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Displaying results 1 to 4 of 4.

  1. The mastery of nature
    aspects of art, science and humanism in the Renaissance
    Author: Kaufmann, Thomas DaCosta
    Published: 1993
    Publisher:  Princeton Univ. Press, Princeton, NJ

    Location:
    Universitätsbibliothek Augsburg
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    Location:
    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    Bayerisches Nationalmuseum, Bibliothek
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    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    No loan of volumes, only paper copies will be sent

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    Universitätsbibliothek Passau
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    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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  2. Persuasive images
    posters of war and revolution from the Hoover institution Archives
    Published: 1992
    Publisher:  Princeton Univ. Press, Princeton, NJ

    Political posters are historical documents. They open windows to the conditions and conflicts of an earlier time. In their designs and slogans we see how governments and political factions responded to economic crises, social change. and ideological... more

    Location:
    Bayerische Staatsbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule München, Bibliothek
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    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    No loan of volumes, only paper copies will be sent

     

    Political posters are historical documents. They open windows to the conditions and conflicts of an earlier time. In their designs and slogans we see how governments and political factions responded to economic crises, social change. and ideological and armed conflict, and how they sought to sway the perceptions and feelings of the man and woman in the street. Posters are also aesthetic objects. Their composition, color and symbols are both separate from their overt political message and the instruments of expressing it. Posters reveal their historical meaning more clearly if we pay attention to their visual characteristics as well as to their political intent. This book treats the poster both as art and as historical witness. Posters are not relegated to the secondary role of illustrating a historical text nor are they treated as autonomous aesthetic objects in a history of applied arts. Instead they are substantial components of a historical narrative that is made up of both image and text. The close interaction of words and posters drawn from Russia, central and western Europe, and the United States, opens fresh perspectives on a half century of war and revolution and constitutes a step toward a new kind of integrative history that conveys the past with unusual immediacy.

     
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  3. Persuasive images
    posters of war and revolution from the Hoover institution Archives
    Published: 1992
    Publisher:  Princeton Univ. Press, Princeton, NJ

    Political posters are historical documents. They open windows to the conditions and conflicts of an earlier time. In their designs and slogans we see how governments and political factions responded to economic crises, social change. and ideological... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Political posters are historical documents. They open windows to the conditions and conflicts of an earlier time. In their designs and slogans we see how governments and political factions responded to economic crises, social change. and ideological and armed conflict, and how they sought to sway the perceptions and feelings of the man and woman in the street. Posters are also aesthetic objects. Their composition, color and symbols are both separate from their overt political message and the instruments of expressing it. Posters reveal their historical meaning more clearly if we pay attention to their visual characteristics as well as to their political intent. This book treats the poster both as art and as historical witness. Posters are not relegated to the secondary role of illustrating a historical text nor are they treated as autonomous aesthetic objects in a history of applied arts. Instead they are substantial components of a historical narrative that is made up of both image and text. The close interaction of words and posters drawn from Russia, central and western Europe, and the United States, opens fresh perspectives on a half century of war and revolution and constitutes a step toward a new kind of integrative history that conveys the past with unusual immediacy.

     
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  4. The mastery of nature
    aspects of art, science and humanism in the Renaissance
    Author: Kaufmann, Thomas DaCosta
    Published: 1993
    Publisher:  Princeton Univ. Press, Princeton, NJ

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    TU Berlin, Universitätsbibliothek
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    Content information
    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 0691032041
    RVK Categories: LH 61040 ; LH 65720 ; NN 1585
    Series: Princeton essays on the arts
    Subjects: Humanisme (cultuurgeschiedenis); Kunst; Natuur; Renaissance; Wetenschap; Wissenschaft; Architecture, Renaissance; Art, Renaissance; Renaissance; Science, Renaissance; Naturbeherrschung; Renaissance; Naturwissenschaften; Humanismus; Kunst; Sammlung; Ästhetik
    Scope: XIX, 325 S., Ill.