Cover; Half Title; Title; Copyright; Contents; Introduction: Faun with a Typewriter; Chapter 1. The Devil at Park Church; Chapter 2. Dearest of All Lovers; Chapter 3. A Village Apollo; Chapter 4. The Flea from Tangier; Chapter 5. We Were Beautiful...
more
Universitätsbibliothek der Eberhard Karls Universität
Inter-library loan:
No inter-library loan
Cover; Half Title; Title; Copyright; Contents; Introduction: Faun with a Typewriter; Chapter 1. The Devil at Park Church; Chapter 2. Dearest of All Lovers; Chapter 3. A Village Apollo; Chapter 4. The Flea from Tangier; Chapter 5. We Were Beautiful Gods; Chapter 6. Malyutochka; Chapter 7. The Thinking Singer; Chapter 8. A Test Case for the Kinsey Male; Chapter 9. Max in Purgatory; Chapter 10. Realtor and Realist; Note on Sources; Notes; Acknowledgments; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z. The definitive biography of a radical activist and intellectual Max Eastman (1883?1969) was a prolific writer, radical, and public intellectual who helped shape the twentieth century. While researching this masterful work, acclaimed biographer Christoph Irmscher was granted unprecedented access to the Eastman family archive, allowing him to document little-known aspects of the famously handsome and charismatic radical.? Considered one of the "hottest radicals" of his time, Eastman edited two of the most important modernist magazines, The Masses and The Liberator, and campaigned for women's suffrage and world peace. A fierce critic of Joseph Stalin, Eastman befriended and translated Leon Trotsky and remained unafraid to express unpopular views, drawing criticism from both conservatives and the Left. Set against the backdrop of several decades of political and ideological turmoil, and interweaving Eastman's singular life with stories of the fascinating people he knew and loved, this book will have broad interdisciplinary appeal in twentieth-century history and politics, intellectual history, and literary studies
