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  1. Screening Shakespeare in the twenty-first century
    Published: 2006
    Publisher:  Edinburgh University Press, Edinburgh ; EBSCO Industries, Inc., Birmingham, AL, USA

    This bold new collection offers an innovative discussion of Shakespeare on screen after the millennium. Cutting-edge, and fully up-to-date, it surveys the rich field of Bardic film representations, from Michael Almereyda's Hamlet to the BBC... more

    Bibliothek der Hochschule Mainz, Untergeschoss
    No inter-library loan

     

    This bold new collection offers an innovative discussion of Shakespeare on screen after the millennium. Cutting-edge, and fully up-to-date, it surveys the rich field of Bardic film representations, from Michael Almereyda's Hamlet to the BBC 'Shakespea(Re)-Told' season, from Michael Radford's The Merchant of Venice to Peter Babakitis' Henry V. In addition to offering in-depth analyses of all the major productions, Screening Shakespeare in the Twenty-First Century includes reflections upon the less well-known filmic 'Shakespeares', which encompass cinema advertisements, appropriations, post-colonial reinventions and mass media citations, and which move across and between genres and mediums.

     

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    Source: Union catalogues
    Contributor: Burnett, Mark Thornton; Wray, Ramona
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0748630082; 9780748630080
    RVK Categories: HI 3370
    Subjects: Verfilmung; Film
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (iv, 218 pages)
    Notes:

    "Early versions of some of these chapters were given as papers at the Newcastle-upon-Tyne meeting of the British Shakespeare Association"--Acknowledgements

    Includes index

  2. Screening Shakespeare in the twenty-first century
    Published: c2006
    Publisher:  Edinburgh University Press, Edinburgh

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0748623507; 0748630082; 9780748623501; 9780748630080
    RVK Categories: HI 3330 ; HI 3560
    Subjects: LITERARY CRITICISM / Shakespeare; DRAMA / Shakespeare; English drama; Film adaptations; Film
    Other subjects: Shakespeare, William / 1564-1616 / Film adaptations / Congresses; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (iv, 218 p.)
    Notes:

    "Early versions of some of these chapters were given as papers at the Newcastle-upon-Tyne meeting of the British Shakespeare Association"--Acknowledgements. - Includes index. - Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Cover -- COVER -- Contents -- Acknowledgements -- Introduction -- 1 8216;If I8217;m right8217;58; Michael Wood8217;s In Search of Shakespeare -- 2 8216;I see my father8217; in 8216;my mind8217;s eye8217;58; Surveillance and the Filmic Hamlet -- 3 Backstage Pass40;ing41;58; Stage Beauty44; Othello and the Make45;up of Race -- 4 The Postnostalgic Renaissance58; The 8216;Place8217; of Liverpool in Don Boyd8217;s My Kingdom -- 5 Our Shakespeares58; British Television and the Strains of Multiculturalism -- 6 Looking for Shylock58; Stephen Greenblatt44; Michael Radford and Al Pacino -- 7 Speaking Maori Shakespeare58; The Maori Merchant of Venice and the Legacy of Colonisation -- 8 8216;Into a thousand parts divide one man8217;58; Dehumanised Metafiction and Fragmented Documentary in Peter Babakitis8217; Henry V -- 9 Screening the McShakespeare in Post45;Millennial Shakespeare Cinema -- 10 Shakespeare and the Singletons44; or44; Beatrice Meets Bridget Jones58; Post45;Feminism44; Popular Culture and 8216;Shakespea40;Re41;45;Told8217; -- Notes on Contributors -- Index -- Last Page

    This bold new collection offers an innovative discussion of Shakespeare on screen after the millennium. Cutting-edge, and fully up-to-date, it surveys the rich field of Bardic film representations, from Michael Almereyda's Hamlet to the BBC 'Shakespea(Re)-Told' season, from Michael Radford's The Merchant of Venice to Peter Babakitis' Henry V. In addition to offering in-depth analyses of all the major productions, Screening Shakespeare in the Twenty-First Century includes reflections upon the less well-known filmic 'Shakespeares', which encompass cinema advertisements, appropriations, post-colonial reinventions and mass media citations, and which move across and between genres and mediums

  3. Screening Shakespeare in the twenty-first century
    Published: 2010
    Publisher:  Edinburgh University Press, Edinburgh

