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  1. Proofs of genius
    collected editions from the American revolution to the digital age
    Published: 2015
    Publisher:  University of Michigan Press, Ann Arbor

    "Proofs of Genius: Collected Editions from the American Revolution to the Digital Age is the first extensive study of the collected edition as an editorial genre within American literary history. Unlike editions of an author's "selected works" or... more

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    Hochschule Aalen, Bibliothek
    E-Book JSTOR
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    Orient-Institut Beirut
    Online
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Universitätsbibliothek Clausthal
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    Hochschule für Bildende Künste Dresden, Bibliothek
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    Hochschule für Musik 'Carl Maria von Weber', Hochschulbibliothek
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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Zeppelin Universität gGmbH, Bibliothek
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    Max-Planck-Institut für ethnologische Forschung, Bibliothek
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    HTWG Hochschule Konstanz Technik, Wirtschaft und Gestaltung, Bibliothek
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    Hochschule für Technik, Wirtschaft und Kultur Leipzig, Hochschulbibliothek
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    Zentrum für Wissensmanagement, Bibliothek Lippstadt
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    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
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    Universitätsbibliothek Mannheim
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    Hochschule für Wirtschaft und Umwelt Nürtingen-Geislingen, Bibliothek Nürtingen
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    Universitätsbibliothek Osnabrück
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    Hochschulbibliothek Reutlingen (Lernzentrum)
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    "Proofs of Genius: Collected Editions from the American Revolution to the Digital Age is the first extensive study of the collected edition as an editorial genre within American literary history. Unlike editions of an author's "selected works" or thematic anthologies, which clearly indicate the presence of non-authorial editorial intervention, collected editions have typically been arranged to imply an unmediated documentary completeness. By design, the collected edition obscures its own role in shaping the cultural reception of the author. In Proofs of Genius, Amanda Gailey argues that decisions to re-edit major authorial corpora are acts of canon-formation in miniature that indicate more foundational shifts in the way a culture views its literature and itself. By combining a theoretically-informed approach with a broad historical view of collected editions from the late eighteenth century to the present (including the rise of digital editions), Gailey fills a gap in the textual scholarship of the editing history of major figures like Emily Dickinson and Walt Whitman and of the American literary canon itself"-- America collecting itself : national identity and intellectual property in the Early Republic -- Dickinson's remains -- Whitman's shrines -- Cold War editing and the rise of the "American literature industry" -- The death of the author has been greatly exaggerated.

     

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  2. Proofs of genius
    collected editions from the American revolution to the digital age
    Published: 2015
    Publisher:  University of Michigan Press, Ann Arbor ; JSTOR, New York

    "Proofs of Genius: Collected Editions from the American Revolution to the Digital Age is the first extensive study of the collected edition as an editorial genre within American literary history. Unlike editions of an author's "selected works" or... more

    Access:
    Verlag (kostenfrei)
    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
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    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    Bibliothek der Frankfurt University of Applied Sciences
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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Universität Marburg, Universitätsbibliothek
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    "Proofs of Genius: Collected Editions from the American Revolution to the Digital Age is the first extensive study of the collected edition as an editorial genre within American literary history. Unlike editions of an author's "selected works" or thematic anthologies, which clearly indicate the presence of non-authorial editorial intervention, collected editions have typically been arranged to imply an unmediated documentary completeness. By design, the collected edition obscures its own role in shaping the cultural reception of the author. In Proofs of Genius, Amanda Gailey argues that decisions to re-edit major authorial corpora are acts of canon-formation in miniature that indicate more foundational shifts in the way a culture views its literature and itself. By combining a theoretically-informed approach with a broad historical view of collected editions from the late eighteenth century to the present (including the rise of digital editions), Gailey fills a gap in the textual scholarship of the editing history of major figures like Emily Dickinson and Walt Whitman and of the American literary canon itself"--...

