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  1. Blood relations
    Christian and Jew in the Merchant of Venice
    Author: Adelman, Janet
    Published: 2008
    Publisher:  University of Chicago Press, Chicago ; EBSCO Industries, Inc., Birmingham, AL, USA

    In 'Blood Relations', Janet Adelman confronts her resistance to 'The Merchant of Venice' as both a critic and a Jew. She argues that the play frames the uneasy relationship between Christian and Jew specifically in familial terms in order to... more

    Location:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Inter-library loan:
    No inter-library loan

     

    In 'Blood Relations', Janet Adelman confronts her resistance to 'The Merchant of Venice' as both a critic and a Jew. She argues that the play frames the uneasy relationship between Christian and Jew specifically in familial terms in order to recapitulate the vexed relationship between Christianity and Judaism.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226006833; 0226006832; 1281959014; 9781281959010
    RVK Categories: HI 3391
    Subjects: Christentum <Motiv>; Judentum <Motiv>
    Other subjects: Shakespeare, William (1564-1616): The merchant of Venice
    Scope: 1 Online-Ressource (xi, 226 pages)
    Notes:

    Includes bibliographical references (pages 197-212) and index
  2. Blood relations
    Christian and Jew in the Merchant of Venice
    Published: 2008
    Publisher:  University of Chicago Press, Chicago

    In 'Blood Relations', Janet Adelman confronts her resistance to 'The Merchant of Venice' as both a critic and a Jew. She argues that the play frames the uneasy relationship between Christian and Jew specifically in familial terms in order to... more

    Access:
    Aggregator (lizenzpflichtig)

    Location:
    Hochschule Aalen, Bibliothek
    Signature:
    E-Book EBSCO
    Inter-library loan:
    No inter-library loan

    Location:
    Hochschule Esslingen, Bibliothek
    Signature:
    E-Book Ebsco
    Inter-library loan:
    No inter-library loan

    Location:
    Saarländische Universitäts- und Landesbibliothek
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek der Eberhard Karls Universität
    Inter-library loan:
    No inter-library loan

     

    In 'Blood Relations', Janet Adelman confronts her resistance to 'The Merchant of Venice' as both a critic and a Jew. She argues that the play frames the uneasy relationship between Christian and Jew specifically in familial terms in order to recapitulate the vexed relationship between Christianity and Judaism

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226006833; 0226006832
    Subjects: Religion and literature; Religion and literature; Shylock (Fictitious character); Shylock (Fictitious character); Christians in literature; Jews in literature; Antisemitism in literature; Religion in literature; Religion and literature; Religion and literature; Religion and literature; Religion and literature; Christians in literature; Jews in literature; Antisemitism in literature; Religion in literature; LITERARY CRITICISM ; Shakespeare; DRAMA ; Shakespeare; Antisemitism in literature; Christians in literature; Jews in literature; Religion and literature; Religion in literature; Christentum; Judentum; History
    Other subjects: Shakespeare, William 1564-1616; Shakespeare, William 1564-1616; Shakespeare, William 1564-1616; Shakespeare, William (1564-1616): Merchant of Venice; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616): Merchant of Venice; Shakespeare, William (1564-1616); Shylock (Fictitious character); Shakespeare, William 1564-1616; Shakespeare, William 1564-1616; Shakespeare, William; Shakespeare, William; Shakespeare, William; Shylock
    Scope: Online Ressource (xi, 226 p.)
    Notes:

    Includes bibliographical references (p. 197-212) and index. - Description based on print version record

    Introduction : strangers within ChristianityLeaving the Jew's house : father, son, and elder brother -- Her father's blood : conversion, race, and nation -- Incising Antonio : the Jew within.
  3. Blood relations
    Christian and Jew in the Merchant of Venice
    Author: Adelman, Janet
    Published: 2008
    Publisher:  University of Chicago Press, Chicago

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0226006832; 9780226006833
    RVK Categories: HI 3391
    Subjects: LITERARY CRITICISM / Shakespeare; DRAMA / Shakespeare; Geschichte; Juden; Religion and literature; Religion and literature; Shylock (Fictitious character); Christians in literature; Jews in literature; Antisemitism in literature; Religion in literature; Judentum <Motiv>; Christentum <Motiv>
    Other subjects: Shakespeare, William / 1564-1616 / Merchant of Venice / Characters / Jews / Characters / Antonio; Shakespeare, William / 1564-1616 / Characters / Jews / Characters / Antonio; Shakespeare, William (1564-1616): Merchant of Venice; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616): The merchant of Venice
    Scope: 1 Online-Ressource (xi, 226 p.)
    Notes:

    Includes bibliographical references (p. 197-212) and index

    Introduction : strangers within Christianity -- Leaving the Jew's house : father, son, and elder brother -- Her father's blood : conversion, race, and nation -- Incising Antonio : the Jew within

    In 'Blood Relations', Janet Adelman confronts her resistance to 'The Merchant of Venice' as both a critic and a Jew. She argues that the play frames the uneasy relationship between Christian and Jew specifically in familial terms in order to recapitulate the vexed relationship between Christianity and Judaism