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Displaying results 1 to 23 of 23.

  1. Rethinking Jewishness in Weimar cinema
    Contributor: Hales, Barbara (Herausgeber); Weinstein, Valerie (Herausgeber)
    Published: 2021
    Publisher:  Berghahn, New York ; Oxford

    Location:
    Ruhr-Universität Bochum, Universitätsbibliothek
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    Source: Union catalogues
    Contributor: Hales, Barbara (Herausgeber); Weinstein, Valerie (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781789208733
    Series: Film Europa ; volume 24
    Subjects: Weimarer Republik; Juden; Juden <Motiv>; Filmwirtschaft; Film; Judentum
    Other subjects: Motion pictures / Germany / History / 20th century; Jews in the motion picture industry / Germany; Jewish motion picture producers and directors / Germany; Electronic books; Germany / Civilization / Jewish influences
    Scope: 1 Online-Ressource (viii, 355 Seiten)
  2. Rethinking Jewishness in Weimar cinema
    Contributor: Hales, Barbara (Herausgeber); Weinstein, Valerie (Herausgeber)
    Published: 2021
    Publisher:  Berghahn, New York ; Oxford

    Location:
    Universitäts- und Landesbibliothek Münster
    Signature:
    3K 89430
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    Source: Union catalogues
    Contributor: Hales, Barbara (Herausgeber); Weinstein, Valerie (Herausgeber)
    Language: English
    Media type: Book
    ISBN: 9781789208726
    Series: Film Europa ; volume 24
    Subjects: Filmwirtschaft; Film; Juden; Weimarer Republik; Juden <Motiv>
    Other subjects: Motion pictures / Germany / History / 20th century; Jews in the motion picture industry / Germany; Jewish motion picture producers and directors / Germany; Germany / Civilization / Jewish influences
    Scope: viii, 355 Seiten, Illustrationen
  3. Rethinking Jewishness in Weimar cinema
    Contributor: Hales, Barbara (Herausgeber); Weinstein, Valerie (Herausgeber)
    Published: 2021
    Publisher:  Berghahn Books, New York ; ProQuest, Oxford

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    Universitätsbibliothek Gießen
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    Source: Union catalogues
    Contributor: Hales, Barbara (Herausgeber); Weinstein, Valerie (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781789208733
    Other identifier:
    9781789208733
    RVK Categories: AP 59711 ; AP 44910
    DDC Categories: 380; 791
    Series: Film Europa ; volume 24
    Subjects: Weimarer Republik; Juden; Filmproduzent; Film; Juden <Motiv>; Filmwirtschaft; Adaption <Literatur>
    Other subjects: Zweig, Stefan (1881-1942): Brennendes Geheimnis
    Scope: 1 Online-Ressource (viii, 355 Seiten), Illustrationen
    Notes:

    Literaturangaben
  4. Rethinking Jewishness in Weimar cinema
    Contributor: Hales, Barbara (HerausgeberIn); Weinstein, Valerie (HerausgeberIn)
    Published: 2021
    Publisher:  Berghahn, New York

    "The burgeoning film industry in the Weimar Republic was, among other things, a major site of German-Jewish experience, one that provided a sphere for Jewish "outsiders" to shape mainstream culture. The chapters collected in this volume deploy new... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    "The burgeoning film industry in the Weimar Republic was, among other things, a major site of German-Jewish experience, one that provided a sphere for Jewish "outsiders" to shape mainstream culture. The chapters collected in this volume deploy new historical, theoretical, and methodological approaches to understanding the significant involvement of German Jews in Weimar cinema. Reflecting upon different conceptions of Jewishness - as religion, ethnicity, social role, cultural code, or text - these studies offer a wide-ranging exploration of an often overlooked aspect of German film history"--

