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  1. Re-imagining the 'dark continent' in fin de siècle literature
    Published: ©2012
    Publisher:  Edinburgh University Press, Edinburgh

    "Although nineteenth-century map-makers imposed topographic definition upon a perceived geographical void, writers of Adventure fiction, and other colonial writers, continued to nourish the idea of a cartographic absence in their work. This study... more

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    Hochschule Aalen, Bibliothek
    E-Book EBSCO
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    Hochschule Esslingen, Bibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    "Although nineteenth-century map-makers imposed topographic definition upon a perceived geographical void, writers of Adventure fiction, and other colonial writers, continued to nourish the idea of a cartographic absence in their work. This study explores the effects of this epistemological blankness in fin de siècle literature, and its impact upon early Modernist culture, through the emerging discipline of psychoanalysis and the debt that Freud owed to African exploration. The chapters examine: representations of Black Africa in missionary writing and Rider Haggard's narratives on Africa; cartographic tradition in Conrad's Heart of Darkness and Jung's Memories, Dreams, Reflections; and mesmeric fiction, such as Richard Marsh's The Beetle, Robert Buchanan's The Charlatan and George du Maurier's Trilby. As Robbie McLaughlan demonstrates, it was the late Victorian 'best-seller' which merged an arcane Central African imagery with an interest in psychic phenomena."--Publisher's website

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748647163; 0748647163
    Series: Edinburgh critical studies in Victorian culture
    Subjects: English literature; Popular culture; Adventure and adventurers in literature; Popular culture; English literature; Africa; Africa; English literature; Popular culture; Adventure and adventurers in literature; Discoveries in geography; English literature; Literature; Popular culture; LITERARY CRITICISM ; General; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh; Criticism, interpretation, etc; History
    Scope: Online Ressource (viii, 237 pages)
    Notes:

    Includes bibliographical references and index. - Print version record

  2. Re-imagining the 'dark continent' in fin de siècle literature
    Published: ©2012
    Publisher:  Edinburgh University Press, Edinburgh

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748647163; 0748647163; 9780748647156; 0748647155; 9780748672318
    Series: Edinburgh critical studies in Victorian culture
    Subjects: Adventure and adventurers in literature; Africa / Discovery and exploration; Africa / In literature; English literature / 19th century / History and criticism; Popular culture / History / 19th century; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; LITERARY CRITICISM / General; Adventure and adventurers in literature; Discoveries in geography; English literature; Literature; Popular culture; Geschichte; Literatur; English literature; Adventure and adventurers in literature; Popular culture; Englisch; Literatur; Afrika <Motiv>
    Scope: viii, 237 pages
    Notes:

    Includes bibliographical references and index

    Militibus Christi -- Behind the Black Velvet curtain -- Preaching to the nerves

    "Although nineteenth-century map-makers imposed topographic definition upon a perceived geographical void, writers of Adventure fiction, and other colonial writers, continued to nourish the idea of a cartographic absence in their work. This study explores the effects of this epistemological blankness in fin de siècle literature, and its impact upon early Modernist culture, through the emerging discipline of psychoanalysis and the debt that Freud owed to African exploration. The chapters examine: representations of Black Africa in missionary writing and Rider Haggard's narratives on Africa; cartographic tradition in Conrad's Heart of Darkness and Jung's Memories, Dreams, Reflections; and mesmeric fiction, such as Richard Marsh's The Beetle, Robert Buchanan's The Charlatan and George du Maurier's Trilby. As Robbie McLaughlan demonstrates, it was the late Victorian 'best-seller' which merged an arcane Central African imagery with an interest in psychic phenomena."--Publisher's website