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  1. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Author: Weimann, Robert
    Published: 2000
    Publisher:  Cambridge University Press, Cambridge [u.a.]

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 414062
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    Universitätsbibliothek Braunschweig
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    Jm-912
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    ang 488 CJ 5306
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521781302; 0521787351
    RVK Categories: EC 5146 ; HI 3390
    Series: Cambridge studies in Renaissance literature and culture ; 39
    Subjects: Aufführung
    Other subjects: Shakespeare, William (1564-1616); Array; Array; Array; Theater in literature; Acting in literature; Array
    Scope: XIII, 298 S
    Notes:

    Literaturverz. S. 269 - 288
  2. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Author: Weimann, Robert
    Published: 2000
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Location:
    Universitätsbibliothek der RWTH Aachen
    Signature:
    NI578-39
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    Universitätsbibliothek Bielefeld
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    WE903 W422
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    Universitätsbibliothek Duisburg-Essen
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    DXX1397_d
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    Englisches Seminar I, Bibliothek
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    411/S45/2000/2
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    Englisches Seminar der Universität, Bibliothek
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    Sh 569/96
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0521781302; 0521787351
    Series: Cambridge studies in Renaissance literature and culture ; 39
    Subjects: Aufführungspraxis; Literaturproduktion; Drama
    Other subjects: Shakespeare, William (1564-1616)
    Scope: XIII, 298 S.
  3. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Author: Weimann, Robert
    Published: 2006
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Location:
    Ruhr-Universität Bochum, Fakultät für Philologie, Englisches Seminar, Bibliothek
    Signature:
    16S YEE Z00003
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780521781305; 0521781302; 9780521787352; 0521787351
    Edition: Digital print.
    Series: Cambridge studies in Renaissance literature and culture ; 39
    Subjects: Literaturproduktion; Drama; Aufführungspraxis
    Other subjects: Shakespeare, William (1564-1616)
    Scope: XIII, 298 S.
  4. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Author: Weimann, Robert
    Published: 2000
    Publisher:  Cambridge University Press, Cambridge [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre and offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent... more

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    Bibliothek der Hochschule Mainz, Untergeschoss
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    Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre and offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, performance theory, and film interpretation, and offers a new approach to understanding Shakespeare.

     
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    Source: Union catalogues
    Contributor: Higbee, Helen; West, William
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0511013086; 9780511013089; 0521781302; 9780521781305; 0521787351; 9780521787352; 051111866X; 9780511118661; 9780511484070; 0511484070; 9780511046001; 0511046006; 0511153651; 9780511153655; 1280162171; 9781280162176
    Series: Cambridge studies in Renaissance literature and culture ; 39
    Scope: 1 Online-Ressource (xiii, 298 pages)
    Notes:

    Includes bibliographical references (pages 269-288) and index
  5. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Author: Weimann, Robert
    Published: 2000
    Publisher:  Cambridge Univ. Press, Cambridge

    Location:
    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Würzburg
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  6. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Author: Weimann, Robert
    Published: 2000
    Publisher:  Cambridge University Press, Cambridge

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0511013086; 051111866X; 0511484070; 0521781302; 0521787351; 9780511013089; 9780511118661; 9780511484070; 9780521781305; 9780521787352
    Series: Cambridge studies in Renaissance literature and culture ; 39
    Subjects: LITERARY CRITICISM / Shakespeare; DRAMA / Shakespeare; Acting in literature; Drama / Technique; Performing arts; Theater; Theater in literature; Toneel; Engels; Schriftcultuur; Englisch; Theater; Wissen; Theater in literature; Acting in literature; Drama; Aufführung; Drama; Textproduktion
    Other subjects: Shakespeare, William / 1564-1616; Shakespeare, William / 1564-1616; Shakespeare, William; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (xiii, 298 pages)
    Notes:

