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  1. Framed
    the new woman criminal in British culture at the Fin de Siècle
    Author: Miller, Elizabeth Carolyn
    Published: 2008
    Publisher:  University of Michigan Press, Ann Arbor

    Framed uses fin de siècle British crime narrative to pose the question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque? The author addresses this... more

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    Framed uses fin de siècle British crime narrative to pose the question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque? The author addresses this question, examining popular literary and cinematic culture from roughly 1880 to 1914 to shed light on an otherwise overlooked social and cultural type: the conspicuously glamorous New Woman criminal. In so doing, she breaks with the many Foucauldian studies of crime to emphasize the genuinely subversive aspects of these popular female figures. Drawing on a rich body of archival material, Miller argues that the New Woman Criminal exploited iconic elements of late nineteenth- and early twentieth-century commodity culture, including cosmetics and clothing, to fashion an illicit identity that enabled her to subvert legal authority in both the public and the private spheres.

     
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  2. Framed
    The New Woman Criminal in British Culture at the Fin de Siecle
    Author: Miller, Elizabeth Carolyn
    Published: 2008
    Publisher:  University of Michigan Press, Ann Arbor ; Project MUSE, Baltimore, Md.

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780472024469; 0472024469
    DDC Categories: 340; 940
    Scope: 1 Online-Ressource (xii, 284 p.), Ill.
    Notes:

    Includes filmography: p. 253

    Includes bibliographical references (p. 255-272) and index

    Description based on print version record
  3. Framed
    the new woman criminal in British culture at the Fin de Siècle
    Author: Miller, Elizabeth Carolyn
    Published: c2008
    Publisher:  University of Michigan Press, Ann Arbor

    Framed uses fin de siècle British crime narrative to pose the question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque? The author addresses this... more

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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Framed uses fin de siècle British crime narrative to pose the question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque? The author addresses this question, examining popular literary and cinematic culture from roughly 1880 to 1914 to shed light on an otherwise overlooked social and cultural type: the conspicuously glamorous New Woman criminal. In so doing, she breaks with the many Foucauldian studies of crime to emphasize the genuinely subversive aspects of these popular female figures. Drawing on a rich body of archival material, Miller argues that the New Woman Criminal exploited iconic elements of late nineteenth- and early twentieth-century commodity culture, including cosmetics and clothing, to fashion an illicit identity that enabled her to subvert legal authority in both the public and the private spheres

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0472024469; 9780472024469
    RVK Categories: HL 1310
    Subjects: Feminism and literature; Literature and society; Detective and mystery films; Women in popular culture; Detective and mystery stories, English; Female offenders in literature; Consumption (Economics) in literature; English fiction; Terrorism in literature
    Scope: Online-Ressource (xii, 284 p), ill
    Notes:

    Includes bibliographical references and index -- Includes filmography

    Private and public eyes : Sherlock Holmes and the invisible womanBeautiful for ever! cosmetics, consumerism, L.T. Meade, and Madame RachelThe limits of the gaze : class, gender, and authority in early British cinemaDynamite, interrupted : gender in James's and Conrad's novels of failed terror"An invitation to dynamite" : female revolutionaries in late-Victorian dynamite narrative.
  4. Framed: The New Woman Criminal in British Culture at the Fin de Siècle.
    Author: Elizabeth Carolyn Miller,
    Published: 2008.
    Publisher:  University of Michigan Press,

    Framed uses fin de siècle British crime narrative to pose a highly interesting question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque? In this... more

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    Hochschule der Polizei des Landes Brandenburg, Hochschulbibliothek
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    Framed uses fin de siècle British crime narrative to pose a highly interesting question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque? In this elegantly argued study, Elizabeth Carolyn Miller addresses this question, examining popular literary and cinematic culture from roughly 1880 to 1914 to shed light on an otherwise overlooked social and cultural type: the conspicuously glamorous New Woman criminal. In so doing, she breaks with the many Foucauldian studies of crime to emphasize the genuinely subversive aspects of these popular female figures. Drawing on a rich body of archival material, Miller argues that the New Woman Criminal exploited iconic elements of late nineteenth- and early twentieth-century commodity culture, including cosmetics and clothing, to fashion an illicit identity that enabled her to subvert legal authority in both the public and the private spheres.

     
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    Content information
    Full text available: 2009. (Available in OAPEN (Open Access Publishing in European Networks).)
    Full text available: 2008. (Available in Project Muse Open Access ebooks.)
    Full text available: 2008. (Available in Books at JSTOR: Open Access.)
    Source: Union catalogues
    Media type: Ebook
    Format: Online
    ISBN: 9780472024469; 0472024469; 9780472050444; 0472050443; 9780472070442; 0472070444; 9780472900473; 0472900471; 9781282445246; 1282445243
    Parent title: Books at JSTOR: Open Access; JSTOR
    OAPEN (Open Access Publishing in European Networks); OAPEN
    Subjects: Women in popular culture; Detective and mystery films; Literature and society; Feminism and literature; Consumption (Economics) in literature.; Terrorism in literature.; Female offenders in literature.; English fiction; Detective and mystery stories, English; Consumption (Economics) in literature.; Detective and mystery films.; Detective and mystery stories, English.; English fiction.; Female offenders in literature.; Feminism and literature.; Literature and society.; Terrorism in literature.; Women in popular culture.; English Literature.; English.; Languages & Literatures.
    Scope: 1 online resource
    Notes:

    Directory of Open Access Books: DOAB.

