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Displaying results 1 to 5 of 5.

  1. Written voices, spoken signs
    tradition, performance, and the epic text
    Published: 1997
    Publisher:  Harvard University Press, Cambridge, Mass.

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674020467; 0674020464; 0674962605; 9780674962606
    Other identifier:
    Series: Center for Hellenic Studies colloquia
    Subjects: Analyse des formules orales; Analyse des formules orales / Congrès; Communication écrite / Grèce / Congrès; Ilias (Homerus); Littérature comparée / Grecque et médiévale / Congrès; Littérature comparée / Médiévale et grecque / Congrès; Mondelinge literatuur; Odyssea (Homerus); POETRY / Medieval; Poésie / Lecture publique; Poésie épique / Histoire et critique / Théorie, etc / Congrès; Poésie épique grecque / Histoire et critique / Congrès; Poésie épique médiévale / Histoire et critique / Congrès; Tradition orale / Europe / Congrès; Tradition orale / Grèce / Congrès; Tradition orale / Grèce / Congrès; Epic poetry; Comparative literature; Comparative literature; Mythology, Greek, in literature; Written communication; Oral interpretation of poetry; Oral-formulaic analysis; Oral tradition; Oral tradition; Mündliche Literatur; Epik; Geschichte
    Other subjects: Homer / Congresses / Criticism and interpretation; Homère / (08..?-08..? av.J.-C.) / Critique et interprétation / Congrès; Homère / Critique et interprétation / Congrès; Homer; Homerus (ca. v8. Jh.)
    Scope: 1 Online-Ressource (viii, 305 p.)
    Notes:

    Papers originally presented at the CHS Colloquium held June 22-26, 1994 at the Center for Hellenic Studies in Washington, D.C.. - Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (p. 265-295) and index

    Storytelling in the future: truth, time, and tense in Homeric epic / Egbert Bakker -- Writing the emperor's clothes on: literacy and the production of facts / Franz H. Bäuml -- Traditional signs and Homeric art / John Miles Foley -- The inland ship: problems in the performance and reception of Homeric epic / Andrew Ford -- Hexameter progression and the Homeric hero's solitary state / Ahuvia Kahane -- Similes and performance / Richard P. Martin -- Ellipsis in Homer / Gregory Nagy -- Types of orality in text / Wulf Oesterreicher -- The medial approach: a paradigm shift in the philologies? / Ursula Schaefer

    The nine essays in this volume focus on performance and audience reception of oral poetry, inviting us to rethink some key concepts for an understanding of traditional epic poetry. Egbert Bakker examines the epic performer's use of time and tense in recounting a past that is alive. Tackling the question of full-length performance of the monumental Iliad, Andrew Ford considers the extent to which the work was perceived as a coherent whole in the archaic age. John Miles Foley addresses questions about spoken signs and the process of reference in epic discourse, and Ahuvia Kahane studies rhythm as a semantic factor in the Homeric performance. Richard Martin suggests a new range of performance functions for the Homeric simile. And Gregory Nagy establishes the importance of one feature of epic language, the ellipsis. These six essays centered on Homer engage with fundamental issues that are addressed by three essays primarily concerned with medieval epic: those by Franz Bäuml on the concept of fact; by Wulf Oesterreicher on types of orality; and by Ursula Schaefer on written and spoken media. In their Introduction the editors highlight the underlying approach and viewpoints of this collaborative volume. --From publisher's description
  2. Written voices, spoken signs
    tradition, performance, and the epic text
    Contributor: Bakker, Egbert J.; Kahane, Ahuvia
    Published: 1997
    Publisher:  Harvard University Press, Cambridge, Mass. ; EBSCO Industries, Inc., Birmingham, AL, USA

    The nine essays in this volume focus on performance and audience reception of oral poetry, inviting us to rethink some key concepts for an understanding of traditional epic poetry. Egbert Bakker examines the epic performer's use of time and tense in... more

    Location:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Inter-library loan:
    No inter-library loan

     

    The nine essays in this volume focus on performance and audience reception of oral poetry, inviting us to rethink some key concepts for an understanding of traditional epic poetry. Egbert Bakker examines the epic performer's use of time and tense in recounting a past that is alive. Tackling the question of full-length performance of the monumental Iliad, Andrew Ford considers the extent to which the work was perceived as a coherent whole in the archaic age. John Miles Foley addresses questions about spoken signs and the process of reference in epic discourse, and Ahuvia Kahane studies rhythm as a semantic factor in the Homeric performance. Richard Martin suggests a new range of performance functions for the Homeric simile. And Gregory Nagy establishes the importance of one feature of epic language, the ellipsis. These six essays centered on Homer engage with fundamental issues that are addressed by three essays primarily concerned with medieval epic: those by Franz Bäuml on the concept of fact; by Wulf Oesterreicher on types of orality; and by Ursula Schaefer on written and spoken media. In their Introduction the editors highlight the underlying approach and viewpoints of this collaborative volume. --From publisher's description.