    Includes bibliographical references (pages 269-288) and index

    Introduction: conjunctures and concepts -- - Performance and authority in Hamlet (1603) -- - A new agenda for authority -- - The "low and ignorant" crust of corruption -- - Towards a circulation of authority in the theatre -- - Players, printers, preachers: distraction in authority -- - Pen and voice: versions of doubleness -- - "Frivolous jestures" vs. matter of "worthiness" (Tamburlaine) -- - Bifold authority in Troilus and Cressida -- - "Unworthy scaffold" for "so great an object" (Henry V) -- - Playing with a difference -- - To "disfigure, or to present" (A Midsummer Night's Dream) -- - To "descant" on difference and deformity (Richard III) -- - The "self-resembled show" -- - Presentation, or the performant function -- - Histories in Elizabethan performance -- - Disparity in mid-Elizabethan theatre history -- - Reforming "a whole theatre of others" (Hamlet) -- - From common player to excellent actor -- - Differentiation, exclusion, withdrawal -- - Hamlet and the purposes of playing -- - Renaissance writing and common playing -- - Unworthy antics in the glass of fashion -- - "When in one line two crafts directly meet" -- - (Word)play and the mirror of representation -- - Space (in)dividable: locus and platea revisited -- - Space as symbolic form: the locus -- - The open space: provenance and function -- - Locus and platea in Macbeth -- - Banqueting in Timon of Athens -- - Shakespeare's endings: commodious thresholds -- - Epilogues vs. closure -- - Ends of postponement: holiday into workaday -- - Thresholds to memory and commodity -- - Liminality: cultural authority 'betwixt-and-between'
  7. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Author: Weimann, Robert
    Published: 2000
    Publisher:  Cambridge University Press, Cambridge, U.K.

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0521781302; 0521787351
    RVK Categories: EC 5146 ; HI 3390
    Series: Cambridge studies in Renaissance literature and culture ; 39
    Subjects: Wissen; Theater in literature; Acting in literature; Drama; Textproduktion; Aufführung; Drama
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: xiii, 298 p
    Notes:

    Includes bibliographical references (p. 269-288) and index
  8. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Author: Weimann, Robert
    Published: 2000
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Location:
    Universitätsbibliothek der RWTH Aachen
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    Universitätsbibliothek Bielefeld
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    Universitätsbibliothek Duisburg-Essen
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    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521781302; 0521787351
    Series: Cambridge studies in Renaissance literature and culture ; 39
    Subjects: Shakespeare, William; Drama; Literaturproduktion; Aufführungspraxis; Geschichte 1590-1616
    Scope: XIII, 298 S.
  9. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Author: Weimann, Robert
    Published: 2006
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Location:
    Ruhr-Universität Bochum, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780521781305; 0521781302; 9780521787352; 0521787351
    Edition: Digital print.
    Series: Cambridge studies in Renaissance literature and culture ; 39
    Subjects: Shakespeare, William; Drama; Literaturproduktion; Aufführungspraxis; Geschichte 1590-1616
    Scope: XIII, 298 S.
  10. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Author: Weimann, Robert
    Published: 2000
    Publisher:  Cambridge Univ. Press, Cambridge

    Location:
    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
    Signature:
    01/HI 3390 W422
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    Universität Mainz, Bereichsbibliothek Philosophicum, Standort Anglistik/ Amerikanistik
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    SL W 58 III
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    Universität Marburg, Universitätsbibliothek
    Signature:
    F 93/437, 39
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521787351; 0521781302
    RVK Categories: EC 5146 ; HI 3390
    Series: Cambridge studies in Renaissance literature and culture ; 39
    Subjects: Drama; Theater
    Other subjects: Shakespeare, William (1564-1616)
    Scope: XIII, 298 S.
    Notes:

    Literaturverz. S. 269 - 288
  11. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Author: Weimann, Robert
    Published: 2000
    Publisher:  Cambridge Univ. Press, Cambridge

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Europa-Universität Viadrina, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 0521787351; 0521781302
    RVK Categories: EC 5146 ; HI 3390
    Edition: 1. publ.
    Series: Cambridge studies in Renaissance literature and culture ; 39
    Subjects: Engels; Schriftcultuur; Toneel; Englisch; Theater; Wissen; Theater in literature; Acting in literature; Drama -- Technique; Drama; Aufführung; Textproduktion
    Other subjects: Shakespeare, William, 1564-1616 -- Knowledge -- Performing arts; Shakespeare, William, 1564-1616 -- Criticism and interpretation; Shakespeare, William, 1564-1616 -- Dramatic production; Shakespeare, William (1564-1616)
    Scope: XIII, 298 S.
  12. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Published: 2000
    Publisher:  Cambridge University Press, Cambridge

    Introduction: conjunctures and concepts --Performance and authority in Hamlet (1603) --A new agenda for authority --The "low and ignorant" crust of corruption --Towards a circulation of authority in the theatre --Players, printers, preachers:... more

    Access:
    Aggregator (lizenzpflichtig)

