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  1. Criminal ingenuity
    Moore, Cornell, Ashbery, and the struggle between the arts
    Author: Levy, Ellen
    Published: 2011
    Publisher:  Oxford University Press, Oxford [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    "Poetry was declining/ Painting advancing/ we were complaining/ it was '50," recalled poet Frank O'Hara in 1957. Criminal Ingenuity traces a series of linked moments in the history of this transfer of cultural power from the sphere of the word to... more

    Bibliothek der Hochschule Mainz, Untergeschoss
    No inter-library loan

     

    "Poetry was declining/ Painting advancing/ we were complaining/ it was '50," recalled poet Frank O'Hara in 1957. Criminal Ingenuity traces a series of linked moments in the history of this transfer of cultural power from the sphere of the word to that of the image. Ellen Levy explores the New York literary and art worlds in the years that bracket O'Hara's lament through close readings of the works and careers of poets Marianne Moore and John Ashbery and assemblage artist Joseph Cornell. In the course of these readings, Levy discusses such topics as the American debates around surreal.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780199813469; 0199813469; 9781283113441; 1283113449
    RVK Categories: HU 1769
    Series: Modernist literature & culture
    Subjects: Englisch; Literatur; Kunst
    Other subjects: Moore, Marianne (1887-1972); Ashbery, John (1927-2017); Cornell, Joseph (1903-1972)
    Scope: 1 Online-Ressource (xxxii, 260 pages)
    Notes:

    Includes bibliographical references (pages 243-251) and index

  2. Criminal ingenuity
    Moore, Cornell, Ashbery, and the struggle between the arts
    Published: 2011
    Publisher:  Oxford University Press, Oxford

    "Poetry was declining/ Painting advancing/ we were complaining/ it was '50," recalled poet Frank O'Hara in 1957. Criminal Ingenuity traces a series of linked moments in the history of this transfer of cultural power from the sphere of the word to... more

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    Hochschule Aalen, Bibliothek
    E-Book EBSCO
    No inter-library loan
    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
    No inter-library loan
    Saarländische Universitäts- und Landesbibliothek
    No inter-library loan
    Universitätsbibliothek der Eberhard Karls Universität
    No inter-library loan

     

    "Poetry was declining/ Painting advancing/ we were complaining/ it was '50," recalled poet Frank O'Hara in 1957. Criminal Ingenuity traces a series of linked moments in the history of this transfer of cultural power from the sphere of the word to that of the image. Ellen Levy explores the New York literary and art worlds in the years that bracket O'Hara's lament through close readings of the works and careers of poets Marianne Moore and John Ashbery and assemblage artist Joseph Cornell. In the course of these readings, Levy discusses such topics as the American debates around surreal Cover; Contents; Acknowledgments; Credits; Series Editors' Foreword; Introduction; Abbreviations; 1. Borrowing Paints from a Girl: Greenberg, Eliot, Moore, and the Struggle Between the Arts; 2. "No Poet has been so Chaste": Moore and the Poetics of Ambivalence; 3. An Inconsequential Past: Joseph Cornell after Marianne Moore; 4. Surrealism in "the second, open sense": The Poets of the New York School; 5. "A medium in which it is possible to recognize Oneself ": Ashbery between Poetry and Painting; Notes; Works Cited; Index.

     

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  3. Criminal ingenuity
    Moore, Cornell, Ashbery, and the struggle between the arts
    Published: 2011
    Publisher:  Oxford University Press, Oxford

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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