Narrow Search
Search narrowed by
Last searches

Results for *

Displaying results 1 to 8 of 8.

  1. Iconoclasm in aesthetics
    Published: 2003
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Universitätsbibliothek J. C. Senckenberg, Bibliothek Sprach- und Kulturwissenschaften (BSKW)
    03/LH 61040 K29
    No inter-library loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521822092
    RVK Categories: CI 1337 ; CI 2617 ; CI 5603 ; LH 61040
    Subjects: Erkenntnistheorie; Bild; Ästhetik; Kritik
    Other subjects: Adorno, Theodor W. (1903-1969); Heidegger, Martin (1889-1976); Derrida, Jacques (1930-2004)
    Scope: 222 S., Ill.
  2. Iconoclasm in aesthetics
    Published: 2003
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    "Contemporary theorizing about art is dominated by a clash between two approaches: philosophers have characteristically taken the view that art is a vehicle of some universal meaning or truth, while art historians, and others working in the... more

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Unlimited inter-library loan, copies and loan
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent

     

    "Contemporary theorizing about art is dominated by a clash between two approaches: philosophers have characteristically taken the view that art is a vehicle of some universal meaning or truth, while art historians, and others working in the humanities, emphasize the concrete nature and historical particularity of the work of art. If philosophers continue to pursue mainly the universality of art, they inadvertently end up exhibiting a disinterest in and distrust of art. Kelly calls such disinterest and distrust "iconoclasm," and in this book he discusses four philosophers - Heidegger, Adorno, Derrida, and Danto - who are ultimately iconoclasts despite their deep philosophical engagement with the arts. He concludes by suggesting ways in which iconoclasm in aesthetics can be avoided in the future."--Jacket.

     

    Export to reference management software   RIS file
      BibTeX file
  3. Iconoclasm in aesthetics
    Published: 2003
    Publisher:  Cambridge Univ. Press, Cambridge

    Universitätsbibliothek Bielefeld
    Unlimited inter-library loan, copies and loan
    Ruhr-Universität Bochum, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521822092
    RVK Categories: CI 5603 ; CI 2617 ; CI 1337
    Edition: 1. publ.
    Subjects: Heidegger, Martin; Ästhetik; Adorno, Theodor W; Ästhetik; Derrida, Jacques; Ästhetik; Danto, Arthur Coleman; Ästhetik
    Scope: XIV, 222 S. : Ill.
  4. Iconoclasm in aesthetics
    Published: 2003
    Publisher:  Cambridge Univ. Press, Cambridge

    Universitätsbibliothek Bielefeld
    OJ320 K29
    Unlimited inter-library loan, copies and loan
    Ruhr-Universität Bochum, Kunstgeschichtliches Institut, Bibliothek
    F ABE 102
    No inter-library loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0521822092
    RVK Categories: CI 2617 ; CI 1337 ; CI 5603
    Edition: 1. publ.
    Subjects: Ästhetik
    Other subjects: Danto, Arthur Coleman (1924-2013); Heidegger, Martin (1889-1976); Adorno, Th. W. (1903-1969); Derrida, Jacques (1930-2004)
    Scope: XIV, 222 S., Ill.
  5. Iconoclasm in aesthetics
    Published: 2003
    Publisher:  Cambridge University Press, Cambridge [u.a.]

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521822092
    RVK Categories: CI 5603 ; CI 2617 ; CI 1337 ; CC 6900
    Edition: 1. publ.
    Subjects: Aesthetics, Modern
    Other subjects: Heidegger 1889-1976; Adorno 1903-1969; Derrida; Danto 1924-
    Scope: 222 S., Ill.
    Notes:

    Literaturverz. S. 205 - 210

  6. Iconoclasm in aesthetics
    Published: 2003
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2003:5669:
    No inter-library loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 512032
    Unlimited inter-library loan, copies and loan
    Universität Potsdam, Universitätsbibliothek
    CC 6900 KEL
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521822092
    Other identifier:
    2003-43810
    RVK Categories: CI 1337 ; CI 2617 ; CI 5603 ; CC 6900
    Edition: 1. publ
    Subjects: Aesthetics, Modern
    Other subjects: Heidegger, Martin (1889-1976); Adorno, Theodor W (1903-1969); Derrida, Jacques; Danto, Arthur C (1924-2013)
    Scope: XIV, 222 S, Ill
    Notes:

    Includes bibliographical references and index

  7. Iconoclasm in aesthetics
    Published: 2003
    Publisher:  Cambridge University Press, Cambridge [u.a.]

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2003:5669:
    No inter-library loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 512032
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Freiburg
    GE 2003/7786
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Heidelberg
    2003 C 3083
    Unlimited inter-library loan, copies and loan
    Staatliche Kunsthalle Karlsruhe, Bibliothek
    1.3: E, 139
    Unlimited inter-library loan, copies and loan
    Universität Potsdam, Universitätsbibliothek
    CC 6900 KEL
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521822092
    Other identifier:
    2003-43810
    RVK Categories: LH 61040 ; CI 5603 ; CI 2617 ; CI 1337 ; CC 6900
    Subjects: Heidegger; Adorno; Derrida; Danto; Aesthetics, Modern; Aesthetics, Modern
    Other subjects: Heidegger, Martin (1889-1976); Adorno, Theodor W (1903-1969); Derrida, Jacques; Danto, Arthur C (1924-2013)
    Scope: XIII, 222 S., Ill.
    Notes:

    Includes bibliographical references and index

  8. Iconoclasm in aesthetics
    Published: 2003
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    "Contemporary theorizing about art is dominated by a clash between two approaches: philosophers have characteristically taken the view that art is a vehicle of some universal meaning or truth, while art historians, and others working in the... more

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    "Contemporary theorizing about art is dominated by a clash between two approaches: philosophers have characteristically taken the view that art is a vehicle of some universal meaning or truth, while art historians, and others working in the humanities, emphasize the concrete nature and historical particularity of the work of art. If philosophers continue to pursue mainly the universality of art, they inadvertently end up exhibiting a disinterest in and distrust of art. Kelly calls such disinterest and distrust "iconoclasm," and in this book he discusses four philosophers - Heidegger, Adorno, Derrida, and Danto - who are ultimately iconoclasts despite their deep philosophical engagement with the arts. He concludes by suggesting ways in which iconoclasm in aesthetics can be avoided in the future."--Jacket.

     

    Export to reference management software   RIS file
      BibTeX file