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  1. Dreams for dead bodies
    blackness, labor, and the corpus of American detective fiction
    Author: Robinson, Michelle
    Published: 2011
    Publisher:  University of Michigan Press, Ann Arbor ; HathiTrust Digital Library, [Erscheinungsort nicht ermittelbar]

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  2. Dreams for dead bodies
    blackness, labor, and the corpus of American detective fiction
    Author: Robinson, M. Michelle
    Published: 2016
    Publisher:  University of Michigan Press, Ann Arbor ; OAPEN Foundation, The Hague

    Dreams for Dead Bodies: Blackness, Labor, and the Corpus of American Detective Fiction offers new arguments about the origins of detective fiction in the United States, tracing the lineage of the genre back to unexpected texts and uncovering how... more

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    Dreams for Dead Bodies: Blackness, Labor, and the Corpus of American Detective Fiction offers new arguments about the origins of detective fiction in the United States, tracing the lineage of the genre back to unexpected texts and uncovering how authors such as Edgar Allan Poe, Mark Twain, Pauline Hopkins, and Rudolph Fisher made use of the genre's puzzle-elements to explore the shifting dynamics of race and labor in America. The author constructs an interracial genealogy of detective fiction to create a nuanced picture of the ways that black and white authors appropriated and cultivated literary conventions that coalesced in a recognizable genre at the turn of the twentieth century. These authors tinkered with detective fiction's puzzle-elements to address a variety of historical contexts, including the exigencies of chattel slavery, the erosion of working-class solidarities by racial and ethnic competition, and accelerated mass production. Dreams for Dead Bodies demonstrates that nineteenth- and early twentieth-century American literature was broadly engaged with detective fiction, and that authors rehearsed and refined its formal elements in literary works typically relegated to the margins of the genre. By looking at these margins, the book argues, we can better understand the origins and cultural functions of American detective fiction Introduction: The Original Plotmaker -- 1. Reverse type -- 2. The art of framing lies -- 3. To have been possessed -- 4. The great work remaining before us -- 5. Prescription: homicide? -- Conclusion: Dream within a dream

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780472900602; 0472119818; 0472121812; 0472900609; 9780472119813; 9780472121816
    Series: Array
    Array
    Subjects: Detective and mystery stories, American; African Americans in literature; Working class in literature; Slavery in literature; Work in literature
    Scope: 1 Online-Ressource (vii, 251 pages)
  3. Dreams for dead bodies
    blackness, labor, and the corpus of American detective fiction
    Author: Robinson, Michelle
    Published: [2016]; ©2016
    Publisher:  University of Michigan Press, Ann Arbor

    Dreams for Dead Bodies: Blackness, Labor, and the Corpus of American Detective Fiction offers new arguments about the origins of detective fiction in the United States, tracing the lineage of the genre back to unexpected texts and uncovering how... more

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    Dreams for Dead Bodies: Blackness, Labor, and the Corpus of American Detective Fiction offers new arguments about the origins of detective fiction in the United States, tracing the lineage of the genre back to unexpected texts and uncovering how authors such as Edgar Allan Poe, Mark Twain, Pauline Hopkins, and Rudolph Fisher made use of the genre's puzzle-elements to explore the shifting dynamics of race and labor in America. The author constructs an interracial genealogy of detective fiction to create a nuanced picture of the ways that black and white authors appropriated and cultivated literary conventions that coalesced in a recognizable genre at the turn of the twentieth century. These authors tinkered with detective fiction's puzzle-elements to address a variety of historical contexts, including the exigencies of chattel slavery, the erosion of working-class solidarities by racial and ethnic competition, and accelerated mass production. Dreams for Dead Bodies demonstrates that nineteenth- and early twentieth-century American literature was broadly engaged with detective fiction, and that authors rehearsed and refined its formal elements in literary works typically relegated to the margins of the genre. By looking at these margins, the book argues, we can better understand the origins and cultural functions of American detective fiction

     
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  4. Dreams for dead bodies
    blackness, labor, and the corpus of American detective fiction
    Author: Robinson, M. Michelle
    Published: 2016
    Publisher:  University of Michigan Press, Ann Arbor ; OAPEN Foundation, The Hague

    Dreams for Dead Bodies: Blackness, Labor, and the Corpus of American Detective Fiction offers new arguments about the origins of detective fiction in the United States, tracing the lineage of the genre back to unexpected texts and uncovering how... more

