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  1. Making and unmaking in early modern English drama
    spectators, aesthetics and incompletion
    Author: Porter, Chloe
    Published: 2013
    Publisher:  Manchester University Press, Manchester ; Palgrave Macmillan, New York, NY

    Why are early modern English dramatists preoccupied with unfinished processes of "making" and "unmaking"? And what did the terms "finished" or "incomplete" mean for dramatists and their audiences in this period? Making and unmaking in early modern... more

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    Why are early modern English dramatists preoccupied with unfinished processes of "making" and "unmaking"? And what did the terms "finished" or "incomplete" mean for dramatists and their audiences in this period? Making and unmaking in early modern English drama is about the significance of visual things that are 'under construction' in works by playwrights including Shakespeare, Robert Greene and John Lyly. Illustrated with examples from across visual and material culture, it opens up new interpretations of the place of aesthetic form in the early modern imagination. Plays are explored as a part of a lively post-Reformation visual culture, alongside a diverse range of contexts and themes, including iconoclasm, painting, sculpture, clothing and jewellery, automata and invisibility. Asking what it meant for Shakespeare and his contemporaries to "begin" or "end" a literary or visual work, this book is essential reading for scholars and students of early modern English drama, literature, visual culture and history

     
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    Content information
    Volltext (kostenfrei)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780719084973; 1526103273; 9781847798916; 1847798918; 9781526103277; 0719084970
    RVK Categories: HI 1250 ; HK 1210
    Series: Knowledge Unlatched
    Open Access e-Books
    Subjects: Art and literature; Art and literature; Material culture in literature; Material culture in literature; Visual perception in literature; Art in literature; Unfinished works of art; Iconoclasm in literature; English drama; English drama; Art and literature; Art and literature; Material culture in literature; Material culture in literature; Visual perception in literature; Art in literature; Unfinished works of art; Iconoclasm in literature; English drama; English drama; LITERARY CRITICISM ; Drama; Visual perception in literature; Art and literature; Art in literature; English drama; English drama ; Early modern and Elizabethan; Iconoclasm in literature; Material culture in literature; Unfinished works of art; Drama; Englisch; Unvollständigkeit; England; Criticism, interpretation, etc; History
    Scope: 1 Online-Ressource (viii, 230 pages)
    Notes:

    Includes bibliographical references (pages 202-226) and index

    Introduction: speaking pictures? -- 1. Early modern English drama and visual culture -- 2. 'In the keeping of Paulina': the unknowable image in "The Winter's Tale" -- 3. 'But begun for others to end': the ends of incompletion -- 4. 'The brazen head lies broken': divine destruction in "Friar Bacon and Friar Bungay" -- 5. Going unseen: invisibility and erasure in "The Two Merry Milkmaids."
  2. Making and unmaking in early modern English drama
    spectators, aesthetics and incompletion
    Author: Porter, Chloe
    Published: 2013
    Publisher:  Manchester University Press, Manchester ; Palgrave Macmillan, New York, NY

    Why are early modern English dramatists preoccupied with unfinished processes of "making" and "unmaking"? And what did the terms "finished" or "incomplete" mean for dramatists and their audiences in this period? Making and unmaking in early modern... more

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    Why are early modern English dramatists preoccupied with unfinished processes of "making" and "unmaking"? And what did the terms "finished" or "incomplete" mean for dramatists and their audiences in this period? Making and unmaking in early modern English drama is about the significance of visual things that are 'under construction' in works by playwrights including Shakespeare, Robert Greene and John Lyly. Illustrated with examples from across visual and material culture, it opens up new interpretations of the place of aesthetic form in the early modern imagination. Plays are explored as a part of a lively post-Reformation visual culture, alongside a diverse range of contexts and themes, including iconoclasm, painting, sculpture, clothing and jewellery, automata and invisibility. Asking what it meant for Shakespeare and his contemporaries to "begin" or "end" a literary or visual work, this book is essential reading for scholars and students of early modern English drama, literature, visual culture and history

     
    Export to reference management software   RIS file
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    Content information
    Volltext (kostenfrei)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780719084973; 1526103273; 1847798918; 0719084970; 9781526103277; 9781847798916
    Series: Knowledge Unlatched
    Open Access e-Books
    Subjects: Literature; Plays and playwrights; Material culture in literature; Material culture in literature; Visual perception in literature; Art in literature; Unfinished works of art; Iconoclasm in literature; Art and literature; Art and literature; English drama; English drama
    Scope: VIII, 230 S.
    Notes:

    Im Rahmen von "Knowledge Unlatched" Open-Access-Publikation auf OAPEN. - Gesehen am 05.05.2014

    Introduction: speaking pictures? -- 1. Early modern English drama and visual culture -- 2. 'In the keeping of Paulina': the unknowable image in "The Winter's Tale" -- 3. 'But begun for others to end': the ends of incompletion -- 4. 'The brazen head lies broken': divine destruction in "Friar Bacon and Friar Bungay" -- 5. Going unseen: invisibility and erasure in "The Two Merry Milkmaids."