More so than other Europeans, the English have turned to their gardens or wooded "wildernesses" for contemplative consolation. To explore the meditative aspect of English garden-making, David Coffin combines selected poetry, diary extracts, letters,...
more
More so than other Europeans, the English have turned to their gardens or wooded "wildernesses" for contemplative consolation. To explore the meditative aspect of English garden-making, David Coffin combines selected poetry, diary extracts, letters, and more formal writing from the sixteenth through the eighteenth centuries with charming illustrations and his own perceptive commentary The English saw the impermanence of life in "weather-beaten heads" of flowers that "not seun dayes before had flourished in their full prime," and their gardens were often decorated with sundials and ruins. Addressing not only admirers of the English garden but students of English cultural history more generally, Coffin shows that the English emphasis on transience was a key to their gardening and their literary style
More so than other Europeans, the English have turned to their gardens or wooded "wildernesses" for contemplative consolation. To explore the meditative aspect of English garden-making, David Coffin combines selected poetry, diary extracts, letters,...
more
Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
Inter-library loan:
Unlimited inter-library loan, copies and loan
More so than other Europeans, the English have turned to their gardens or wooded "wildernesses" for contemplative consolation. To explore the meditative aspect of English garden-making, David Coffin combines selected poetry, diary extracts, letters, and more formal writing from the sixteenth through the eighteenth centuries with charming illustrations and his own perceptive commentary The English saw the impermanence of life in "weather-beaten heads" of flowers that "not seun dayes before had flourished in their full prime," and their gardens were often decorated with sundials and ruins. Addressing not only admirers of the English garden but students of English cultural history more generally, Coffin shows that the English emphasis on transience was a key to their gardening and their literary style