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    Dreams for Dead Bodies: Blackness, Labor, and the Corpus of American Detective Fiction offers new arguments about the origins of detective fiction in the United States, tracing the lineage of the genre back to unexpected texts and uncovering how authors such as Edgar Allan Poe, Mark Twain, Pauline Hopkins, and Rudolph Fisher made use of the genre's puzzle-elements to explore the shifting dynamics of race and labor in America. The author constructs an interracial genealogy of detective fiction to create a nuanced picture of the ways that black and white authors appropriated and cultivated literary conventions that coalesced in a recognizable genre at the turn of the twentieth century. These authors tinkered with detective fiction's puzzle-elements to address a variety of historical contexts, including the exigencies of chattel slavery, the erosion of working-class solidarities by racial and ethnic competition, and accelerated mass production. Dreams for Dead Bodies demonstrates that nineteenth- and early twentieth-century American literature was broadly engaged with detective fiction, and that authors rehearsed and refined its formal elements in literary works typically relegated to the margins of the genre. By looking at these margins, the book argues, we can better understand the origins and cultural functions of American detective fiction Introduction: The Original Plotmaker -- 1. Reverse type -- 2. The art of framing lies -- 3. To have been possessed -- 4. The great work remaining before us -- 5. Prescription: homicide? -- Conclusion: Dream within a dream

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780472900602; 0472119818; 0472121812; 0472900609; 9780472119813; 9780472121816
    Series: Array
    Array
    Subjects: Detective and mystery stories, American; African Americans in literature; Working class in literature; Slavery in literature; Work in literature
    Scope: 1 Online-Ressource (vii, 251 pages)
  5. Dreams for dead bodies
    blackness, labor, and the corpus of American detective fiction
    Author: Robinson, Michelle
    Published: [2016]
    Publisher:  University of Michigan Press, Ann Arbor

    Introduction: The original plotmaker -- Reverse type -- The art of framing lies -- To have been possessed -- The great work remaining before us -- Prescription: Homicide? -- Conclusion: dream within a dream. Dreams of Dead Bodies: Blackness, Labor,... more

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    Introduction: The original plotmaker -- Reverse type -- The art of framing lies -- To have been possessed -- The great work remaining before us -- Prescription: Homicide? -- Conclusion: dream within a dream. Dreams of Dead Bodies: Blackness, Labor, and Detective Fiction in American Literature argues that the detective genre's lineage lies in unexpected texts: experimental works on the margins of what we recognize as classical detective fiction today. It shows that authors like Edgar Allan Poe, Mark Twain, Pauline Hopkins, and Rudolph Fisher drew on detective fiction's puzzle-elements to wrestle with complicated questions about race and labor in the United States, such that the emergence of detective fiction is itself bound to a history of interracial conflicts and labor struggles. Unlike previous studies of detective fiction, this book foregrounds an interracial genealogy of detective fiction, building a nuanced picture of the ways that both black and white American authors appropriated and cultivated literary conventions that finally coalesced in a recognizable genre at the turn of the twentieth century. These authors tinkered with detective fiction's puzzle-elements to address a variety of historical contexts, including the exigencies of chattel slavery, the erosion of working class solidarities by racial and ethnic competition, and accelerated mass production. Dreams for Dead Bodies demonstrates that nineteenth- and early twentieth-century American literature was broadly engaged with detective fiction, and that authors rehearsed and refined its formal elements in literary works typically relegated to the margins of the genre. By looking at these margins, the book argues, we can better understand the origins and cultural functions of American detective fiction

     
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  6. Dreams for dead bodies
    blackness, labor, and the corpus of American detective fiction
    Author: Robinson, Michelle
    Published: [2016]; ©2016
    Publisher:  University of Michigan Press, Ann Arbor

    Introduction: The Original Plotmaker -- 1. Reverse type -- 2. The art of framing lies -- 3. To have been possessed -- 4. The great work remaining before us -- 5. Prescription: homicide? -- Conclusion: Dream within a dream Dreams for Dead Bodies:... more