     
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    Source: Union catalogues
    Contributor: Bakker, Egbert J.; Kahane, Ahuvia
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674020467; 0674020464
    RVK Categories: EC 8200 ; FH 20085
    Series: Center for Hellenic Studies colloquia
    Scope: 1 Online-Ressource (viii, 305 pages), Illustrations
    Notes:

    Papers originally presented at the CHS Colloquium held June 22-26, 1994 at the Center for Hellenic Studies in Washington, D.C

    Includes bibliographical references (pages 265-295) and index
  3. Written voices, spoken signs
    tradition, performance, and the epic text
    Published: 1997
    Publisher:  Harvard University Press, Cambridge, Mass.

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Location:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Location:
    Universitätsbibliothek Passau
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674020467; 0674020464; 0674962605; 9780674962606
    Other identifier:
    Series: Center for Hellenic Studies colloquia
    Subjects: Analyse des formules orales; Analyse des formules orales / Congrès; Communication écrite / Grèce / Congrès; Ilias (Homerus); Littérature comparée / Grecque et médiévale / Congrès; Littérature comparée / Médiévale et grecque / Congrès; Mondelinge literatuur; Odyssea (Homerus); POETRY / Medieval; Poésie / Lecture publique; Poésie épique / Histoire et critique / Théorie, etc / Congrès; Poésie épique grecque / Histoire et critique / Congrès; Poésie épique médiévale / Histoire et critique / Congrès; Tradition orale / Europe / Congrès; Tradition orale / Grèce / Congrès; Tradition orale / Grèce / Congrès; Epic poetry; Comparative literature; Comparative literature; Mythology, Greek, in literature; Written communication; Oral interpretation of poetry; Oral-formulaic analysis; Oral tradition; Oral tradition; Mündliche Literatur; Epik; Geschichte
    Other subjects: Homer / Congresses / Criticism and interpretation; Homère / (08..?-08..? av.J.-C.) / Critique et interprétation / Congrès; Homère / Critique et interprétation / Congrès; Homer; Homerus (ca. v8. Jh.)
    Scope: 1 Online-Ressource (viii, 305 p.)
    Notes:

    Papers originally presented at the CHS Colloquium held June 22-26, 1994 at the Center for Hellenic Studies in Washington, D.C.. - Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (p. 265-295) and index

    Storytelling in the future: truth, time, and tense in Homeric epic / Egbert Bakker -- Writing the emperor's clothes on: literacy and the production of facts / Franz H. Bäuml -- Traditional signs and Homeric art / John Miles Foley -- The inland ship: problems in the performance and reception of Homeric epic / Andrew Ford -- Hexameter progression and the Homeric hero's solitary state / Ahuvia Kahane -- Similes and performance / Richard P. Martin -- Ellipsis in Homer / Gregory Nagy -- Types of orality in text / Wulf Oesterreicher -- The medial approach: a paradigm shift in the philologies? / Ursula Schaefer

    The nine essays in this volume focus on performance and audience reception of oral poetry, inviting us to rethink some key concepts for an understanding of traditional epic poetry. Egbert Bakker examines the epic performer's use of time and tense in recounting a past that is alive. Tackling the question of full-length performance of the monumental Iliad, Andrew Ford considers the extent to which the work was perceived as a coherent whole in the archaic age. John Miles Foley addresses questions about spoken signs and the process of reference in epic discourse, and Ahuvia Kahane studies rhythm as a semantic factor in the Homeric performance. Richard Martin suggests a new range of performance functions for the Homeric simile. And Gregory Nagy establishes the importance of one feature of epic language, the ellipsis. These six essays centered on Homer engage with fundamental issues that are addressed by three essays primarily concerned with medieval epic: those by Franz Bäuml on the concept of fact; by Wulf Oesterreicher on types of orality; and by Ursula Schaefer on written and spoken media. In their Introduction the editors highlight the underlying approach and viewpoints of this collaborative volume. --From publisher's description
  4. Written voices, spoken signs
    tradition, performance, and the epic text
    Published: 2010
    Publisher:  Harvard University Press, Cambridge, Mass

    The nine essays in this volume focus on performance and audience reception of oral poetry, inviting us to rethink some key concepts for an understanding of traditional epic poetry. Egbert Bakker examines the epic performer's use of time and tense in... more

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    Aggregator (lizenzpflichtig)

    Location:
    Hochschule Aalen, Bibliothek
    Signature:
    E-Book EBSCO
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    Location:
    Hochschule Esslingen, Bibliothek
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    E-Book Ebsco
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    Location:
    Saarländische Universitäts- und Landesbibliothek
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    Location:
    Universitätsbibliothek der Eberhard Karls Universität
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    The nine essays in this volume focus on performance and audience reception of oral poetry, inviting us to rethink some key concepts for an understanding of traditional epic poetry. Egbert Bakker examines the epic performer's use of time and tense in recounting a past that is alive. Tackling the question of full-length performance of the monumental Iliad, Andrew Ford considers the extent to which the work was perceived as a coherent whole in the archaic age. John Miles Foley addresses questions about spoken signs and the process of reference in epic discourse, and Ahuvia Kahane studies rhythm as a semantic factor in the Homeric performance. Richard Martin suggests a new range of performance functions for the Homeric simile. And Gregory Nagy establishes the importance of one feature of epic language, the ellipsis. These six essays centered on Homer engage with fundamental issues that are addressed by three essays primarily concerned with medieval epic: those by Franz Bäuml on the concept of fact; by Wulf Oesterreicher on types of orality; and by Ursula Schaefer on written and spoken media. In their Introduction the editors highlight the underlying approach and viewpoints of this collaborative volume. --From publisher's description

