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  1. The complicity of imagination
    the American renaissance, contests of authority, and seventeenth-century English culture
    Author: Grey, Robin
    Published: 1997
    Publisher:  Cambridge University Press, Cambridge [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    The Complicity of Imagination examines the rich and complex relationship between four nineteenth-century authors and the culture and politics of seventeenth-century England. Challenging the notion that antebellum Americans were burdened by a sense of... more

    Bibliothek der Hochschule Mainz, Untergeschoss
    No inter-library loan

     

    The Complicity of Imagination examines the rich and complex relationship between four nineteenth-century authors and the culture and politics of seventeenth-century England. Challenging the notion that antebellum Americans were burdened by a sense of cultural inferiority in both their thought and their writing, this study portrays an American Renaissance whose writers were familiar enough with the literature and controversies of seventeenth-century England to appropriate its cultural artifacts for their own purposes. American writers such as Emerson, Fuller, Thoreau, and Melville consciously absorbed literary, philosophical, and political strategies from their reading in the earlier period in order to interrogate the orthodoxies of American Whigs, as well as the agenda of the radical Democratic 'Young Americans.' By exploring the broader cultural implications of intertextual relationships, this book demonstrates how literary texts participate in the artistic, political, and theological tensions within American culture.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0511003730; 9780511003738; 9780521495387; 0521495385
    RVK Categories: HR 1611 ; HT 1710 ; HT 1520
    Series: Cambridge studies in American literature and culture ; 106
    Subjects: Rezeption; Englisch; England <Motiv>; New England Renaissance; Literatur
    Other subjects: Fuller, Margaret (1810-1850); Melville, Herman (1819-1891); Emerson, Ralph Waldo (1803-1882)
    Scope: 1 Online-Ressource (viii, 294 pages)
    Notes:

    Includes bibliographical references (pages 229-280) and index

  2. The complicity of imagination
    the American renaissance, contests of authority, and seventeenth-century English culture
    Published: 1997
    Publisher:  Cambridge University Press, Cambridge

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0511003730; 0521495385; 9780511003738
    Series: Cambridge studies in American literature and culture ; 106
    Subjects: LITERARY CRITICISM / American / General; Engels; Amerikaans; Bellettrie; Englisch; Wissen; American literature; English literature; English literature; American literature; Kultur
    Other subjects: Fuller, Margaret / 1810-1850; Emerson, Ralph Waldo / 1803-1882; Thoreau, Henry David / 1817-1862; Melville, Herman / 1819-1891; Fuller, Margaret (1810-1850); Emerson, Ralph Waldo (1803-1882); Thoreau, Henry David (1817-1862); Melville, Herman (1819-1891); Thoreau, Henry David (1817-1862); Emerson, Ralph Waldo (1803-1882); Melville, Herman (1819-1891); Fuller, Margaret (1810-1850)
    Scope: 1 Online-Ressource (viii, 294 pages)
    Notes:

    Includes bibliographical references (pages 229-280) and index

    The Complicity of Imagination examines the rich and complex relationship between four nineteenth-century authors and the culture and politics of seventeenth-century England. Challenging the notion that antebellum Americans were burdened by a sense of cultural inferiority in both their thought and their writing, this study portrays an American Renaissance whose writers were familiar enough with the literature and controversies of seventeenth-century England to appropriate its cultural artifacts for their own purposes

    American writers such as Emerson, Fuller, Thoreau, and Melville consciously absorbed literary, philosophical, and political strategies from their reading in the earlier period in order to interrogate the orthodoxies of American Whigs, as well as the agenda of the radical Democratic 'Young Americans.' By exploring the broader cultural implications of intertextual relationships, this book demonstrates how literary texts participate in the artistic, political, and theological tensions within American culture

    Introduction: Antebellum America and the culture of seventeenth-century England -- Cultural predicaments and authorial responses -- "A seraph's eloquence": Emerson's inspired language and Milton's apocalyptic prose -- Margaret Fuller's "The Two Herberts," Emerson, and the disavowal of sequestered virtue -- "As if a green bough were laid across the page": Thoreau's seventeenth-century landscapes and extravagant personae -- Melville's Mardi and Moby-Dick, marvelous travel narratives, and seventeenth-century methods of inquiry -- Surmising the infidel: Melville reads Milton

  3. The complicity of imagination
    the American renaissance, contests of authority, and seventeenth-century English culture
    Published: 1997
    Publisher:  Cambridge University Press, Cambridge

    The Complicity of Imagination examines the rich and complex relationship between four nineteenth-century authors and the culture and politics of seventeenth-century England. Challenging the notion that antebellum Americans were burdened by a sense of... more

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    Hochschule Aalen, Bibliothek
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    Hochschule Esslingen, Bibliothek
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    The Complicity of Imagination examines the rich and complex relationship between four nineteenth-century authors and the culture and politics of seventeenth-century England. Challenging the notion that antebellum Americans were burdened by a sense of cultural inferiority in both their thought and their writing, this study portrays an American Renaissance whose writers were familiar enough with the literature and controversies of seventeenth-century England to appropriate its cultural artifacts for their own purposes American writers such as Emerson, Fuller, Thoreau, and Melville consciously absorbed literary, philosophical, and political strategies from their reading in the earlier period in order to interrogate the orthodoxies of American Whigs, as well as the agenda of the radical Democratic 'Young Americans.' By exploring the broader cultural implications of intertextual relationships, this book demonstrates how literary texts participate in the artistic, political, and theological tensions within American culture

     

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