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    Introduction: The Original Plotmaker -- 1. Reverse type -- 2. The art of framing lies -- 3. To have been possessed -- 4. The great work remaining before us -- 5. Prescription: homicide? -- Conclusion: Dream within a dream Dreams for Dead Bodies: Blackness, Labor, and the Corpus of American Detective Fiction offers new arguments about the origins of detective fiction in the United States, tracing the lineage of the genre back to unexpected texts and uncovering how authors such as Edgar Allan Poe, Mark Twain, Pauline Hopkins, and Rudolph Fisher made use of the genre's puzzle-elements to explore the shifting dynamics of race and labor in America. The author constructs an interracial genealogy of detective fiction to create a nuanced picture of the ways that black and white authors appropriated and cultivated literary conventions that coalesced in a recognizable genre at the turn of the twentieth century. These authors tinkered with detective fiction's puzzle-elements to address a variety of historical contexts, including the exigencies of chattel slavery, the erosion of working-class solidarities by racial and ethnic competition, and accelerated mass production. Dreams for Dead Bodies demonstrates that nineteenth- and early twentieth-century American literature was broadly engaged with detective fiction, and that authors rehearsed and refined its formal elements in literary works typically relegated to the margins of the genre. By looking at these margins, the book argues, we can better understand the origins and cultural functions of American detective fiction

     
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  7. Dreams for dead bodies
    blackness, labor, and the corpus of American detective fiction
    Author: Robinson, Michelle
    Published: [2016]; ©2016
    Publisher:  University of Michigan Press, Ann Arbor

    Introduction: The Original Plotmaker -- 1. Reverse type -- 2. The art of framing lies -- 3. To have been possessed -- 4. The great work remaining before us -- 5. Prescription: homicide? -- Conclusion: Dream within a dream Dreams for Dead Bodies:... more

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    Introduction: The Original Plotmaker -- 1. Reverse type -- 2. The art of framing lies -- 3. To have been possessed -- 4. The great work remaining before us -- 5. Prescription: homicide? -- Conclusion: Dream within a dream Dreams for Dead Bodies: Blackness, Labor, and the Corpus of American Detective Fiction offers new arguments about the origins of detective fiction in the United States, tracing the lineage of the genre back to unexpected texts and uncovering how authors such as Edgar Allan Poe, Mark Twain, Pauline Hopkins, and Rudolph Fisher made use of the genre's puzzle-elements to explore the shifting dynamics of race and labor in America. The author constructs an interracial genealogy of detective fiction to create a nuanced picture of the ways that black and white authors appropriated and cultivated literary conventions that coalesced in a recognizable genre at the turn of the twentieth century. These authors tinkered with detective fiction's puzzle-elements to address a variety of historical contexts, including the exigencies of chattel slavery, the erosion of working-class solidarities by racial and ethnic competition, and accelerated mass production. Dreams for Dead Bodies demonstrates that nineteenth- and early twentieth-century American literature was broadly engaged with detective fiction, and that authors rehearsed and refined its formal elements in literary works typically relegated to the margins of the genre. By looking at these margins, the book argues, we can better understand the origins and cultural functions of American detective fiction

     
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  8. Dreams for dead bodies
    blackness, labor, and the corpus of American detective fiction
    Author: Robinson, Michelle
    Published: [2016]; ©2016
    Publisher:  University of Michigan Press, Ann Arbor

    Dreams for Dead Bodies: Blackness, Labor, and the Corpus of American Detective Fiction offers new arguments about the origins of detective fiction in the United States, tracing the lineage of the genre back to unexpected texts and uncovering how... more

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    Dreams for Dead Bodies: Blackness, Labor, and the Corpus of American Detective Fiction offers new arguments about the origins of detective fiction in the United States, tracing the lineage of the genre back to unexpected texts and uncovering how authors such as Edgar Allan Poe, Mark Twain, Pauline Hopkins, and Rudolph Fisher made use of the genre's puzzle-elements to explore the shifting dynamics of race and labor in America. The author constructs an interracial genealogy of detective fiction to create a nuanced picture of the ways that black and white authors appropriated and cultivated literary conventions that coalesced in a recognizable genre at the turn of the twentieth century. These authors tinkered with detective fiction's puzzle-elements to address a variety of historical contexts, including the exigencies of chattel slavery, the erosion of working-class solidarities by racial and ethnic competition, and accelerated mass production. Dreams for Dead Bodies demonstrates that nineteenth- and early twentieth-century American literature was broadly engaged with detective fiction, and that authors rehearsed and refined its formal elements in literary works typically relegated to the margins of the genre. By looking at these margins, the book argues, we can better understand the origins and cultural functions of American detective fiction

     
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