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Displaying results 1 to 5 of 5.

  1. Picturing war in France, 1792-1856
    Author: Hornstein, Katie
    Published: [2017]; © 2017
    Publisher:  Yale University Press, New Haven ; London

    Location:
    Kunst- und Museumsbibliothek der Stadt Köln
    Signature:
    KMB/EPE 2 2017
    Inter-library loan:
    No inter-library loan

    Location:
    Universitäts- und Landesbibliothek Münster
    Signature:
    3C 42487
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780300228267; 0300228260
    RVK Categories: LM 83370 ; LM 83510
    Subjects: Gemälde; Koalitionskrieg <1792-1797>; Krieg <Motiv>
    Scope: IX, 197 Seiten, Illustrationen, Karten, 29 cm
  2. Picturing war in France, 1792-1856
    Author: Hornstein, Katie
    Published: [2017]; © 2017
    Publisher:  Yale University Press, New Haven ; London

    Location:
    Kunst- und Museumsbibliothek der Stadt Köln
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780300228267; 0300228260
    RVK Categories: LM 83510 ; LM 83370
    Subjects: Frankreich; Koalitionskrieg <1792-1797>; Krieg <Motiv>; Gemälde
    Scope: IX, 197 Seiten, Illustrationen, Karten, 29 cm
  3. Picturing war in France, 1792-1856
    Author: Hornstein, Katie
    Published: [2017]; ©2017
    Publisher:  Yale University Press, New Haven

    From the walls of the Salon to the pages of weekly newspapers, war imagery was immensely popular in postrevolutionary France. This fascinating book studies representations of contemporary conflict in the first half of the 19th century and explores... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2018:2223:
    Inter-library loan:
    No inter-library loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 B 179702
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2018 D 656
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Thüringer Universitäts- und Landesbibliothek
    Signature:
    KUN:LF:3027:a::2017
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Germanisches Nationalmuseum, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Universität Potsdam, Universitätsbibliothek
    Signature:
    LM 83510 HOR
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Württembergische Landesbibliothek
    Signature:
    68a/468
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    From the walls of the Salon to the pages of weekly newspapers, war imagery was immensely popular in postrevolutionary France. This fascinating book studies representations of contemporary conflict in the first half of the 19th century and explores how these pictures provided citizens with an imaginative stake in wars being waged in their name. As she traces the evolution of images of war from a visual form that had previously been intended for mostly elite audiences to one that was enjoyed by a much broader public over the course of the 19th century, Katie Hornstein carefully considers the influence of emergent technologies and popular media, such as lithography, photography, and panoramas, on both artistic style and public taste. With close readings and handsome reproductions in various media, from monumental battle paintings to popular prints, Picturing War in France,1792-1856 draws on contemporary art criticism, war reporting, and the burgeoning illustrated press to reveal the crucial role such images played in shaping modern understandings of conflict. --

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 9780300228267; 0300228260
    Other identifier:
    9780300228267
    RVK Categories: LM 83370 ; LM 83510
    Subjects: First Coalition, War of the, 1792-1797; Second Coalition, War of the, 1798-1801; Napoleonic Wars, 1800-1815; Crimean War, 1853-1856; Art and war; Art, French; Art and war; Art, French; Art and society; Art, French; First Coalition, War of the, 1792-1797; Second Coalition, War of the, 1798-1801; Napoleonic Wars, 1800-1815; Crimean War, 1853-1856; Art and war; Art and war; Art, French; Crimean War, 1853-1856; First Coalition, War of the, 1792-1797; Napoleonic Wars, 1800-1815; Second Coalition, War of the, 1798-1801
    Scope: IX, 197 Seiten, Illustrationen; Karten, 29 cm
    Notes:

    Dissertation, University of Michigan,

    Introduction -- Chapter 1. Visual participation by proxy in the Revolutionary and Napoleonic Wars -- Chapter 2. A crowd favorite: war imagery and politics by other means in the Restoration -- Chapter 3. A mighty recasting: war imagery during the July Monarchy -- Chapter 4. The promise of something more: the Crimean War and "new media" of the nineteenth century -- Conclusion.
  4. Picturing war in France, 1792-1856
    Author: Hornstein, Katie
    Published: [2017]
    Publisher:  Yale University Press, New Haven

