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  1. Theory of the gimmick
    aesthetic judgment and capitalist form
    Author: Ngai, Sianne
    Published: 2020
    Publisher:  The Belknap Press of Harvard University Press, Cambridge, Massachusetts

    Theory of the gimmick -- Transparency and magic in the gimmick as technique -- Readymade ideas -- It follows, or financial imps -- Visceral abstractions -- Rødland's gimmick -- The color of value: Stan Douglas's Suspiria -- Henry James's "same secret... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    Theory of the gimmick -- Transparency and magic in the gimmick as technique -- Readymade ideas -- It follows, or financial imps -- Visceral abstractions -- Rødland's gimmick -- The color of value: Stan Douglas's Suspiria -- Henry James's "same secret principle". "The gimmick lies latent in every made thing in capitalism, from the banana slicer to the cryptocurrency derivative to the readymade artwork that interprets itself. It includes both the painstakingly devised and the gratuitously disposable. It is what we call things when uncertain if they are over- or underperforming, if they are historically backward or just as problematically advanced, if they are wonders or tricks. With its promises about the saving of time; the reduction of labor; and the expansion of value, the gimmick gives us tantalizing glimpses of a world in which social life will no longer be organized by labor, but also of one regenerating the conditions that keep labor's social necessity in place. As Ngai takes us from the hoaxes of Edgar Allen Poe to artist Stan Douglas's interest in outmoded special effects, we begin to see how the aesthetic manipulation of the gimmick points to a much deeper exploitation. Against academic claims about Marx's value-labor theory's obsolescence, the gimmick reveals it as vibrantly alive in the realm of aesthetics"--

     

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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780674984547; 0674984544
    RVK Categories: CC 6900
    Subjects: Aesthetics, Modern; Aesthetics, Modern; Aesthetics, Modern; Hoaxes; Influence (Literary, artistic, etc.); Capitalism; Aesthetics, Modern; Capitalism; Hoaxes; Influence (Literary, artistic, etc.)
    Scope: 401 Seiten, Illustrationen, 25 cm
    Notes:

    Includes bibliographical references and index

  2. Theory of the gimmick
    aesthetic judgment and capitalist form
    Author: Ngai, Sianne
    Published: 2020
    Publisher:  The Belknap Press of Harvard University Press, Cambridge, Massachusetts

    Theory of the gimmick -- Transparency and magic in the gimmick as technique -- Readymade ideas -- It follows, or financial imps -- Visceral abstractions -- Rødland's gimmick -- The color of value: Stan Douglas's Suspiria -- Henry James's "same secret... more

    Max-Planck-Institut für empirische Ästhetik, Bibliothek
    bestellt
    No inter-library loan
    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
    01/CC 6900 N576
    No inter-library loan

     

    Theory of the gimmick -- Transparency and magic in the gimmick as technique -- Readymade ideas -- It follows, or financial imps -- Visceral abstractions -- Rødland's gimmick -- The color of value: Stan Douglas's Suspiria -- Henry James's "same secret principle" "The gimmick lies latent in every made thing in capitalism, from the banana slicer to the cryptocurrency derivative to the readymade artwork that interprets itself. It includes both the painstakingly devised and the gratuitously disposable. It is what we call things when uncertain if they are over- or underperforming, if they are historically backward or just as problematically advanced, if they are wonders or tricks. With its promises about the saving of time; the reduction of labor; and the expansion of value, the gimmick gives us tantalizing glimpses of a world in which social life will no longer be organized by labor, but also of one regenerating the conditions that keep labor's social necessity in place. As Ngai takes us from the hoaxes of Edgar Allen Poe to artist Stan Douglas's interest in outmoded special effects, we begin to see how the aesthetic manipulation of the gimmick points to a much deeper exploitation. Against academic claims about Marx's value-labor theory's obsolescence, the gimmick reveals it as vibrantly alive in the realm of aesthetics

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780674984547; 0674984544
    RVK Categories: CC 6900 ; EC 1970
    Subjects: Trick; Wirkung; Kapitalismus; Marxismus; Ästhetik
    Scope: 401 Seiten, Illustrationen, 25 cm
    Notes:

    Includes bibliographical references and index

  3. Theory of the gimmick
    aesthetic judgment and capitalist form
    Author: Ngai, Sianne
    Published: 2020
    Publisher:  The Belknap Press of Harvard University Press, Cambridge, Massachusetts

    Theory of the gimmick -- Transparency and magic in the gimmick as technique -- Readymade ideas -- It follows, or financial imps -- Visceral abstractions -- Rødland's gimmick -- The color of value: Stan Douglas's Suspiria -- Henry James's "same secret... more

    Institute for Cultural Inquiry- Kulturlabor, Bibliothek
    BH201 N43 2020
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 97033
    Unlimited inter-library loan, copies and loan
    Staatliche Hochschule für Bildende Künste, Städelschule, Bibliothek
    14.20 2020
    No loan of volumes, only paper copies will be sent
    Anglistisches Seminar der Universität, Bibliothek
    F BA 2012
    No loan of volumes, only paper copies will be sent
    Universitätsbibliothek Kiel, Zentralbibliothek
    810 | NGA | The
    No inter-library loan
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Leipzig
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Mannheim
    2020 A 1404
    Unlimited inter-library loan, copies and loan
    Hochschule für Gestaltung, Bibliothek
    No loan of volumes, only paper copies will be sent
    Universitätsbibliothek Osnabrück
    6230-256 8
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Rostock
    EC 1970 N576
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek der Eberhard Karls Universität
    61 A 1649
    Unlimited inter-library loan, copies and loan

     

    Theory of the gimmick -- Transparency and magic in the gimmick as technique -- Readymade ideas -- It follows, or financial imps -- Visceral abstractions -- Rødland's gimmick -- The color of value: Stan Douglas's Suspiria -- Henry James's "same secret principle". "The gimmick lies latent in every made thing in capitalism, from the banana slicer to the cryptocurrency derivative to the readymade artwork that interprets itself. It includes both the painstakingly devised and the gratuitously disposable. It is what we call things when uncertain if they are over- or underperforming, if they are historically backward or just as problematically advanced, if they are wonders or tricks. With its promises about the saving of time; the reduction of labor; and the expansion of value, the gimmick gives us tantalizing glimpses of a world in which social life will no longer be organized by labor, but also of one regenerating the conditions that keep labor's social necessity in place. As Ngai takes us from the hoaxes of Edgar Allen Poe to artist Stan Douglas's interest in outmoded special effects, we begin to see how the aesthetic manipulation of the gimmick points to a much deeper exploitation. Against academic claims about Marx's value-labor theory's obsolescence, the gimmick reveals it as vibrantly alive in the realm of aesthetics"--

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780674984547; 0674984544; 9780674278745
    RVK Categories: CC 6900
    Subjects: Aesthetics, Modern; Aesthetics, Modern; Aesthetics, Modern; Hoaxes; Influence (Literary, artistic, etc.); Capitalism; Aesthetics, Modern; Capitalism; Hoaxes; Influence (Literary, artistic, etc.)
    Scope: 401 Seiten, Illustrationen, 25 cm
    Notes:

    Includes bibliographical references and index