     
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    Rezension (H-Soz-Kult)
    Source: Staatsbibliothek zu Berlin
    Contributor: Hales, Barbara (HerausgeberIn); Weinstein, Valerie (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781789208726
    Other identifier:
    9781789208726
    RVK Categories: AP 59711
    Series: Film Europa: German cinema in an international context ; volume 24
    Berghanonfilm
    Subjects: Motion pictures; Jews in the motion picture industry; Jewish motion picture producers and directors
    Scope: viii, 355 Seiten, Illustrationen
  5. Antisemitism in film comedy in Nazi Germany
    Author: Weinstein, Valerie
    Published: [2019]; © 2019
    Publisher:  Indiana University Press, Bloomington, Indiana

    Today many Germans remain nostalgic about "classic" film comedies created during the 1930s, viewing them as a part of the Nazi era that was not tainted with antisemitism. In Antisemitism in Film Comedy in Nazi Germany, Valerie Weinstein scrutinizes... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Stiftung Topographie des Terrors, Bibliothek
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    Today many Germans remain nostalgic about "classic" film comedies created during the 1930s, viewing them as a part of the Nazi era that was not tainted with antisemitism. In Antisemitism in Film Comedy in Nazi Germany, Valerie Weinstein scrutinizes these comic productions and demonstrates that film comedy, despite its innocent appearance, was a critical component in the effort to separate "Jews" from "Germans" physically, economically, and artistically. Weinstein highlights how the German propaganda ministry used directives, pre- and post-production censorship, financial incentives, and influence over film critics and their judgments to replace Jewish "wit" with a slower, simpler, and more direct German "humor" that affirmed values that the Nazis associated with the Aryan race. Through contextualized analyses of historical documents and individual films, Weinstein reveals how humor, coded hints and traces, absences, and substitutes in Third Reich film comedy helped spectators imagine an abstract "Jewishness" and a "German" identity and community free from the former. As resurgent populist nationalism and overt racism continue to grow around the world today, Weinstein's study helps us rethink racism and prejudice in popular culture and reconceptualize the relationships between film humor, national identity, and race.

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780253040718; 9780253040701
    Other identifier:
    9780253040701
    RVK Categories: AP 49700
    Subjects: Deutschland; Filmkomödie; Antisemitismus <Motiv>; Geschichte 1933-1945; ; Deutschland; Film; Filmkomödie; Antisemitismus <Motiv>; Geschichte 1933-1945;
    Scope: xi, 281 Seiten, Illustrationen
  6. Antisemitism in film comedy in Nazi Germany
    Author: Weinstein, Valerie
    Published: [2019]
    Publisher:  Indiana University Press, Bloomington, Indiana

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    Haus der Wannsee-Konferenz, Joseph-Wulf-Mediothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780253040718; 9780253040701
    Subjects: Antisemitismus; Filmkomödie
    Scope: xi, 281 Seiten, Illustrationen
  7. Antisemitism in Film Comedy in Nazi Germany
    Author: Weinstein, Valerie
    Published: 2019
    Publisher:  Indiana University Press, Bloomington ; ProQuest, Ann Arbor, Michigan

    Today many Germans remain nostalgic about "classic" film comedies created during the 1930s, viewing them as a part of the Nazi era that was not tainted with antisemitism. In Antisemitism in Film Comedy in Nazi Germany, Valerie Weinstein scrutinizes... more

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Today many Germans remain nostalgic about "classic" film comedies created during the 1930s, viewing them as a part of the Nazi era that was not tainted with antisemitism. In Antisemitism in Film Comedy in Nazi Germany, Valerie Weinstein scrutinizes these comic productions and demonstrates that film comedy, despite its innocent appearance, was a critical component in the effort to separate "Jews" from "Germans," physically, economically, and artistically.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780253040732
    RVK Categories: NQ 2270 ; AP 49700 ; NQ 2360
    DDC Categories: 791
    Subjects: Drittes Reich; Nationalsozialismus; Filmkomödie; Antisemitismus <Motiv>
    Scope: 1 Online-Ressource (298 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  8. Antisemitism in film comedy in Nazi Germany
    Author: Weinstein, Valerie
    Published: [2019]; © 2019
    Publisher:  Indiana University Press, Bloomington, Indiana

    Today many Germans remain nostalgic about "classic" film comedies created during the 1930s, viewing them as a part of the Nazi era that was not tainted with antisemitism. In Antisemitism in Film Comedy in Nazi Germany, Valerie Weinstein scrutinizes... more