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674020467; 0674020464
    Series: Center for Hellenic Studies colloquia
    Subjects: Epic poetry; Comparative literature; Comparative literature; Mythology, Greek, in literature; Written communication; Oral interpretation of poetry; Oral-formulaic analysis; Oral tradition; Oral tradition; Poésie épique; Littérature comparée; Littérature comparée; Poésie; Communication écrite; Analyse des formules orales; Tradition orale; Tradition orale; Epic poetry; Comparative literature; Comparative literature; Mythology, Greek, in literature; Written communication; Oral interpretation of poetry; Oral-formulaic analysis; Oral tradition; Oral tradition; POETRY ; Medieval; DRAMA ; Ancient & Classical; Mythology, Greek, in literature; Oral-formulaic analysis; Oral interpretation of poetry; Oral tradition; Written communication; Mondelinge literatuur; Ilias (Homerus); Odyssea (Homerus); Poésie épique médiévale ; Histoire et critique ; Congrès; Analyse des formules orales ; Congrès; Tradition orale ; Grèce ; Congrès; Poésie épique grecque ; Histoire et critique ; Congrès; Conference papers and proceedings; Criticism, interpretation, etc
    Other subjects: Homer; Homère; Homer; Homer; Homère ; Critique et interprétation ; Congrès; Homer
    Scope: Online Ressource (viii, 305 p.), ill.
    Notes:

    Papers originally presented at the CHS Colloquium held June 22-26, 1994 at the Center for Hellenic Studies in Washington, D.C. - Includes bibliographical references (p. 265-295) and index. - Description based on print version record
  5. Written voices, spoken signs
    tradition, performance, and the epic text
    Published: 1997
    Publisher:  Harvard University Press, Cambridge, Mass

    The nine essays in this volume focus on performance and audience reception of oral poetry, inviting us to rethink some key concepts for an understanding of traditional epic poetry. Egbert Bakker examines the epic performer's use of time and tense in... more

    Location:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Location:
    Universitätsbibliothek Hildesheim
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Hochschule Merseburg, Bibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Oldenburg, Bibliothek
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Elsfleth, Bibliothek
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek
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    No inter-library loan

     

    The nine essays in this volume focus on performance and audience reception of oral poetry, inviting us to rethink some key concepts for an understanding of traditional epic poetry. Egbert Bakker examines the epic performer's use of time and tense in recounting a past that is alive. Tackling the question of full-length performance of the monumental Iliad, Andrew Ford considers the extent to which the work was perceived as a coherent whole in the archaic age. John Miles Foley addresses questions about spoken signs and the process of reference in epic discourse, and Ahuvia Kahane studies rhythm as a semantic factor in the Homeric performance. Richard Martin suggests a new range of performance functions for the Homeric simile. And Gregory Nagy establishes the importance of one feature of epic language, the ellipsis. These six essays centered on Homer engage with fundamental issues that are addressed by three essays primarily concerned with medieval epic: those by Franz Bäuml on the concept of fact; by Wulf Oesterreicher on types of orality; and by Ursula Schaefer on written and spoken media. In their Introduction the editors highlight the underlying approach and viewpoints of this collaborative volume. --From publisher's description

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0674020464; 9780674020467
    Series: Center for Hellenic Studies colloquia
    Subjects: Mythology, Greek, in literature; Written communication; Oral interpretation of poetry; Oral-formulaic analysis; Oral tradition; Oral tradition; Epic poetry; Comparative literature; Comparative literature
    Other subjects: Homer
    Scope: Online-Ressource (viii, 305 p), ill
    Notes:

    Includes bibliographical references (p. 265-295) and index

    Papers originally presented at the CHS Colloquium held June 22-26, 1994 at the Center for Hellenic Studies in Washington, D.C

    Use copy Restrictions unspecified star MiAaHDL

    Electronic reproduction

    Storytelling in the future: truth, time, and tense in Homeric epic / Egbert BakkerWriting the emperor's clothes on: literacy and the production of facts / Franz H. Bäuml -- Traditional signs and Homeric art / John Miles Foley -- The inland ship: problems in the performance and reception of Homeric epic / Andrew Ford -- Hexameter progression and the Homeric hero's solitary state / Ahuvia Kahane -- Similes and performance / Richard P. Martin -- Ellipsis in Homer / Gregory Nagy -- Types of orality in text / Wulf Oesterreicher -- The medial approach: a paradigm shift in the philologies? / Ursula Schaefer.