    This bold new collection offers an innovative discussion of Shakespeare on screen after the millennium. Cutting-edge, and fully up-to-date, it surveys the rich field of Bardic film representations, from Michael Almereyda's Hamlet to the BBC... more

    Access:
    Aggregator (lizenzpflichtig)
    Hochschule Aalen, Bibliothek
    E-Book EBSCO
    No inter-library loan
    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
    No inter-library loan
    Saarländische Universitäts- und Landesbibliothek
    No inter-library loan
    Universitätsbibliothek der Eberhard Karls Universität
    No inter-library loan

     

    This bold new collection offers an innovative discussion of Shakespeare on screen after the millennium. Cutting-edge, and fully up-to-date, it surveys the rich field of Bardic film representations, from Michael Almereyda's Hamlet to the BBC 'Shakespea(Re)-Told' season, from Michael Radford's The Merchant of Venice to Peter Babakitis' Henry V. In addition to offering in-depth analyses of all the major productions, Screening Shakespeare in the Twenty-First Century includes reflections upon the less well-known filmic 'Shakespeares', which encompass cinema advertisements, appropriations, post-colonial reinventions and mass media citations, and which move across and between genres and mediums

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0748630082; 9780748630080
    Subjects: English drama; Film adaptations; English drama; Film adaptations; English drama; Film adaptations; LITERARY CRITICISM ; Shakespeare; DRAMA ; Shakespeare; PERFORMING ARTS ; Film & Video ; History & Criticism; English drama; Film adaptations; Conference papers and proceedings; Criticism, interpretation, etc
    Other subjects: Shakespeare, William 1564-1616; Shakespeare, William (1564-1616); Shakespeare, William 1564-1616; Shakespeare, William
    Scope: Online Ressource (iv, 218 p.)
    Notes:

    "Early versions of some of these chapters were given as papers at the Newcastle-upon-Tyne meeting of the British Shakespeare Association"--Acknowledgements. - Includes index. - Description based on print version record

    Includes index

    Description based on print version record

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Online-Ausg. [S.l.] : HathiTrust Digital Library

  4. Screening Shakespeare in the twenty-first century
    Published: 2010
    Publisher:  Edinburgh University Press, Edinburgh

    This bold new collection offers an innovative discussion of Shakespeare on screen after the millennium. Cutting-edge, and fully up-to-date, it surveys the rich field of Bardic film representations, from Michael Almereyda's Hamlet to the BBC... more

    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    No inter-library loan

     

    This bold new collection offers an innovative discussion of Shakespeare on screen after the millennium. Cutting-edge, and fully up-to-date, it surveys the rich field of Bardic film representations, from Michael Almereyda's Hamlet to the BBC 'Shakespea(Re)-Told' season, from Michael Radford's The Merchant of Venice to Peter Babakitis' Henry V. In addition to offering in-depth analyses of all the major productions, Screening Shakespeare in the Twenty-First Century includes reflections upon the less well-known filmic 'Shakespeares', which encompass cinema advertisements, appropriations, post-colonial reinventions and mass media citations, and which move across and between genres and mediums Introduction -- 1 'If I'm right': Michael Wood's In Search of Shakespeare -- 2 'I see my father' in 'my mind's eye': Surveillance and the Filmic Hamlet -- 3 Backstage Pass(ing): Stage Beauty, Othello and the Make-up of Race -- 4 The Postnostalgic Renaissance: The 'Place' of Liverpool in Don Boyd's My Kingdom -- 5 Our Shakespeares: British Television and the Strains of Multiculturalism -- 6 Looking for Shylock: Stephen Greenblatt, Michael Radford and Al Pacino -- 7 Speaking Maori Shakespeare: The Maori Merchant of Venice and the Legacy of Colonisation -- 8 'Into a thousand parts divide one man': Dehumanised Metafiction and Fragmented Documentary in Peter Babakitis' Henry V -- 9 Screening the McShakespeare in Post-Millennial Shakespeare Cinema -- 10 Shakespeare and the Singletons, or, Beatrice Meets Bridget Jones: Post-Feminism, Popular Culture and 'Shakespea(Re)-Told'

     

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    Content information
    Volltext (lizenzpflichtig)