    Location:
    Hochschule Aalen, Bibliothek
    Signature:
    E-Book EBSCO
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    Hochschule Esslingen, Bibliothek
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    E-Book Ebsco
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Introduction: conjunctures and concepts --Performance and authority in Hamlet (1603) --A new agenda for authority --The "low and ignorant" crust of corruption --Towards a circulation of authority in the theatre --Players, printers, preachers: distraction in authority --Pen and voice: versions of doubleness --"Frivolous jestures" vs. matter of "worthiness" (Tamburlaine) --Bifold authority in Troilus and Cressida --"Unworthy scaffold" for "so great an object" (Henry V) --Playing with a difference --To "disfigure, or to present" (A Midsummer Night's Dream) --To "descant" on difference and deformity (Richard III) --The "self-resembled show" --Presentation, or the performant function --Histories in Elizabethan performance --Disparity in mid-Elizabethan theatre history --Reforming "a whole theatre of others" (Hamlet) --From common player to excellent actor --Differentiation, exclusion, withdrawal --Hamlet and the purposes of playing --Renaissance writing and common playing --Unworthy antics in the glass of fashion --"When in one line two crafts directly meet" --(Word)play and the mirror of representation --Space (in)dividable: locus and platea revisited --Space as symbolic form: the locus --The open space: provenance and function --Locus and platea in Macbeth --Banqueting in Timon of Athens --Shakespeare's endings: commodious thresholds --Epilogues vs. closure --Ends of postponement: holiday into workaday --Thresholds to memory and commodity --Liminality: cultural authority 'betwixt-and-between'. Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre and offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, performance theory, and film interpretation, and offers a new approach to understanding Shakespeare

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0521781302; 9780521781305; 0521787351; 9780521787352; 0511013086; 0511484070; 9780511013089; 051111866X; 9780511118661; 9780511484070
    Series: Cambridge studies in Renaissance literature and culture ; 39
    Subjects: Drama; Theater in literature; Acting in literature; Drama; Theater in literature; Acting in literature; Drama; LITERARY CRITICISM ; Shakespeare; DRAMA ; Shakespeare; Acting in literature; Drama ; Technique; Performing arts; Theater; Theater in literature; Toneel; Engels; Schriftcultuur; Criticism, interpretation, etc
    Other subjects: Shakespeare, William 1564-1616; Shakespeare, William 1564-1616; Shakespeare, William 1564-1616; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William 1564-1616; Shakespeare, William; Shakespeare, William
    Scope: Online Ressource (xiii, 298 p.)
    Notes:

    Includes bibliographical references (p. 269-288) and index. - Description based on print version record

    Introduction: conjunctures and conceptsPerformance and authority in Hamlet (1603)A new agenda for authorityThe "low and ignorant" crust of corruptionTowards a circulation of authority in the theatrePlayers, printers, preachers: distraction in authorityPen and voice: versions of doubleness"Frivolous jestures" vs. matter of "worthiness" (Tamburlaine)Bifold authority in Troilus and Cressida"Unworthy scaffold" for "so great an object" (Henry V)Playing with a differenceTo "disfigure, or to present" (A Midsummer Night's Dream)To "descant" on difference and deformity (Richard III)The "self-resembled show"Presentation, or the performant functionHistories in Elizabethan performanceDisparity in mid-Elizabethan theatre historyReforming "a whole theatre of others" (Hamlet)From common player to excellent actorDifferentiation, exclusion, withdrawalHamlet and the purposes of playingRenaissance writing and common playingUnworthy antics in the glass of fashion"When in one line two crafts directly meet"(Word)play and the mirror of representationSpace (in)dividable: locus and platea revisitedSpace as symbolic form: the locusThe open space: provenance and functionLocus and platea in MacbethBanqueting in Timon of AthensShakespeare's endings: commodious thresholdsEpilogues vs. closureEnds of postponement: holiday into workadayThresholds to memory and commodityLiminality: cultural authority 'betwixt-and-between'.
  13. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Author: Weimann, Robert
    Published: 2006
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Location:
    Universitätsbibliothek Gießen
    Signature:
    FH Angl KS WEI V 2
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    Source: Union catalogues
    Contributor: Higbee, Helen
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521787351; 9780521787352; 0521781302; 9780521781305
    RVK Categories: EC 5146 ; HI 3390
    Edition: digital print.
    Series: Cambridge studies in Renaissance literature and culture ; 39
    Subjects: Drama; Theater
    Other subjects: Shakespeare, William (1564-1616)
    Scope: XIII, 298 S.
    Notes:

    Literaturverz. S. 269 - 288
  14. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Author: Weimann, Robert
    Published: 2000
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521781302; 0521787351
    RVK Categories: EC 5146 ; HI 3390
    Edition: 1. publ.
    Series: Cambridge studies in Renaissance literature and culture ; 39
    Subjects: Theater in literature; Acting in literature; Array; Array; Array; Array; Drama
    Scope: XIII, 298 S.
    Notes:

    Literaturverz. S. 269 - 288
  15. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Author: Weimann, Robert
    Published: 2000
    Publisher:  Cambridge University Press, Cambridge, U.K

    Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre and offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent... more

    Location:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Duale Hochschule Baden-Württemberg Heidenheim, Bibliothek
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    e-Book Academic Complete
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    Bibliothek LIV HN Sontheim
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    ProQuest Academic Complete
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    Bibliothek LIV HN Sontheim
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    ProQuest Academic Complete
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    Duale Hochschule Baden-Württemberg Stuttgart, Campus Horb, Bibliothek
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
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    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
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    ProQuest
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    Duale Hochschule Baden-Württemberg Mosbach, Bibliothek
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    Hochschulbibliothek Friedensau
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    Online-Ressource
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    Duale Hochschule Baden-Württemberg Ravensburg, Bibliothek
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    Duale Hochschule Baden-Württemberg Stuttgart, Bibliothek
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    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
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    Duale Hochschule Baden-Württemberg Villingen-Schwenningen, Bibliothek
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    Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre and offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, performance theory, and film interpretation, and offers a new approach to understanding Shakespeare

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0521787351; 0521781302
    Series: Cambridge studies in Renaissance literature and culture ; 39
    Subjects: Theater in literature; Acting in literature; Drama; Shakespeare, William ; 1564-1616 ; Knowledge ; Performing arts; Electronic books
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: Online-Ressource (xiii, 298 p), 24 cm
    Notes:

    Includes bibliographical references (p. 269-288) and index

    Electronic reproduction; Available via World Wide Web

    Cover; Half-title; Series-title; Title; Copyright; Dedication; Contents; Preface; Introduction: conjunctures and concepts; 1 Performance and authority in Hamlet (1603); 2 A new agenda for authority; 3 Pen and voice: versions of doubleness; 4 Playing with a difference; 5 Histories in Elizabethan performance; 6 Hamlet and the purposes of playing; 7 Space (in)dividable: locus and platea revisited; 8 Shakespeare's endings: commodious thresholds; Afterword: thresholds forever after; Notes; Works cited; Index
  16. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Author: Weimann, Robert
    Published: 2000
    Publisher:  Cambridge University Press, Cambridge

    Location:
    Jacobs University Bremen gGmbH, IRC-Library
    Signature:
    PR3034 .W45 2000
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521781302; 0521787351
    Other identifier:
    199-87468
    Series: Cambridge studies in Renaissance literature and culture
    Subjects: Theater in literature; Acting in literature; Drama
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: xiii, 298 p, 24 cm
    Notes:

    Includes bibliographical references and index
  17. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Author: Weimann, Robert
    Published: 2000
    Publisher:  Cambridge University Press, Cambridge [u.a.]

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 414062
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    Universitätsbibliothek Braunschweig
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    Jm-912
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    Technische Universität Chemnitz, Universitätsbibliothek
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    HI 3390 wei
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    Universitätsbibliothek Freiburg
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    GE 2001/1593
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2001 A 19094
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    A 8.8. Shak 3.7.3.-2
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    Universitätsbibliothek Heidelberg
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    2001 A 8747
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    Anglistisches Seminar der Universität, Bibliothek
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    SHA FD 1618
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    16 | SHA | WEI | Aut
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    eng 879:s527:q/w23
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    Universitätsbibliothek Leipzig
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    320233
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    Sh 687
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521781302; 0521787351
    Other identifier:
    9780521787352
    RVK Categories: EC 5146 ; HI 3390
    Edition: 1. publ.
    Series: Cambridge studies in Renaissance literature and culture ; 39
    Subjects: Theater in literature; Acting in literature; Drama
    Other subjects: Shakespeare, William; Shakespeare, William; Shakespeare, William; Array; Array; Array; Theater in literature; Acting in literature; Array
    Scope: XIII, 298 S
    Notes:

    Literaturverz. S. 269 - 288

    Literaturverz. S. 269 - 288
  18. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Author: Weimann, Robert
    Published: 2000
    Publisher:  Cambridge Univ. Press, Cambridge

    Location:
    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
    Signature:
    01/HI 3390 W422
    Inter-library loan:
    No inter-library loan
    Title in the local catalogue:
    https://hds.hebis.de/ubffm/Record/HEB093396740
    Export to reference management software   RIS file
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    Source: Specialised Catalogue of Comparative Literature
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521787351; 0521781302
    RVK Categories: EC 5146 ; HI 3390
    Series: Cambridge studies in Renaissance literature and culture ; 39
    Subjects: Drama; Theater
    Other subjects: Shakespeare, William (1564-1616)
    Scope: XIII, 298 S.
    Notes:

    Literaturverz. S. 269 - 288