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    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Würzburg
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    Today many Germans remain nostalgic about "classic" film comedies created during the 1930s, viewing them as a part of the Nazi era that was not tainted with antisemitism. In Antisemitism in Film Comedy in Nazi Germany, Valerie Weinstein scrutinizes these comic productions and demonstrates that film comedy, despite its innocent appearance, was a critical component in the effort to separate "Jews" from "Germans," physically, economically, and artistically

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780253040718; 9780253040701
    RVK Categories: NQ 2270 ; AP 49700 ; NQ 2360
    Subjects: Antisemitismus <Motiv>; Filmkomödie
    Other subjects: Comedy films / Germany / History / 20th century; Comedy films / Social aspects / Germany / History / 20th century; Comedy films / Political aspects / Germany / History / 20th century; PERFORMING ARTS / Reference; HISTORY / Holocaust; Electronic books; Electronic books
    Scope: xi, 281 Seiten, Illustrationen
    Notes:

    Inhalt: Overt and inferential antisemitism in Nazi writings and the film trade press, Overt antisemitism, Jewish difference, and colonial whiteness in early Third Reich film comedy: Nur nicht weich werden, Susanne! and Die Blume von Hawaii, Comic Ersatz: Viktor und Viktoria and Glückskinder, Wenn wir alle Engel wären as the model of a racialized german humor, Capitalism, colonialism, and the white Jew in April! April" and Donogoo Tonka, Mistaken identity and the masked Jew in Robert und Bertram, Jewish absence, epistemic murk, and the aesthetics of cremation in Münchhausen and Die Feuerzangenbowle
  9. Rethinking Jewishness in Weimar cinema
    Contributor: Hales, Barbara (Publisher); Weinstein, Valerie (Publisher)
    Published: 2021
    Publisher:  Berghahn, New York ; Oxford

    The burgeoning film industry in the Weimar Republic was, among other things, a major site of German-Jewish experience, one that provided a sphere for Jewish "outsiders" to shape mainstream culture. The chapters collected in this volume deploy new... more

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    Bayerische Staatsbibliothek
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    The burgeoning film industry in the Weimar Republic was, among other things, a major site of German-Jewish experience, one that provided a sphere for Jewish "outsiders" to shape mainstream culture. The chapters collected in this volume deploy new historical, theoretical, and methodological approaches to understanding the significant involvement of German Jews in Weimar cinema. Reflecting upon different conceptions of Jewishness - as religion, ethnicity, social role, cultural code, or text - these studies offer a wide-ranging exploration of an often overlooked aspect of German film history.

     
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    Source: Union catalogues
    Contributor: Hales, Barbara (Publisher); Weinstein, Valerie (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781789208726
    RVK Categories: AP 44910 ; AP 59711
    Series: Film Europa: German cinema in an international context ; volume 24
    Subjects: Juden <Motiv>; Weimarer Republik; Filmproduzent; Film; Juden
    Other subjects: Motion pictures / Germany / History / 20th century; Jews in the motion picture industry / Germany; Jewish motion picture producers and directors / Germany; Germany / Civilization / Jewish influences; Civilization / Jewish influences; Jewish motion picture producers and directors; Jews in the motion picture industry; Motion pictures; Germany; 1900-1999; History
    Scope: viii, 355 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  10. Rethinking Jewishness in Weimar cinema
    Contributor: Hales, Barbara (Herausgeber); Weinstein, Valerie (Herausgeber)
    Published: 2021
    Publisher:  Berghahn Books, New York

    Location:
    Universität Mainz, Bereichsbibliothek Georg Forster-Gebäude
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    G 04 D 172
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    Universität Marburg, Universitätsbibliothek
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    Content information
    Source: Union catalogues
    Contributor: Hales, Barbara (Herausgeber); Weinstein, Valerie (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781789208726
    RVK Categories: AP 59711 ; AP 44910
    DDC Categories: 791; 380
    Series: Film Europa ; Volume 24
    Subjects: Weimarer Republik; Juden; Filmproduzent; Adaption <Literatur>; Film; Juden <Motiv>; Filmwirtschaft
    Other subjects: Zweig, Stefan (1881-1942): Brennendes Geheimnis
    Scope: viii, 355 Seiten, Illustrationen
  11. Antisemitism in film comedy in Nazi Germany
    Author: Weinstein, Valerie
    Published: [2019]; © 2019
    Publisher:  Indiana University Press, Bloomington, Indiana