    From the walls of the Salon to the pages of weekly newspapers, war imagery was immensely popular in postrevolutionary France. This fascinating book studies representations of contemporary conflict in the first half of the 19th century and explores... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2018:2223:
    Inter-library loan:
    No inter-library loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 B 179702
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Thüringer Universitäts- und Landesbibliothek
    Signature:
    KUN:LF:3027:a::2017
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    From the walls of the Salon to the pages of weekly newspapers, war imagery was immensely popular in postrevolutionary France. This fascinating book studies representations of contemporary conflict in the first half of the 19th century and explores how these pictures provided citizens with an imaginative stake in wars being waged in their name. As she traces the evolution of images of war from a visual form that had previously been intended for mostly elite audiences to one that was enjoyed by a much broader public over the course of the 19th century, Katie Hornstein carefully considers the influence of emergent technologies and popular media, such as lithography, photography, and panoramas, on both artistic style and public taste. With close readings and handsome reproductions in various media, from monumental battle paintings to popular prints, Picturing War in France,1792-1856 draws on contemporary art criticism, war reporting, and the burgeoning illustrated press to reveal the crucial role such images played in shaping modern understandings of conflict. --

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0300228260; 9780300228267
    RVK Categories: LM 83510 ; LM 83370
    Subjects: Art and society; Art, French; First Coalition, War of the, 1792-1797; Second Coalition, War of the, 1798-1801; Napoleonic Wars, 1800-1815; Crimean War, 1853-1856; Art and war; Art and war; Art, French; Crimean War, 1853-1856; First Coalition, War of the, 1792-1797; Napoleonic Wars, 1800-1815; Second Coalition, War of the, 1798-1801
    Scope: ix, 197 Seiten, Illustrationen, Karten, 29 cm
    Notes:

    Introduction -- Chapter 1. Visual participation by proxy in the Revolutionary and Napoleonic Wars -- Chapter 2. A crowd favorite: war imagery and politics by other means in the Restoration -- Chapter 3. A mighty recasting: war imagery during the July Monarchy -- Chapter 4. The promise of something more: the Crimean War and "new media" of the nineteenth century -- Conclusion.
  5. Picturing war in France, 1792-1856
    Author: Hornstein, Katie
    Published: [2017]; ©2017
    Publisher:  Yale University Press, New Haven

    From the walls of the Salon to the pages of weekly newspapers, war imagery was immensely popular in postrevolutionary France. This fascinating book studies representations of contemporary conflict in the first half of the 19th century and explores... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    From the walls of the Salon to the pages of weekly newspapers, war imagery was immensely popular in postrevolutionary France. This fascinating book studies representations of contemporary conflict in the first half of the 19th century and explores how these pictures provided citizens with an imaginative stake in wars being waged in their name. As she traces the evolution of images of war from a visual form that had previously been intended for mostly elite audiences to one that was enjoyed by a much broader public over the course of the 19th century, Katie Hornstein carefully considers the influence of emergent technologies and popular media, such as lithography, photography, and panoramas, on both artistic style and public taste. With close readings and handsome reproductions in various media, from monumental battle paintings to popular prints, Picturing War in France,1792-1856 draws on contemporary art criticism, war reporting, and the burgeoning illustrated press to reveal the crucial role such images played in shaping modern understandings of conflict. --

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 9780300228267; 0300228260
    Other identifier:
    9780300228267
    RVK Categories: LM 83370 ; LM 83510
    Subjects: First Coalition, War of the, 1792-1797; Second Coalition, War of the, 1798-1801; Napoleonic Wars, 1800-1815; Crimean War, 1853-1856; Art and war; Art, French; Art and war; Art, French; Art and society; Art, French; First Coalition, War of the, 1792-1797; Second Coalition, War of the, 1798-1801; Napoleonic Wars, 1800-1815; Crimean War, 1853-1856; Art and war; Art and war; Art, French; Crimean War, 1853-1856; First Coalition, War of the, 1792-1797; Napoleonic Wars, 1800-1815; Second Coalition, War of the, 1798-1801
    Scope: IX, 197 Seiten, Illustrationen; Karten, 29 cm
    Notes:

    Dissertation, University of Michigan,

    Introduction -- Chapter 1. Visual participation by proxy in the Revolutionary and Napoleonic Wars -- Chapter 2. A crowd favorite: war imagery and politics by other means in the Restoration -- Chapter 3. A mighty recasting: war imagery during the July Monarchy -- Chapter 4. The promise of something more: the Crimean War and "new media" of the nineteenth century -- Conclusion.