    Private and public eyes : Sherlock Holmes and the invisible woman -- Beautiful for ever! cosmetics, consumerism, L.T. Meade, and Madame Rachel -- The limits of the gaze : class, gender, and authority in early British cinema -- Dynamite, interrupted : gender in James's and Conrad's novels of failed terror -- "An invitation to dynamite" : female revolutionaries in late-Victorian dynamite narrative.
  5. Framed
    the new woman criminal in British culture at the Fin de Siècle
    Author: Miller, Elizabeth Carolyn
    Published: c2008
    Publisher:  University of Michigan Press, Ann Arbor

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Content information
    Volltext (kostenfrei)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780472024469; 0472024469
    RVK Categories: HL 1310
    Subjects: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Frauenkriminalität / Motiv / Roman / englischer; Roman / englischer / Motiv / Frauenkriminalität; Kriminalliteratur / englische; Kriminalfilm / Grossbritannien; Kriminalliteratur / englische / Geschichte 19. Jh; Literatur; Weibliche Kriminelle (Motiv); Kultur; Weibliche Kriminelle; Geschichte; Detective and mystery stories, English; English fiction; Female offenders in literature; Terrorism in literature; Consumption (Economics) in literature; Feminism and literature; Literature and society; Detective and mystery films; Women in popular culture; Weibliche Kriminelle; Englisch; Weibliche Kriminelle <Motiv>; Literatur; Kultur
    Scope: 1 Online-Ressource (xii, 284 p.)
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references and index

    Includes filmography

    Private and public eyes : Sherlock Holmes and the invisible woman -- - Beautiful for ever! cosmetics, consumerism, L.T. Meade, and Madame Rachel -- - The limits of the gaze : class, gender, and authority in early British cinema -- - Dynamite, interrupted : gender in James's and Conrad's novels of failed terror -- - "An invitation to dynamite" : female revolutionaries in late-Victorian dynamite narrative

    Framed uses fin de siècle British crime narrative to pose the question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque? The author addresses this question, examining popular literary and cinematic culture from roughly 1880 to 1914 to shed light on an otherwise overlooked social and cultural type: the conspicuously glamorous New Woman criminal. In so doing, she breaks with the many Foucauldian studies of crime to emphasize the genuinely subversive aspects of these popular female figures. Drawing on a rich body of archival material, Miller argues that the New Woman Criminal exploited iconic elements of late nineteenth- and early twentieth-century commodity culture, including cosmetics and clothing, to fashion an illicit identity that enabled her to subvert legal authority in both the public and the private spheres
  6. Framed
    the new woman criminal in British culture at the Fin de Siècle
    Published: 2010
    Publisher:  University of Michigan Press, Ann Arbor

    Framed uses fin de siècle British crime narrative to pose the question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque? The author addresses this... more

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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Framed uses fin de siècle British crime narrative to pose the question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque? The author addresses this question, examining popular literary and cinematic culture from roughly 1880 to 1914 to shed light on an otherwise overlooked social and cultural type: the conspicuously glamorous New Woman criminal. In so doing, she breaks with the many Foucauldian studies of crime to emphasize the genuinely subversive aspects of these popular female figures. Drawing on a rich body of archival material, Miller argues that the New Woman Criminal exploited iconic elements of late nineteenth- and early twentieth-century commodity culture, including cosmetics and clothing, to fashion an illicit identity that enabled her to subvert legal authority in both the public and the private spheres

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780472024469; 0472024469
    Subjects: Detective and mystery stories, English; English fiction; Female offenders in literature; Terrorism in literature; Consumption (Economics) in literature; Feminism and literature; Literature and society; Detective and mystery films; Women in popular culture
    Scope: Online Ressource (xii, 284 p.), ill.
    Notes:

    Includes bibliographical references and index. Includes filmography. - Description based on print version record
  7. Framed
    The New Woman Criminal in British Culture at the Fin de Siecle
    Author: Miller, Elizabeth Carolyn
    Published: 2008
    Publisher:  University of Michigan Press, Ann Arbor

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  8. Framed
    the new woman criminal in British culture at the Fin de Siècle
    Author: Miller, Elizabeth Carolyn
    Published: ©2008
    Publisher:  University of Michigan Press, Ann Arbor

    Framed uses fin de siècle British crime narrative to pose the question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque? The author addresses this... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Unlimited inter-library loan, copies and loan

     

