Includes bibliographical references and index
Guido Convents: Catholics, cinema and power: an introductionPolicies. Resisting the lure of the modern: Catholics, international politics, and the establishment of the International Catholic Office for Cinema (1918-1928)
Dario Edoardo Vigan: The Roman Catholic Church, cinema and the "culture of dialogue": Italian Catholics and the movies after the Second World War
Thomas Doherty: The rise and fall of Catholic Hollywood, or from the production code to the Da Vinci code
Francisco Peredo Castro: Catholicism and Mexican cinema: a secular state, a deeply conservative society and a powerful Catholic hierarchy
Paul Lesch: Leaders. Jean Bernard's fight for 'good' cinema in Luxembourg
Milisande Leventopoulos: An alternative way of moralizing cinema: Father Flipo's remedy for the Catholic Church's propaganda failure in France (1945-1962)
Elena Dagrada: A triple alliance for a Catholic neorealism. Roberto Rossellini according to Felix Morlion, Giulio Andreotti and Gian Luigi Rondi
Karel Dibbetts: Technology and production. A Catholic voice in talking pictures: the international Eidophon Company (1930-1934)
Federico Ruozzi: Pius XII as actor and subject: on the representation of the pope in cinema during the 1940s and 1950s
Tomaso Subini: The failed project of a Catholic neorealism: on Giulio Andreotti, Felix Morlion and Roberto Rossellini
Kevin Rockett: Censorship and control. Protectionism and Catholic film policy in twentieth-century Ireland
Maria Elena de las Carrera: A case of entente cordiale between state and church: Catholics and film control in Argentina (1954-1984)
Mariagrazia Fanchi: The "ideal film". on the transformation of the Italian Catholic film and media policy in the 1950s and the 1960s
Thunnis Van Oort: Exhibition and cinema-going experiences. Separating the sheep from the goats: gendering space in the cinema auditorium in Rucphen (1929)
Daniel Biltereyst: "I think Catholics didn't go to the cinema": Catholic film exhibition strategies and cinema-going experiences in Belgium, 1930s-1960s
Daniela Treveri Gennari.: Moralizing cinema while attracting audiences: Catholic film exhibition in post-war Rome
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