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  1. European aestheticism and Spanish American modernismo
    artist protagonists and the philosophy of art for art's sake
    Author: Comfort, Kelly
    Published: 2011
    Publisher:  Palgrave Macmillan, Basingstoke [u.a.]

    This study examines the changing role of art and artist during the turn-of-the-century period, offering a consideration of the multiple dichotomies of art and life, aesthetics and economics, production and consumption, and centre and periphery more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    This study examines the changing role of art and artist during the turn-of-the-century period, offering a consideration of the multiple dichotomies of art and life, aesthetics and economics, production and consumption, and centre and periphery

     
    Export to reference management software   RIS file
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0230278094; 9780230278097
    Edition: 1. publ.
    Subjects: Art for art's sake (Movement); Aesthetics; Art nouveau; Aesthetics; Art for art's sake (Movement); Art nouveau
    Scope: VII, 180 S., 23 cm
    Notes:

    Includes bibliographical references and index

    Introduction: Redefining the role of art and the artist at the turn of the centurypt. 1. The artist avoids "art for life's sake." The artist as critic and liar: the unreal and amoral as art in Oscar Wilde -- The artist and creative receptor: the subjective impression as art in José Asunción Silva -- pt. 2. The artist protests "art for the market's sake." The artist as elitist taster: the unprofaned and unconsumed as art in J.-K. Huysmans -- The artist as creator not producer: the unsold and unappreciated as art in Rubén Darío -- pt. 3. The artist promotes "Life for art's sake." The artist as dandy-aesthete: the self as art in Oscar Wilde and Thomas Mann -- The artist as Dandy-Flâneur: the world as art in manuel Gutiérrez Nájera and Julián del Casal -- Conclusion: Reconsidering the relationship between art and life, form and content, poetry and prose.
  2. European aestheticism and Spanish American modernismo
    artist protagonists and the philosophy of art for art's sake
    Author: Comfort, Kelly
    Published: 2011
    Publisher:  Palgrave Macmillan, Basingstoke [u.a.]

    This study examines the changing role of art and artist during the turn-of-the-century period, offering a consideration of the multiple dichotomies of art and life, aesthetics and economics, production and consumption, and centre and periphery more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 A 819915
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Freiburg, Romanisches Seminar, Bibliothek
    Signature:
    Frei 23: Lh 4, 183
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2013 C 4339
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    This study examines the changing role of art and artist during the turn-of-the-century period, offering a consideration of the multiple dichotomies of art and life, aesthetics and economics, production and consumption, and centre and periphery

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0230278094; 9780230278097
    Edition: 1. publ.
    Subjects: Art for art's sake (Movement); Aesthetics; Art nouveau; Aesthetics; Art for art's sake (Movement); Art nouveau
    Scope: VII, 180 S., 23 cm
    Notes:

    Includes bibliographical references and index

    Introduction: Redefining the role of art and the artist at the turn of the centurypt. 1. The artist avoids "art for life's sake." The artist as critic and liar: the unreal and amoral as art in Oscar Wilde -- The artist and creative receptor: the subjective impression as art in José Asunción Silva -- pt. 2. The artist protests "art for the market's sake." The artist as elitist taster: the unprofaned and unconsumed as art in J.-K. Huysmans -- The artist as creator not producer: the unsold and unappreciated as art in Rubén Darío -- pt. 3. The artist promotes "Life for art's sake." The artist as dandy-aesthete: the self as art in Oscar Wilde and Thomas Mann -- The artist as Dandy-Flâneur: the world as art in manuel Gutiérrez Nájera and Julián del Casal -- Conclusion: Reconsidering the relationship between art and life, form and content, poetry and prose.