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  1. Poetic Language
    Theory and Practice from the Renaissance to the Present
    Author: Jones, Tom
    Published: 2012
    Publisher:  Edinburgh University Press, Edinburgh

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748656189; 0748656189; 9780748656172; 0748656170; 9780748656165; 0748656162; 9780748656202; 0748656200; 9780748656196; 0748656197
    Subjects: Poetics; Poetry / History and criticism; Poets, American / 20th century; Poets, American / 21st century; BIOGRAPHY & AUTOBIOGRAPHY / Literary; Poetics; Poetry; Poetics; Poetry; Dichtersprache; Englisch; Lyrik
    Scope: 217 pages
    Notes:

    COVER; Copyright; Contents; Acknowledgements; How to Use this Book; CHAPTER ONE Introduction; CHAPTER TWO Figure: Walter Ralegh; CHAPTER THREE Selection: William Cowper; CHAPTER FOUR Measure: William Wordsworth; CHAPTER FIVE Equivalence: Gerard Manley Hopkins; CHAPTER SIX Spirit: Wallace Stevens; CHAPTER SEVEN Spirit: Frank O'Hara; CHAPTER EIGHT Measure: Robert Creeley; CHAPTER NINE Deviance: W.S. Graham; CHAPTER TEN Figure: Tom Raworth; CHAPTER ELEVEN Selection: Denise Riley; CHAPTER TWELVE Equivalence: Thomas A. Clark; CHAPTER THIRTEEN Epilogue: Deviance: Robert Creeley; Further Reading

    Notes on PoetsGlossary; Index

    The first study of poetic language from a historical and philosophical perspective. In a series of 12 chapters, exemplary poems - by Walter Ralegh, John Milton, William Cowper, William Wordsworth, Gerard Manley Hopkins, Wallace Stevens, Ezra Pound, Frank O'Hara, Robert Creeley, W.S. Graham, Tom Raworth, Denise Riley and Thomas A. Clark - are read alongside theoretical discussions of poetic language. The discussions provide a jargon-free account of a wide range of historical and contemporary schools of thought about poetic language, and an organised, coherent critique of those schools (includin

    Includes bibliographical references (p. [189]-194) and index