    Today many Germans remain nostalgic about "classic" film comedies created during the 1930s, viewing them as a part of the Nazi era that was not tainted with antisemitism. In Antisemitism in Film Comedy in Nazi Germany, Valerie Weinstein scrutinizes... more

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    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
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    Today many Germans remain nostalgic about "classic" film comedies created during the 1930s, viewing them as a part of the Nazi era that was not tainted with antisemitism. In Antisemitism in Film Comedy in Nazi Germany, Valerie Weinstein scrutinizes these comic productions and demonstrates that film comedy, despite its innocent appearance, was a critical component in the effort to separate "Jews" from "Germans" physically, economically, and artistically. Weinstein highlights how the German propaganda ministry used directives, pre- and post-production censorship, financial incentives, and influence over film critics and their judgments to replace Jewish "wit" with a slower, simpler, and more direct German "humor" that affirmed values that the Nazis associated with the Aryan race. Through contextualized analyses of historical documents and individual films, Weinstein reveals how humor, coded hints and traces, absences, and substitutes in Third Reich film comedy helped spectators imagine an abstract "Jewishness" and a "German" identity and community free from the former. As resurgent populist nationalism and overt racism continue to grow around the world today, Weinstein's study helps us rethink racism and prejudice in popular culture and reconceptualize the relationships between film humor, national identity, and race.

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780253040718; 9780253040701
    Other identifier:
    9780253040701
    RVK Categories: AP 49700
    Subjects: Deutschland; Filmkomödie; Antisemitismus <Motiv>; Geschichte 1933-1945; ; Deutschland; Film; Filmkomödie; Antisemitismus <Motiv>; Geschichte 1933-1945;
    Scope: xi, 281 Seiten, Illustrationen
  12. Antisemitism in film comedy in Nazi Germany
    Author: Weinstein, Valerie
    Published: [2019]; © 2019
    Publisher:  Indiana University Press, Bloomington, Indiana

    Today many Germans remain nostalgic about "classic" film comedies created during the 1930s, viewing them as a part of the Nazi era that was not tainted with antisemitism. In Antisemitism in Film Comedy in Nazi Germany, Valerie Weinstein scrutinizes... more

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    Ruhr-Universität Bochum, Fakultät für Geschichtswissenschaft, Historische Bibliothek
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    Nl 06.10/382
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    Erzbischöfliche Diözesan- und Dombibliothek
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    Today many Germans remain nostalgic about "classic" film comedies created during the 1930s, viewing them as a part of the Nazi era that was not tainted with antisemitism. In Antisemitism in Film Comedy in Nazi Germany, Valerie Weinstein scrutinizes these comic productions and demonstrates that film comedy, despite its innocent appearance, was a critical component in the effort to separate "Jews" from "Germans" physically, economically, and artistically. Weinstein highlights how the German propaganda ministry used directives, pre- and post-production censorship, financial incentives, and influence over film critics and their judgments to replace Jewish "wit" with a slower, simpler, and more direct German "humor" that affirmed values that the Nazis associated with the Aryan race. Through contextualized analyses of historical documents and individual films, Weinstein reveals how humor, coded hints and traces, absences, and substitutes in Third Reich film comedy helped spectators imagine an abstract "Jewishness" and a "German" identity and community free from the former. As resurgent populist nationalism and overt racism continue to grow around the world today, Weinstein's study helps us rethink racism and prejudice in popular culture and reconceptualize the relationships between film humor, national identity, and race.

