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  1. Black milk
    imagining slavery in the visual cultures of Brazil and America
    Author: Wood, Marcus
    Published: 2013
    Publisher:  Oxford University Press, Oxford

  2. Black milk
    imagining slavery in the visual cultures of Brazil and America
    Author: Wood, Marcus
    Published: 2013
    Publisher:  Oxford University Press, Oxford

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0191669474; 0199274576; 1299805507; 9780191669477; 9780199274574; 9781299805507
    Subjects: ART / Subjects & Themes / General; Art, American; Art, Brazilian; Slave trade in art; Slavery in art; Slavery in art; Slave trade in art; Art, American; Art, Brazilian; Art, American; Art, Brazilian; Sklaverei; Sklave <Motiv>; Bildliche Darstellung
    Scope: 1 online resource (xxviii, 523 pages), illustrations (black and white)
    Notes:

    Description based on print version record

    "Black Milk is the first in-depth analysis of the visual archives that effloresced around slavery in Brazil and North America in the eighteenth and nineteenth centuries. In its latter stages the book also explores the ways in which the museum cultures of North America and Brazil have constructed slavery over the last hundred years. These institutional legacies emerge as startlingly different from each other at almost every level. Working through comparative close readings of a myriad art objects - including prints, photographs, oil paintings, watercolours, sculptures, ceramics, and a host of ephemera - Black Milk celebrates just how radically alternative Brazilian artistic responses to Atlantic slavery were. Despite its longevity and vastness, Brazilian slavery as a cultural phenomenon has remained hugely neglected, in both academic and popular studies, particularly when compared to North American slavery. Consequently much of Black Milk is devoted to uncovering, celebrating, and explaining the hidden treasury of visual material generated by artists working in Brazil when they came to record and imaginatively reconstruct their slave inheritance. There are painters of genius (most significantly Jean Baptiste Debret), printmakers (discussion is focussed on Angelo Agostini the 'Brazilian Daumier') and some of the greatest photographers of the nineteenth century, lead by Augusto Stahl. The radical alterity of the Brazilian materials is revealed by comparing them at every stage with a series of related but fascinatingly and often shockingly dissimilar North American works of art. Black Milk is a mould-breaking study, a bold comparative analysis of the visual arts and archives generated by slavery within the two biggest and most important slave holding nations of the Atlantic Diaspora"--Page 4 of cover

  3. Black milk
    imagining slavery in the visual cultures of Brazil and America
    Author: Wood, Marcus
    Published: 2013
    Publisher:  Oxford Univ. Press, Oxford

    "Black Milk is the first in-depth analysis of the visual archives that effloresced around slavery in Brazil and North America in the eighteenth and nineteenth centuries. In its latter stages the book also explores the ways in which the museum... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2013:4062:
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    Staats- und Universitätsbibliothek Bremen
    02.m.5358
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2013 A 15110
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    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    Hist 1643/4055
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    Universitätsbibliothek Heidelberg
    2013 C 2287
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    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Kiel, Zentralbibliothek
    Bu 7069
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    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    Universitätsbibliothek Leipzig
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    kun 093.8 DC 1738
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    Universitätsbibliothek Osnabrück
    6173-926 8
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    Herzog August Bibliothek Wolfenbüttel
    63.2994
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    "Black Milk is the first in-depth analysis of the visual archives that effloresced around slavery in Brazil and North America in the eighteenth and nineteenth centuries. In its latter stages the book also explores the ways in which the museum cultures of North America and Brazil have constructed slavery over the last hundred years. These institutional legacies emerge as startlingly different from each other at almost every level. Working through comparative close readings of a myriad art objects - including prints, photographs, oil paintings, watercolours, sculptures, ceramics, and a host of ephemera - Black Milk celebrates just how radically alternative Brazilian artistic responses to Atlantic slavery were. Despite its longevity and vastness, Brazilian slavery as a cultural phenomenon has remained hugely neglected, in both academic and popular studies, particularly when compared to North American slavery. Consequently much of Black Milk is devoted to uncovering, celebrating, and explaining the hidden treasury of visual material generated by artists working in Brazil when they came to record and imaginatively reconstruct their slave inheritance. There are painters of genius (most significantly Jean Baptiste Debret), printmakers (discussion is focussed on Angelo Agostini the 'Brazilian Daumier') and some of the greatest photographers of the nineteenth century, lead by Augusto Stahl. The radical alterity of the Brazilian materials is revealed by comparing them at every stage with a series of related but fascinatingly and often shockingly dissimilar North American works of art. Black Milk is a mould-breaking study, a bold comparative analysis of the visual arts and archives generated by slavery within the two biggest and most important slave holding nations of the Atlantic Diaspora"--P. [4] of cover

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0199274576; 9780199274574
    Other identifier:
    9780199274574
    RVK Categories: LO 94020 ; LO 97450 ; LH 61090 ; NW 8295
    Edition: 1. ed.
    Subjects: Slavery in art; Slave trade in art; Art, American; Art, Brazilian; Art, American; Art, Brazilian; Slavery in art; Slave trade in art; Art, American; Art, Brazilian; Art, American; Art, Brazilian
    Scope: XXVIII, 523 S., Ill., 24 cm
    Notes:

    Literaturverz. S. [470] - 496