     

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  3. Proofs of genius
    collected editions from the American revolution to the digital age
    Published: 2015
    Publisher:  University of Michigan Press, Ann Arbor

    "Proofs of Genius: Collected Editions from the American Revolution to the Digital Age is the first extensive study of the collected edition as an editorial genre within American literary history. Unlike editions of an author's "selected works" or... more

    Access:
    Verlag (kostenfrei)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    "Proofs of Genius: Collected Editions from the American Revolution to the Digital Age is the first extensive study of the collected edition as an editorial genre within American literary history. Unlike editions of an author's "selected works" or thematic anthologies, which clearly indicate the presence of non-authorial editorial intervention, collected editions have typically been arranged to imply an unmediated documentary completeness. By design, the collected edition obscures its own role in shaping the cultural reception of the author. In Proofs of Genius, Amanda Gailey argues that decisions to re-edit major authorial corpora are acts of canon-formation in miniature that indicate more foundational shifts in the way a culture views its literature and itself. By combining a theoretically-informed approach with a broad historical view of collected editions from the late eighteenth century to the present (including the rise of digital editions), Gailey fills a gap in the textual scholarship of the editing history of major figures like Emily Dickinson and Walt Whitman and of the American literary canon itself"-- America collecting itself : national identity and intellectual property in the Early Republic -- Dickinson's remains -- Whitman's shrines -- Cold War editing and the rise of the "American literature industry" -- The death of the author has been greatly exaggerated.

     

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  4. Proofs of genius :
    collected editions from the American Revolution to the Digital Age /
    Published: [2015]
    Publisher:  University of Michigan Press,, Ann Arbor :

    "Proofs of Genius: Collected Editions from the American Revolution to the Digital Age is the first extensive study of the collected edition as an editorial genre within American literary history. Unlike editions of an author's "selected works" or... more

     

    "Proofs of Genius: Collected Editions from the American Revolution to the Digital Age is the first extensive study of the collected edition as an editorial genre within American literary history. Unlike editions of an author's "selected works" or thematic anthologies, which clearly indicate the presence of non-authorial editorial intervention, collected editions have typically been arranged to imply an unmediated documentary completeness. By design, the collected edition obscures its own role in shaping the cultural reception of the author. In Proofs of Genius, Amanda Gailey argues that decisions to re-edit major authorial corpora are acts of canon-formation in miniature that indicate more foundational shifts in the way a culture views its literature and itself. By combining a theoretically-informed approach with a broad historical view of collected editions from the late eighteenth century to the present (including the rise of digital editions), Gailey fills a gap in the textual scholarship of the editing history of major figures like Emily Dickinson and Walt Whitman and of the American literary canon itself"--

     

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    Content information
    Image (Thumbnail cover image)
    OAPEN (Creative Commons License)
    Source: Union catalogues
    Media type: Ebook
    Format: Online
    ISBN: 9780472121267; 047212126X; 9780472900091; 0472900099
    Other identifier:
    10.3998/etlc.13607061.0001.001
    Series: Editorial theory and literary criticism
    Subjects: American literature; American literature; Literature publishing; Literature publishing; Editions; Editing; Canon (Literature); Authorship; Littérature américaine; Littérature américaine; Littérature; Littérature; Éditions; Édition; Chefs-d'œuvre (Littérature); Art d'écrire; Literary theory.; Literature: history & criticism.; LITERARY CRITICISM; American literature; Art appreciation.; Authorship.; Canon (Literature); Editing.; Editions.; Literature publishing.
    Other subjects: Dickinson, Emily, (1830-1886); Whitman, Walt, (1819-1892); Dickinson, Emily, (1830-1886.); Whitman, Walt, (1819-1892.)
    Scope: 1 online resource
    Notes:

    Includes bibliographical references (pages 141-156) and index.

    America collecting itself : national identity and intellectual property in the Early Republic -- Dickinson's remains -- Whitman's shrines -- Cold War editing and the rise of the "American literature industry" -- The death of the author has been greatly exaggerated.