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780253040718; 9780253040701
    Subjects: Filmkomödie; Antisemitismus <Motiv>
    Scope: xi, 281 Seiten, Illustrationen
    Notes:

    Conclusion: Seite 247-254

    Literaturverzeichnis: Seite 255-273
  13. Rethinking Jewishness in Weimar cinema
    Contributor: Hales, Barbara (Publisher); Weinstein, Valerie (Publisher)
    Published: 2021
    Publisher:  Berghahn, New York ; Oxford

    The burgeoning film industry in the Weimar Republic was, among other things, a major site of German-Jewish experience, one that provided a sphere for Jewish "outsiders" to shape mainstream culture. The chapters collected in this volume deploy new... more

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    Archiv der Akademie der Künste, Bibliothek
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    Bibliothek des Bundesarchivs
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    The burgeoning film industry in the Weimar Republic was, among other things, a major site of German-Jewish experience, one that provided a sphere for Jewish "outsiders" to shape mainstream culture. The chapters collected in this volume deploy new historical, theoretical, and methodological approaches to understanding the significant involvement of German Jews in Weimar cinema. Reflecting upon different conceptions of Jewishness - as religion, ethnicity, social role, cultural code, or text - these studies offer a wide-ranging exploration of an often overlooked aspect of German film history.

     
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    Rezension (H-Soz-Kult)
    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Contributor: Hales, Barbara (Publisher); Weinstein, Valerie (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781789208726
    RVK Categories: AP 44910 ; AP 59711
    Series: Film Europa: German cinema in an international context ; volume 24
    Subjects: Juden <Motiv>; Weimarer Republik; Filmproduzent; Film; Juden
    Other subjects: Motion pictures / Germany / History / 20th century; Jews in the motion picture industry / Germany; Jewish motion picture producers and directors / Germany; Germany / Civilization / Jewish influences; Civilization / Jewish influences; Jewish motion picture producers and directors; Jews in the motion picture industry; Motion pictures; Germany; 1900-1999; History
    Scope: viii, 355 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  14. Antisemitism in film comedy in Nazi Germany
    Author: Weinstein, Valerie
    Published: [2019]; © 2019
    Publisher:  Indiana University Press, Bloomington, Indiana

    Today many Germans remain nostalgic about "classic" film comedies created during the 1930s, viewing them as a part of the Nazi era that was not tainted with antisemitism. In Antisemitism in Film Comedy in Nazi Germany, Valerie Weinstein scrutinizes... more

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    Bibliothek des Bundesarchivs
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    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
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    Today many Germans remain nostalgic about "classic" film comedies created during the 1930s, viewing them as a part of the Nazi era that was not tainted with antisemitism. In Antisemitism in Film Comedy in Nazi Germany, Valerie Weinstein scrutinizes these comic productions and demonstrates that film comedy, despite its innocent appearance, was a critical component in the effort to separate "Jews" from "Germans," physically, economically, and artistically

     
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9780253040718; 9780253040701
    RVK Categories: NQ 2270 ; AP 49700 ; NQ 2360
    Subjects: Antisemitismus <Motiv>; Filmkomödie
    Other subjects: Comedy films / Germany / History / 20th century; Comedy films / Social aspects / Germany / History / 20th century; Comedy films / Political aspects / Germany / History / 20th century; PERFORMING ARTS / Reference; HISTORY / Holocaust; Electronic books; Electronic books
    Scope: xi, 281 Seiten, Illustrationen
    Notes:

    Inhalt: Overt and inferential antisemitism in Nazi writings and the film trade press, Overt antisemitism, Jewish difference, and colonial whiteness in early Third Reich film comedy: Nur nicht weich werden, Susanne! and Die Blume von Hawaii, Comic Ersatz: Viktor und Viktoria and Glückskinder, Wenn wir alle Engel wären as the model of a racialized german humor, Capitalism, colonialism, and the white Jew in April! April" and Donogoo Tonka, Mistaken identity and the masked Jew in Robert und Bertram, Jewish absence, epistemic murk, and the aesthetics of cremation in Münchhausen and Die Feuerzangenbowle
  15. Rethinking Jewishness in Weimar cinema
    Contributor: Hales, Barbara (Herausgeber); Weinstein, Valerie (Herausgeber)
    Published: 2021
    Publisher:  Berghahn, New York ; Oxford

