (1360-1430): Dreifaltigkeits-Ikone
    Scope: XII, 193 S., Ill., graph. Darst., 25 cm
    Notes:

    Includes bibliographical references and index
  4. Space, time, and presence in the icon
    seeing the world with the eyes of God
    Author: Antonova, Clemena
    Published: ©2010
    Publisher:  Ashgate, Farnham, Surrey, England

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0754667987; 9780754667988; 075469738X; 9780754697381; 1282385305; 9781282385306
    Series: Ashgate studies in theology, imagination, and the arts
    Subjects: RELIGION / Christianity / General; Icons; Perspective; Space and time in art; Space and time in art; Space and time-religious aspects-christianity; Icons, byzantine-history; God (christianity)-eternity; Christentum; Space and time in art; Perspective; Icons; Christliche Kunst; Ikonenmalerei; Raum-Zeit <Motiv>; Abstraktion; Ikonographie; Byzantinismus; Gegenwart Gottes
    Other subjects: Rublëv, Andrej (1360-1430): Dreifaltigkeits-Ikone; Florenskij, Pavel Aleksandrovič (1882-1937)
    Scope: xii, 193 pages
    Notes:

    Includes bibliographical references (pages 173-190) and index

    The role of time in pictorial art -- The role of time in the visual arts : seeing a picture in the twinkling of an eye -- The doctrine of the purity of art -- The problem of pictorial time in the icon : Florensky and remembering things that happened the week after next -- The problem of time in the pictorial arts Bakhtin's chronotope -- On reverse perspective : a critical reading -- Implications of the term reverse perspective : reverse of what? -- First stage : Florensky -- Second stage : Zhegin -- Third stage : Boris Uspensky -- An alternative view : Karl Doehlemann -- Registering presence in the icon -- The cult of images and Eastern Orthodox identity -- The western position : a critical reappraisal -- Icon and relic -- Real presence in the image -- Classical antique sources -- Christian sources : Byzantine theology of the image -- A modern view : the icon as symbol in Florensky's writings -- Seeing the world with the eyes of God : an alternative explanation of reverse perspective -- A new definition of reverse perspective as a prerequisite for the present hypothesis -- The cubist background -- The theosophical background -- Classical Greek sources on divine eternity -- Christian sources on divine eternity -- Theology through liturgy -- Theology through the arts -- The present hypothesis in context -- Leibniz and the way God sees things -- Schopenhauer and art as a repetition of eternity -- Worringer's eternalization of the object

    This book contributes to the re-emerging field of "theology through the arts" by proposing a way of approaching one of the most challenging theological concepts - divine timelessness - through the principle of construction of space in the icon. One of the main objectives of this book is to discuss critically the implications of "reverse perspective", which is especially characteristic of Byzantine and Byzantining art. Drawing on the work of Pavel Florensky, one of the foremost Russian religious philosophers at the beginning of the 20th century, Antonova shows that Florensky
  5. Space, time, and presence in the icon
    seeing the world with the eyes of God
    Author: Antonova, Clemena
    Published: 2010
    Publisher:  Ashgate, Farnham [u.a.]

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2010:3814:
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    Location:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Signature:
    BO 3380 A635
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    Location:
    Universitätsbibliothek Freiburg
    Signature:
    GE 2010/2047
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    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2010 C 2403
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    Location:
    Universität Potsdam, Universitätsbibliothek
    Signature:
    LH 75000 ANT
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    Location:
    Württembergische Landesbibliothek
    Signature:
    60/15279
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    Location:
    Universitätsbibliothek der Eberhard Karls Universität
    Signature:
    50 A 2576
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 0754667987; 075469738X; 9780754697381; 9780754667988
    Other identifier:
    9780754667988
    RVK Categories: LH 75000 ; LI 76200
    Series: Ashgate studies in theology, imagination and the arts
    Subjects: Space and time in art; Perspective; Icons
    Other subjects: Array; Space and time in art; Array; Icons, Byzantine; Array
    Scope: XII, 193 S., Ill., graph. Darst., 25 cm
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke

    Includes bibliogr. references and index

    Teilw. zugl.: Oxford, Univ., Diss., 2006

    The role of time in pictorial art -- The role of time in the visual arts : seeing a picture in the twinkling of an eye -- The doctrine of the purity of art -- The problem of pictorial time in the icon : Florensky and remembering things that happened the week after next -- The problem of time in the pictorial arts Bakhtin's chronotope -- On reverse perspective : a critical reading -- Implications of the term reverse perspective : reverse of what? -- First stage : Florensky -- Second stage : Zhegin -- Third stage : Boris Uspensky -- An alternative view : Karl Doehlemann -- Registering presence in the icon -- The cult of images and Eastern Orthodox identity -- The western position : a critical reappraisal -- Icon and relic -- Real presence in the image -- Classical antique sources -- Christian sources : Byzantine theology of the image -- A modern view : the icon as symbol in Florensky's writings -- Seeing the world with the eyes of God : an alternative explanation of reverse perspective -- A new definition of reverse perspective as a prerequisite for the present hypothesis -- The cubist background -- The theosophical background -- Classical Greek sources on divine eternity -- Christian sources on divine eternity -- Theology through liturgy -- Theology through the arts -- The present hypothesis in context -- Leibniz and the way God sees things -- Schopenhauer and art as a repetition of eternity -- Worringer's eternalization of the object.