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  1. The breaking of style
    Hopkins, Heaney, Graham
    Published: 1995
    Publisher:  Harvard Univ. Press, Cambridge, Mass. [u.a.]

    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
    15/HG 550 V452 B8
    No inter-library loan
    Universität Mainz, Bereichsbibliothek Philosophicum, Standort Anglistik/ Amerikanistik
    L/C B V 1 4
    No inter-library loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 067408120X; 0674081218
    RVK Categories: HG 550 ; HL 3125
    Series: The Richard Ellmann lectures in modern literature
    Scope: X, 100 S.
    Notes:

    Literaturverz. S. [97]

  2. The breaking of style
    Hopkins, Heaney, Graham
    Published: 1995
    Publisher:  Harvard Univ. Press, Cambridge, Mass. [u.a.]

    Style is the material body of lyric poetry, Helen Vendler suggests. To cast off an earlier style is to perform an act of violence on the self. Why might a poet do this, adopting a sharply different form? In this exploration of three kinds of break in... more

    Universitätsbibliothek Bamberg
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Bayreuth
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Unlimited inter-library loan, copies and loan
    Bayerische Staatsbibliothek
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    Universitätsbibliothek Regensburg
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    Universitätsbibliothek Würzburg
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    Style is the material body of lyric poetry, Helen Vendler suggests. To cast off an earlier style is to perform an act of violence on the self. Why might a poet do this, adopting a sharply different form? In this exploration of three kinds of break in poetic style, Vendler clarifies the essential connection between style and substance in poetry. Opening fresh perspectives on the work of three very different poets, her masterful study of changes in style yields a new view of the interplay of moral, emotional, and intellectual forces in a poet's work. Gerard Manley Hopkins' invention of sprung rhythm marks a dramatic break with his early style. Rhythm, Vendler shows us, is at the heart of Hopkins' aesthetic, and sprung rhythm is his symbol for danger, difference, and the shock of the beautiful. In Seamus Heaney's work, she identifies clear shifts in grammatical "atmosphere" from one poem to the next - from "nounness" to the "betweenness" of an adverbial style - shifts whose moral and political implications come under scrutiny here. And finally Vendler looks at Jorie Graham's departure from short lines to numbered lines to squared long lines of sentences, marking a move from deliberation to cinematic "freeze-framing" to coverage, each with its own meaning in this poet's career.

     

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  3. The breaking of style
    Hopkins, Heaney, Graham
    Published: 1995
    Publisher:  Harvard Univ. Press, Cambridge, Mass. [u.a.]

    Universitätsbibliothek Greifswald
    700/H 1823
    Unlimited inter-library loan, copies and loan
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    97 A 10075
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    A 1997/6758
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Jf 875
    No inter-library loan
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    ang 598 hop 7-1 BF 3843
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Osnabrück
    DVD 4668-618 7
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0674081218; 067408120X
    Series: The Richard Ellmann lectures in modern literature
    Subjects: English poetry; English language; Sprache; Sprache; Sprache
    Other subjects: Hopkins, Gerard Manley; Heaney, Seamus; Graham, Jorie
    Scope: X, 100 S, 22 cm
    Notes:

    Literaturverz. S. [97]

  4. The breaking of style
    Hopkins, Heaney, Graham
    Published: 1995
    Publisher:  Harvard University Press, Cambridge, Mass. [u.a.]

    Universitätsbibliothek Freiburg
    KA 96/214
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Greifswald
    700/H 1823
    Unlimited inter-library loan, copies and loan
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    97 A 10075
    Unlimited inter-library loan, copies and loan
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    A 1997/6758
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Jf 875
    No inter-library loan
    Universitätsbibliothek Leipzig
    Unlimited inter-library loan, copies and loan
    Pädagogische Hochschulbibliothek Ludwigsburg
    Spra 3dc Ven
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Mannheim
    2003 B 2956
    Unlimited inter-library loan, copies and loan
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    ang 598 hop 7-1 BF 3843
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Osnabrück
    DVD 4668-618 7
    Unlimited inter-library loan, copies and loan
    Universität Stuttgart, Bibliothek der Institute für Linguistik und Literaturwissenschaft
    VEN51--VEN1
    No loan of volumes, only paper copies will be sent
    Brechtbau-Bibliothek
    NR 415.762
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0674081218; 067408120X
    RVK Categories: HG 550
    Series: Richard Ellmann lectures in modern literature
    Subjects: Literature; English poetry; English language; Sprache; Sprache; Sprache
    Other subjects: Hopkins, Gerard Manley; Heaney, Seamus; Graham, Jorie
    Scope: X, 100 S.
    Notes:

    Literaturverz. S. [97]

  5. <<The>> breaking of style
    Hopkins, Heaney, Graham
    Published: 1995
    Publisher:  Harvard Univ. Press, Cambridge, Mass. [u.a.]

    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0674081218; 067408120X
    RVK Categories: HL 3125 ; HG 550
    Series: <<The>> Richard Ellmann lectures in modern literature
    Subjects: Array; Array
    Scope: X, 100 S.
    Notes:

    Literaturverz. S. [97]

  6. The breaking of style
    Hopkins, Heaney, Graham
    Published: 1995
    Publisher:  Harvard Univ. Press, Cambridge, Mass. [u.a.]

    Style is the material body of lyric poetry, Helen Vendler suggests. To cast off an earlier style is to perform an act of violence on the self. Why might a poet do this, adopting a sharply different form? In this exploration of three kinds of break in... more

    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    Style is the material body of lyric poetry, Helen Vendler suggests. To cast off an earlier style is to perform an act of violence on the self. Why might a poet do this, adopting a sharply different form? In this exploration of three kinds of break in poetic style, Vendler clarifies the essential connection between style and substance in poetry. Opening fresh perspectives on the work of three very different poets, her masterful study of changes in style yields a new view of the interplay of moral, emotional, and intellectual forces in a poet's work. Gerard Manley Hopkins' invention of sprung rhythm marks a dramatic break with his early style. Rhythm, Vendler shows us, is at the heart of Hopkins' aesthetic, and sprung rhythm is his symbol for danger, difference, and the shock of the beautiful. In Seamus Heaney's work, she identifies clear shifts in grammatical "atmosphere" from one poem to the next - from "nounness" to the "betweenness" of an adverbial style - shifts whose moral and political implications come under scrutiny here. And finally Vendler looks at Jorie Graham's departure from short lines to numbered lines to squared long lines of sentences, marking a move from deliberation to cinematic "freeze-framing" to coverage, each with its own meaning in this poet's career.

     

    Export to reference management software   RIS file
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  7. The breaking of style
    Hopkins, Heaney, Graham
    Published: 1995
    Publisher:  Harvard Univ. Press, Cambridge, Mass.

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 286744
    Unlimited inter-library loan, copies and loan
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 067408120X; 0674081218
    Other identifier:
    95004663
    Series: The Richard Ellmann lectures in modern literature
    Subjects: English poetry; English language
    Other subjects: Hopkins, Gerard Manley (1844-1889); Heaney, Seamus (1939-2013); Graham, Jorie (1950-)
    Scope: X, 100 S