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    Ruhr-Universität Bochum, Universitätsbibliothek
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    Source: Union catalogues
    Contributor: Hales, Barbara (Herausgeber); Weinstein, Valerie (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781789208733
    Series: Film Europa ; volume 24
    Subjects: Motion pictures / Germany / History / 20th century; Jews in the motion picture industry / Germany; Jewish motion picture producers and directors / Germany; Electronic books
    Scope: 1 Online-Ressource (viii, 355 Seiten)
  16. Antisemitism in film comedy in Nazi Germany
    Author: Weinstein, Valerie
    Published: [2019]; © 2019
    Publisher:  Indiana University Press, Bloomington, Indiana

    Today many Germans remain nostalgic about "classic" film comedies created during the 1930s, viewing them as a part of the Nazi era that was not tainted with antisemitism. In Antisemitism in Film Comedy in Nazi Germany, Valerie Weinstein scrutinizes... more

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    Ruhr-Universität Bochum, Universitätsbibliothek
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    Today many Germans remain nostalgic about "classic" film comedies created during the 1930s, viewing them as a part of the Nazi era that was not tainted with antisemitism. In Antisemitism in Film Comedy in Nazi Germany, Valerie Weinstein scrutinizes these comic productions and demonstrates that film comedy, despite its innocent appearance, was a critical component in the effort to separate "Jews" from "Germans" physically, economically, and artistically. Weinstein highlights how the German propaganda ministry used directives, pre- and post-production censorship, financial incentives, and influence over film critics and their judgments to replace Jewish "wit" with a slower, simpler, and more direct German "humor" that affirmed values that the Nazis associated with the Aryan race. Through contextualized analyses of historical documents and individual films, Weinstein reveals how humor, coded hints and traces, absences, and substitutes in Third Reich film comedy helped spectators imagine an abstract "Jewishness" and a "German" identity and community free from the former. As resurgent populist nationalism and overt racism continue to grow around the world today, Weinstein's study helps us rethink racism and prejudice in popular culture and reconceptualize the relationships between film humor, national identity, and race

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780253040718; 9780253040701
    Subjects: Deutschland; Filmkomödie; Antisemitismus <Motiv>; Geschichte 1933-1945
    Scope: xi, 281 Seiten, Illustrationen
    Notes:

    Conclusion: Seite 247-254

    Literaturverzeichnis: Seite 255-273
  17. Rethinking Jewishness in Weimar cinema
    Contributor: Hales, Barbara (Herausgeber); Weinstein, Valerie (Herausgeber)
    Published: 2021
    Publisher:  Berghahn, New York ; Oxford

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    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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    Source: Union catalogues
    Contributor: Hales, Barbara (Herausgeber); Weinstein, Valerie (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781789208726
    Series: Film Europa ; volume 24
    Subjects: Motion pictures / Germany / History / 20th century; Jews in the motion picture industry / Germany; Jewish motion picture producers and directors / Germany
    Scope: viii, 355 Seiten, Illustrationen
  18. Antisemitism in film comedy in Nazi Germany
    Author: Weinstein, Valerie
    Published: [2019]
    Publisher:  Indiana University Press, Bloomington, Indiana, USA

    Zusammenfassung: Today many Germans remain nostalgic about "classic" film comedies created during the 1930s, viewing them as a part of the Nazi era that was not tainted with antisemitism. In Antisemitism in Film Comedy in Nazi Germany, Valerie... more

     

    Zusammenfassung: Today many Germans remain nostalgic about "classic" film comedies created during the 1930s, viewing them as a part of the Nazi era that was not tainted with antisemitism. In Antisemitism in Film Comedy in Nazi Germany, Valerie Weinstein scrutinizes these comic productions and demonstrates that film comedy, despite its innocent appearance, was a critical component in the effort to separate "Jews" from "Germans," physically, economically, and artistically. Weinstein highlights how the German propaganda ministry used directives, pre- and post-production censorship, financial incentives, and influence over film critics and their judgments to replace Jewish "wit" with a slower, simpler, and more direct German "humor" that affirmed values that the Nazis associated with the Aryan race. Through contextualized analyses of historical documents and individual films, Weinstein reveals how humor, coded hints and traces, absences, and substitutes in Third Reich film comedy helped spectators imagine an abstract "Jewishness" and a "German" identity and community free from the former. As resurgent populist nationalism and overt racism continue to grow around the world today, Weinstein's study helps us rethink racism and prejudice in popular culture and reconceptualize the relationships between film humor, national identity, and race.

