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  1. Film and female consciousness
    Irigaray, cinema and thinking women
    Author: Bolton, Lucy
    Published: 2011
    Publisher:  Palgrave Macmillan, Basingstoke [u.a.]

    Introduction -- 'Frozen in showcases' : feminist film theory and the abstraction of woman -- The camera as an Irigarayan speculum -- In the cut : self-endangerment or subjective strength? -- Lost in translation : the potential of becoming -- Morvern... more

    Location:
    UB Weimar
    Signature:
    254 265
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Introduction -- 'Frozen in showcases' : feminist film theory and the abstraction of woman -- The camera as an Irigarayan speculum -- In the cut : self-endangerment or subjective strength? -- Lost in translation : the potential of becoming -- Morvern Callar : in a sensory wonderland -- Architects of beauty and the crypts of our bodies : implications for filmmaking and spectatorship -- Concluding remarks : the object is speaking

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0230275699; 9780230275690
    RVK Categories: AP 50300
    Subjects: Motion pictures and women; Feminism and motion pictures; Feminist film criticism; Women in motion pictures
    Other subjects: Irigaray, Luce
    Scope: IX, 233 S, Ill, 23 cm
    Notes:

    Includes bibliographical references and index -- Includes filmography

    Introduction -- 'Frozen in showcases' : feminist film theory and the abstraction of woman -- The camera as an Irigarayan speculum -- In the cut : self-endangerment or subjective strength? -- Lost in translation : the potential of becoming -- Morvern Callar : in a sensory wonderland -- Architects of beauty and the crypts of our bodies : implications for filmmaking and spectatorship -- Concluding remarks : the object is speaking.
  2. Film and female consciousness
    Irigaray, cinema and thinking women
    Author: Bolton, Lucy
    Published: 2011
    Publisher:  Palgrave Macmillan, Basingstoke [u.a.]

    Introduction -- 'Frozen in showcases' : feminist film theory and the abstraction of woman -- The camera as an Irigarayan speculum -- In the cut : self-endangerment or subjective strength? -- Lost in translation : the potential of becoming -- Morvern... more

    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2012 A 1961
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Leipzig
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    UB Weimar
    Signature:
    254 265
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Introduction -- 'Frozen in showcases' : feminist film theory and the abstraction of woman -- The camera as an Irigarayan speculum -- In the cut : self-endangerment or subjective strength? -- Lost in translation : the potential of becoming -- Morvern Callar : in a sensory wonderland -- Architects of beauty and the crypts of our bodies : implications for filmmaking and spectatorship -- Concluding remarks : the object is speaking

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780230275690; 0230275699
    RVK Categories: AP 50300
    Edition: 1. publ.
    Subjects: Motion pictures and women; Feminism and motion pictures; Feminist film criticism; Women in motion pictures
    Other subjects: Irigaray, Luce; Irigaray, Luce; Women in motion pictures; Feminist theory; Self-consciousness (Awareness)
    Scope: X, 233 S., Ill.
    Notes:

    Includes bibliographical references and index -- Includes filmography

    Introduction -- 'Frozen in showcases' : feminist film theory and the abstraction of woman -- The camera as an Irigarayan speculum -- In the cut : self-endangerment or subjective strength? -- Lost in translation : the potential of becoming -- Morvern Callar : in a sensory wonderland -- Architects of beauty and the crypts of our bodies : implications for filmmaking and spectatorship -- Concluding remarks : the object is speaking.