Fiona Macintosh, Justice McConnell, and Patrice Rankine: Theories and methods. Introduction Lena M. Hill: A new stage of laughter for Zora Neale Hurston and Theodore Browne: Lysistrata and the Negro Units of the Federal Theatre Project Moira Fradinger: Making women visible: multiple Antigones on the Colombian twenty-first-century stage Susan Curtis: An archival interrogation Barbara Goff and Michael Simpson: New worlds, old dreams?: postcolonial theory and reception of Greek drama Lee T. Pearcy: Shaping American theater (1800-1900). Grecian theater in Philadelphia, 1800-1870 Fiona Macintosh: Thebes in the New World: revisiting the New York Antigone of 1845 Helene P. Foley: Julia Ward Howe's Hippolytus Kathryn Bosher and Jordana Cox: Professional tragedy: the case of Medea in Chicago, 1867 Robert Davis: Barbarian queens: race, violence, and antiquity on the nineteenth-century United States stage David Mayer: When Greeks stand you up, invite Romans: the ancient world on the nineteenth-century American stage Edith Hall: Modernisms in the Americas (1900-1930). The migrant muse: Greek drama as feminist window on American identity, 1900-1925 Niall W. Slater: Iphigenia amongst the Ivies, 1915 Moira Day: Treading the arduous road to Eleusis, nationalism, and feminism in early post-World War I Canada: Roy Mitchell's 1920 The Trojan women Artemis Leontis: Greek tragedy and modern dance: an alternative archaeology? Vassilis Lambropoulos: Eugene O'Neill's quest for Greek tragedy Susan Manning: The living pasts (1925-1970). Choreographing the classics, performing sexual dissidence Francisco Barrenechea: Greek tragedy in Mexico Judith P. Hallett: Moving and dramatic Athenian citizenship: Edith Hamilton's Americanization of Greek tragedy John Given: Aristophanic comedy in American musical theater, 1925-1969 Konstantinos P. Nikoloutsos: Cubanizing Greek drama: José Triana's Medea in the mirror (1960) Rosa Andújar: Creative collisions (1948-1968). Revolutionizing Greek tragedy in Cuba: Virgilio Piñera's Electra Garrigó Paul B. Dixon: A Brazilian echo of Antigone's "Collision": tragedy, clean and filthy José de Paiva Dos Santos: The darkening of Medea: geographies of race, (dis)placement, and identity in Agostinho Olavo's Além do Rio (Medea) Aníbal A. Biglieri: The frontiers of David Cureses' La frontera Isabelle Torrance: Brothers at war: Aeschylus in Cuba, 1968 and 2007 Thomas E. Jenkins: The search for the omni-Americans (1970s-2013). Metaphor and modernity: American themes in Herakles and Dionysus in 69 Justine McConnell: Lee Breuer's new American classicism: The gospel at Colonus' "integration statement" Nancy Sorkin Rabinowitz: Greek tragedy, enslaving or liberating?: the example of Rita Dove's The darker face of the Earth Katie Billotte: The power of Medea's sisterhood: democracy on the margins in Cherríe Moraga's The hungry woman: a Mexican Medea Patrice Rankine: August Wilson and Greek drama: blackface minstrelsy, "spectacle" from Aristotle's Poetics, and Radio golf Kevin J. Wetmore, Jr.: "Aeschylus got flow!": Afrosporic Greek tragedy and Will Power's The seven Dorota Dutsch: Democratic appropriations: Lysistrata and political activism Melinda Powers: Reclaiming Euripides in Harlem María Florencia Nelli: Oedipus Tyrannus in South America Mary-Kay Gamel: Greek drama on the U.S. west coast, 1970-2013 Laura Lodewyck and S. Sara Monoson: Performing for soldiers: twenty-first-century experiments in Greek theater in the U.S.A. Hallie Rebecca Marshall: Greek drama in Canada: women's voices and minority views Patrice Rankine and Daniel Banks: Practitioner perspectives. On remixing the classics and directing Countee Cullen's Medea and Law Chavez's Señora de la pinta: an interview with theater director Daniel Banks Yopie Prins: This bird that never settles: a virtual conversation with Anne Carson about Greek tragedy Cesar Gemelli: Medea in Brazil: interview with director Heron Coelho Erin B. Mee: An interview with Héctor Levy-Daniel / María Florencia Nelli ; Charles Mee's "(re)making" of Greek drama Margaret Williamson: An interview with Carey Perloff Rush Rehm: Eclectic encounters: staging Greek tragedy in America, 1973-2009 Justine McConnell and Patrice Rankine: The shock of recognition: Nicholas Rudall's translation of Greek drama for the Chicago stage at Court Theatre Avery Willis Hoffman: In conversation with Peter Sellars: what does Greek tragedy mean to you? Peggy Shannon: The Women and War Project Shawn Sides: Dionysus in 69 in 2009 Helen Eastman: Talking Greeks with Derek Walcott Lorna Hardwick.: Afterword. Audiences across the pond: oceans apart or shared experiences? |