     
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  19. Rethinking Jewishness in Weimar cinema
    Contributor: Hales, Barbara (Herausgeber); Weinstein, Valerie (Publisher)
    Published: [2021]
    Publisher:  Berghahn, New York

    Zusammenfassung: "The burgeoning film industry in the Weimar Republic was, among other things, a major site of German-Jewish experience, one that provided a sphere for Jewish "outsiders" to shape mainstream culture. The chapters collected in this... more

     

    Zusammenfassung: "The burgeoning film industry in the Weimar Republic was, among other things, a major site of German-Jewish experience, one that provided a sphere for Jewish "outsiders" to shape mainstream culture. The chapters collected in this volume deploy new historical, theoretical, and methodological approaches to understanding the significant involvement of German Jews in Weimar cinema. Reflecting upon different conceptions of Jewishness - as religion, ethnicity, social role, cultural code, or text - these studies offer a wide-ranging exploration of an often overlooked aspect of German film history"--(Provided by publisher.)

     
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  20. Rethinking Jewishness in Weimar cinema
    Contributor: Hales, Barbara (HerausgeberIn); Weinstein, Valerie (HerausgeberIn); Ashkenazi, Ofer (MitwirkendeR); Barzilai, Maya (MitwirkendeR); Frölich, Margrit (MitwirkendeR); Ganeva, Mila (MitwirkendeR); Hales, Barbara (MitwirkendeR); Hans, Anjeana K. (MitwirkendeR); Henkel, Brook (MitwirkendeR); Malakaj, Ervin (MitwirkendeR); Rogowski, Christian (MitwirkendeR); Seyfert, Andréas-Benjamin (MitwirkendeR); Silverman, Lisa (MitwirkendeR); Stiasny, Philipp (MitwirkendeR); Walk, Cynthia (MitwirkendeR); Wallach, Kerry (MitwirkendeR); Weinstein, Valerie (MitwirkendeR)
    Published: 2021
    Publisher:  Berghahn, New York

    "The burgeoning film industry in the Weimar Republic was, among other things, a major site of German-Jewish experience, one that provided a sphere for Jewish "outsiders" to shape mainstream culture. The chapters collected in this volume deploy new... more

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    "The burgeoning film industry in the Weimar Republic was, among other things, a major site of German-Jewish experience, one that provided a sphere for Jewish "outsiders" to shape mainstream culture. The chapters collected in this volume deploy new historical, theoretical, and methodological approaches to understanding the significant involvement of German Jews in Weimar cinema. Reflecting upon different conceptions of Jewishness - as religion, ethnicity, social role, cultural code, or text - these studies offer a wide-ranging exploration of an often overlooked aspect of German film history"--

     
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    Rezension (H-Soz-Kult)
    Source: Staatsbibliothek zu Berlin
    Contributor: Hales, Barbara (HerausgeberIn); Weinstein, Valerie (HerausgeberIn); Ashkenazi, Ofer (MitwirkendeR); Barzilai, Maya (MitwirkendeR); Frölich, Margrit (MitwirkendeR); Ganeva, Mila (MitwirkendeR); Hales, Barbara (MitwirkendeR); Hans, Anjeana K. (MitwirkendeR); Henkel, Brook (MitwirkendeR); Malakaj, Ervin (MitwirkendeR); Rogowski, Christian (MitwirkendeR); Seyfert, Andréas-Benjamin (MitwirkendeR); Silverman, Lisa (MitwirkendeR); Stiasny, Philipp (MitwirkendeR); Walk, Cynthia (MitwirkendeR); Wallach, Kerry (MitwirkendeR); Weinstein, Valerie (MitwirkendeR)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781789208726
    Other identifier:
    9781789208726
    RVK Categories: AP 59711
    Series: Film Europa: German cinema in an international context ; volume 24
    Berghanonfilm
    Subjects: Motion pictures; Jews in the motion picture industry; Jewish motion picture producers and directors
    Scope: viii, 355 Seiten, Illustrationen
  21. Rethinking Jewishness in Weimar cinema
    Contributor: Hales, Barbara (HerausgeberIn); Weinstein, Valerie (HerausgeberIn)
    Published: 2021; ©2021
    Publisher:  Berghahn, New York