    Framed uses fin de siècle British crime narrative to pose the question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque? The author addresses this question, examining popular literary and cinematic culture from roughly 1880 to 1914 to shed light on an otherwise overlooked social and cultural type: the conspicuously glamorous New Woman criminal. In so doing, she breaks with the many Foucauldian studies of crime to emphasize the genuinely subversive aspects of these popular female figures. Drawing on a rich body of archival material, Miller argues that the New Woman Criminal exploited iconic elements of late nineteenth- and early twentieth-century commodity culture, including cosmetics and clothing, to fashion an illicit identity that enabled her to subvert legal authority in both the public and the private spheres Private and public eyes : Sherlock Holmes and the invisible woman --Beautiful for ever! cosmetics, consumerism, L.T. Meade, and Madame Rachel --The limits of the gaze : class, gender, and authority in early British cinema --Dynamite, interrupted : gender in James's and Conrad's novels of failed terror --"An invitation to dynamite" : female revolutionaries in late-Victorian dynamite narrative.

     
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  9. Framed
    the new woman criminal in British culture at the Fin de Siècle
    Author: Miller, Elizabeth Carolyn
    Published: 2008
    Publisher:  University of Michigan Press, Ann Arbor ; EBSCO Industries, Inc., Birmingham, AL, USA

    Framed uses fin de siècle British crime narrative to pose the question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque? The author addresses this... more

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    Bibliothek der Hochschule Mainz, Untergeschoss
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    No inter-library loan

     

    Framed uses fin de siècle British crime narrative to pose the question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque? The author addresses this question, examining popular literary and cinematic culture from roughly 1880 to 1914 to shed light on an otherwise overlooked social and cultural type: the conspicuously glamorous New Woman criminal. In so doing, she breaks with the many Foucauldian studies of crime to emphasize the genuinely subversive aspects of these popular female figures. Drawing on a rich body of archival material, Miller argues that the New Woman Criminal exploited iconic elements of late nineteenth- and early twentieth-century commodity culture, including cosmetics and clothing, to fashion an illicit identity that enabled her to subvert legal authority in both the public and the private spheres.

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780472024469; 0472024469
    Scope: 1 Online-Ressource (xii, 284 pages), Illustrations
    Notes:

    Includes bibliographical references and index

    Includes filmography
  10. Framed
    the new woman criminal in British culture at the Fin de Siècle
    Author: Miller, Elizabeth Carolyn
    Published: ©2008
    Publisher:  University of Michigan Press, Ann Arbor

    Private and public eyes : Sherlock Holmes and the invisible woman --Beautiful for ever! cosmetics, consumerism, L.T. Meade, and Madame Rachel --The limits of the gaze : class, gender, and authority in early British cinema --Dynamite, interrupted :... more

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    Private and public eyes : Sherlock Holmes and the invisible woman --Beautiful for ever! cosmetics, consumerism, L.T. Meade, and Madame Rachel --The limits of the gaze : class, gender, and authority in early British cinema --Dynamite, interrupted : gender in James's and Conrad's novels of failed terror --"An invitation to dynamite" : female revolutionaries in late-Victorian dynamite narrative. Framed uses fin de siècle British crime narrative to pose the question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque? The author addresses this question, examining popular literary and cinematic culture from roughly 1880 to 1914 to shed light on an otherwise overlooked social and cultural type: the conspicuously glamorous New Woman criminal. In so doing, she breaks with the many Foucauldian studies of crime to emphasize the genuinely subversive aspects of these popular female figures. Drawing on a rich body of archival material, Miller argues that the New Woman Criminal exploited iconic elements of late nineteenth- and early twentieth-century commodity culture, including cosmetics and clothing, to fashion an illicit identity that enabled her to subvert legal authority in both the public and the private spheres

     
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  11. Framed
    the new woman criminal in British culture at the Fin de Siècle
    Author: Miller, Elizabeth Carolyn
    Published: ©2008
    Publisher:  University of Michigan Press, Ann Arbor

    Framed uses fin de siècle British crime narrative to pose the question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque? The author addresses this... more

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    Framed uses fin de siècle British crime narrative to pose the question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque? The author addresses this question, examining popular literary and cinematic culture from roughly 1880 to 1914 to shed light on an otherwise overlooked social and cultural type: the conspicuously glamorous New Woman criminal. In so doing, she breaks with the many Foucauldian studies of crime to emphasize the genuinely subversive aspects of these popular female figures. Drawing on a rich body of archival material, Miller argues that the New Woman Criminal exploited iconic elements of late nineteenth- and early twentieth-century commodity culture, including cosmetics and clothing, to fashion an illicit identity that enabled her to subvert legal authority in both the public and the private spheres Private and public eyes : Sherlock Holmes and the invisible woman --Beautiful for ever! cosmetics, consumerism, L.T. Meade, and Madame Rachel --The limits of the gaze : class, gender, and authority in early British cinema --Dynamite, interrupted : gender in James's and Conrad's novels of failed terror --"An invitation to dynamite" : female revolutionaries in late-Victorian dynamite narrative.

     
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