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Displaying results 1 to 7 of 7.

  1. Black chant
    languages of African-American postmodernism
    Author: Nielsen, Aldon Lynn
    Published: 1997
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Staats- und Universitätsbibliothek Bremen
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    a ang 913.6/520
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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Universitätsbibliothek Greifswald
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    700/H 1956
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521555108; 0521555264
    Series: Cambridge studies in American literature and culture ; 105
    Subjects: American poetry; American poetry; African Americans; Music and literature; Postmodernism (Literature); Avant-garde (Aesthetics); Modernism (Literature); African Americans in literature; African American arts; Race in literature; Schwarze; Lyrik; Postmoderne
    Scope: XIII, 288 S., Ill., 23 cm
    Notes:

    Literaturverz. S. 267 - 280
  2. Black chant
    languages of African-American postmodernism
    Author: Nielsen, Aldon Lynn
    Published: 1997
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
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    Universität Marburg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521555264; 0521555108
    RVK Categories: HU 1728 ; HU 1769
    Series: Cambridge studies in American literature and culture ; 105
    Subjects: Schwarze; Lyrik; Postmoderne
    Scope: XIII, 288 S.
    Notes:

    Literaturverz. S. 267 - 280
  3. Black chant
    languages of African-American postmodernism
    Author: Nielsen, Aldon L.
    Published: 1997
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    A valuable reassessment of African-American cultural history, Black Chant traces the embrace and transformation of black modernisms and postmodernisms by African-American poets in the decades after World War II. Centering on groups of avant-garde... more

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    Universitätsbibliothek Augsburg
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    A valuable reassessment of African-American cultural history, Black Chant traces the embrace and transformation of black modernisms and postmodernisms by African-American poets in the decades after World War II. Centering on groups of avant-garde poets such as the Howard/Dasein poets, the Freelance group, the Umbra group, and others, Nielsen attends to those poets whose radical forms of new writing formed the basis for much of what followed in the Black Arts period. As well, he undertakes a critical rediscovery of recordings by the poets Amiri Baraka, Jayne Cortez, and Elouise Loftin, who worked with jazz composers and performers on compositions that combined post-Bop jazz with postmodern verse forms.

     
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  4. Black chant
    languages of African-American postmodernism
    Author: Nielsen, Aldon Lynn
    Published: 1997
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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  5. Black chant
    languages of African-American postmodernism
    Author: Nielsen, Aldon L.
    Published: 1997
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    A valuable reassessment of African-American cultural history, Black Chant traces the embrace and transformation of black modernisms and postmodernisms by African-American poets in the decades after World War II. Centering on groups of avant-garde... more

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    Freie Universität Berlin, Universitätsbibliothek
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    A valuable reassessment of African-American cultural history, Black Chant traces the embrace and transformation of black modernisms and postmodernisms by African-American poets in the decades after World War II. Centering on groups of avant-garde poets such as the Howard/Dasein poets, the Freelance group, the Umbra group, and others, Nielsen attends to those poets whose radical forms of new writing formed the basis for much of what followed in the Black Arts period. As well, he undertakes a critical rediscovery of recordings by the poets Amiri Baraka, Jayne Cortez, and Elouise Loftin, who worked with jazz composers and performers on compositions that combined post-Bop jazz with postmodern verse forms.

     
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  6. Black chant
    languages of African-American postmodernism
    Author: Nielsen, Aldon Lynn
    Published: 1997
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521555108; 0521555264
    RVK Categories: HU 1728 ; HU 1769
    Edition: 1. publ.
    Series: Cambridge studies in American literature and culture ; 105
    Subjects: Array; Array; Array; Array; Array; Array; Array; African Americans in literature; African American arts; Race in literature
    Scope: XIII, 288 S., 23 cm
    Notes:

    Literaturverz. S. 267 - 280
  7. Black chant
    languages of African-American postmodernism
    Author: Nielsen, Aldon Lynn
    Published: 1997
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 288336
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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