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    Source: Union catalogues
    Contributor: Hales, Barbara (HerausgeberIn); Weinstein, Valerie (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781789208733
    RVK Categories: AP 59711
    Series: Film Europa ; volume 24
    Subjects: Motion pictures; Jews in the motion picture industry; Jewish motion picture producers and directors; Electronic books
    Scope: 1 Online-Ressource (viii, 355 Seiten)
  22. (Un)fashioning identities
    Ernst Lubitsch's early comedies of mistaken identity
    Author: Weinstein, Valerie

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Part of a book
    Parent title: In: Visual culture in twentieth-century Germany : text as spectacle.(2006); 2006; S. 120 - 133
  23. Rethinking Jewishness in Weimar Cinema
    Contributor: Ashkenazi, Ofer (Mitwirkender); Barzilai, Maya (Mitwirkender); Frölich, Margrit (Mitwirkender); Ganeva, Mila (Mitwirkender); Hales, Barbara (Mitwirkender); Hans, Anjeana K. (Mitwirkender); Henkel, Brook (Mitwirkender); Malakaj, Ervin (Mitwirkender); Rogowski, Christian (Mitwirkender); Seyfert, Andréas-Benjamin (Mitwirkender); Silverman, Lisa (Mitwirkender); Stiasny, Philipp (Mitwirkender); Walk, Cynthia (Mitwirkender); Wallach, Kerry (Mitwirkender); Weinstein, Valerie (Mitwirkender)
    Published: ©2020
    Publisher:  Walter de Gruyter GmbH, Berlin

    The burgeoning film industry in the Weimar Republic was, among other things, a major site of German-Jewish experience, one that provided a sphere for Jewish "outsiders" to shape mainstream culture. The chapters collected in this volume deploy new... more

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    The burgeoning film industry in the Weimar Republic was, among other things, a major site of German-Jewish experience, one that provided a sphere for Jewish "outsiders" to shape mainstream culture. The chapters collected in this volume deploy new historical, theoretical, and methodological approaches to understanding the significant involvement of German Jews in Weimar cinema. Reflecting upon different conceptions of Jewishness - as religion, ethnicity, social role, cultural code, or text - these studies offer a wide-ranging exploration of an often overlooked aspect of German film history.

     
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    Source: Union catalogues
    Contributor: Ashkenazi, Ofer (Mitwirkender); Barzilai, Maya (Mitwirkender); Frölich, Margrit (Mitwirkender); Ganeva, Mila (Mitwirkender); Hales, Barbara (Mitwirkender); Hans, Anjeana K. (Mitwirkender); Henkel, Brook (Mitwirkender); Malakaj, Ervin (Mitwirkender); Rogowski, Christian (Mitwirkender); Seyfert, Andréas-Benjamin (Mitwirkender); Silverman, Lisa (Mitwirkender); Stiasny, Philipp (Mitwirkender); Walk, Cynthia (Mitwirkender); Wallach, Kerry (Mitwirkender); Weinstein, Valerie (Mitwirkender)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781789208733
    Other identifier:
    RVK Categories: AP 59711 ; AP 44910
    DDC Categories: 380; 791
    Series: Film Europa ; 24
    Subjects: Weimarer Republik; Juden; Filmproduzent; Film; Juden <Motiv>; Filmwirtschaft; Adaption <Literatur>
    Other subjects: Zweig, Stefan (1881-1942): Brennendes Geheimnis
    Scope: 1 Online-Ressource (388 p.)