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  1. Strange footing
    poetic form and dance in the late Middle Ages
    Published: 2018
    Publisher:  The University of Chicago Press,, Chicago

    For premodern audiences, poetic form did not exist solely as meter, stanzas, or rhyme scheme. Rather, the form of a poem emerged as an experience, one generated when an audience immersed in a culture of dance encountered a poetic text. Exploring the... more

     

    For premodern audiences, poetic form did not exist solely as meter, stanzas, or rhyme scheme. Rather, the form of a poem emerged as an experience, one generated when an audience immersed in a culture of dance encountered a poetic text. Exploring the complex relationship between medieval dance and medieval poetry, Strange Footing argues that the intersection of texts and dance produced an experience of poetic form based in disorientation, asymmetry, and even misstep. Medieval dance guided audiences to approach poetry not in terms of the body?s regular marking of time and space, but rather in the irregular and surprising forces of virtual motion around, ahead of, and behind the dancing body. Reading medieval poems through artworks, paintings, and sculptures depicting dance, Seeta Chaganti illuminates texts that have long eluded our full understanding, inviting us to inhabit their strange footings askew of conventional space and time

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780226547992; 022654799X; 9780226548043; 022654804X
    Other identifier:
    9780226548043
    Subjects: Poetry, Medieval; Literature and dance; Literature and dance; Poetry, Medieval
    Scope: x, 299 Seiten, Illustrationen
  2. Strange footing
    poetic form and dance in the late Middle Ages
    Published: 2018; © 2018
    Publisher:  The University of Chicago Press, Chicago

    For premodern audiences, poetic form did not exist solely as meter, stanzas, or rhyme scheme. Rather, the form of a poem emerged as an experience, one generated when an audience immersed in a culture of dance encountered a poetic text. Exploring the... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 46758
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Heidelberg
    2018 A 9898
    Unlimited inter-library loan, copies and loan
    Württembergische Landesbibliothek
    68/9409
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek der Eberhard Karls Universität
    59 A 2988
    Unlimited inter-library loan, copies and loan
    Herzog August Bibliothek Wolfenbüttel
    68.3353
    Unlimited inter-library loan, copies and loan

     

    For premodern audiences, poetic form did not exist solely as meter, stanzas, or rhyme scheme. Rather, the form of a poem emerged as an experience, one generated when an audience immersed in a culture of dance encountered a poetic text. Exploring the complex relationship between medieval dance and medieval poetry, Strange Footing argues that the intersection of texts and dance produced an experience of poetic form based in disorientation, asymmetry, and even misstep. Medieval dance guided audiences to approach poetry not in terms of the body?s regular marking of time and space, but rather in the irregular and surprising forces of virtual motion around, ahead of, and behind the dancing body. Reading medieval poems through artworks, paintings, and sculptures depicting dance, Seeta Chaganti illuminates texts that have long eluded our full understanding, inviting us to inhabit their strange footings askew of conventional space and time

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 022654799X; 022654804X; 9780226547992; 9780226548043
    Other identifier:
    9780226548043
    Subjects: Poetry, Medieval; Literature and dance; Literature and dance; Poetry, Medieval; Poetry, Medieval; Literature and dance
    Scope: X, 299 Seiten, Illustrationen
    Notes:

    Includes index

  3. Strange footing
    poetic form and dance in the late Middle Ages
    Published: 2018; © 2018
    Publisher:  The University of Chicago Press, Chicago

    For premodern audiences, poetic form did not exist solely as meter, stanzas, or rhyme scheme. Rather, the form of a poem emerged as an experience, one generated when an audience immersed in a culture of dance encountered a poetic text. Exploring the... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    For premodern audiences, poetic form did not exist solely as meter, stanzas, or rhyme scheme. Rather, the form of a poem emerged as an experience, one generated when an audience immersed in a culture of dance encountered a poetic text. Exploring the complex relationship between medieval dance and medieval poetry, Strange Footing argues that the intersection of texts and dance produced an experience of poetic form based in disorientation, asymmetry, and even misstep. Medieval dance guided audiences to approach poetry not in terms of the body?s regular marking of time and space, but rather in the irregular and surprising forces of virtual motion around, ahead of, and behind the dancing body. Reading medieval poems through artworks, paintings, and sculptures depicting dance, Seeta Chaganti illuminates texts that have long eluded our full understanding, inviting us to inhabit their strange footings askew of conventional space and time

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 022654799X; 022654804X; 9780226547992; 9780226548043
    Other identifier:
    9780226548043
    Subjects: Poetry, Medieval; Literature and dance; Literature and dance; Poetry, Medieval; Poetry, Medieval; Literature and dance
    Scope: X, 299 Seiten, Illustrationen
    Notes:

    Includes index