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Displaying results 1 to 3 of 3.

  1. Shakespeare and the first Hamlet
    Contributor: Bourus, Terri (MitwirkendeR); Bourus, Terri (HerausgeberIn, MitwirkendeR); Bruster, Douglas (MitwirkendeR); Continisio, Tommaso (MitwirkendeR); Frampton, Saul (MitwirkendeR); Holderness, Graham (MitwirkendeR); Johnson, Laurie (MitwirkendeR); Kelly, Charles Adams (MitwirkendeR); Loughnane, Rory (MitwirkendeR); Loughrey, Bryan (MitwirkendeR); Marino, Christopher (MitwirkendeR); McCarthy, Dennis (MitwirkendeR); Nance, John V. (MitwirkendeR); Plehn-Peavyhouse, Dayna Leigh (MitwirkendeR); Taylor, Gary (MitwirkendeR); Wagoner, Michael M. (MitwirkendeR)
    Published: [2022]; ©2022
    Publisher:  Berghahn Books, New York

    The first edition of Hamlet - often called 'Q1', shorthand for 'first quarto' - was published in 1603, in what we might regard as the early modern equivalent of a cheap paperback. Yet this early version of Shakespeare's classic tragedy is becoming... more

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    Resolving-System (lizenzpflichtig)
    Verlag (lizenzpflichtig)

    Location:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    No inter-library loan

    Location:
    Universitätsbibliothek Mannheim
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    No inter-library loan

     

    The first edition of Hamlet - often called 'Q1', shorthand for 'first quarto' - was published in 1603, in what we might regard as the early modern equivalent of a cheap paperback. Yet this early version of Shakespeare's classic tragedy is becoming increasingly canonical, not because there is universal agreement about what it is or what it means, but because more and more Shakespearians agree that it is worth arguing about. The essays in this collected volume explore the ways in which we might approach Q1's Hamlet, from performance to book history, from Shakespeare's relationships with his contemporaries to the shape of his whole career

     
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    Content information
    Source: Union catalogues
    Contributor: Bourus, Terri (MitwirkendeR); Bourus, Terri (HerausgeberIn, MitwirkendeR); Bruster, Douglas (MitwirkendeR); Continisio, Tommaso (MitwirkendeR); Frampton, Saul (MitwirkendeR); Holderness, Graham (MitwirkendeR); Johnson, Laurie (MitwirkendeR); Kelly, Charles Adams (MitwirkendeR); Loughnane, Rory (MitwirkendeR); Loughrey, Bryan (MitwirkendeR); Marino, Christopher (MitwirkendeR); McCarthy, Dennis (MitwirkendeR); Nance, John V. (MitwirkendeR); Plehn-Peavyhouse, Dayna Leigh (MitwirkendeR); Taylor, Gary (MitwirkendeR); Wagoner, Michael M. (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781800735552
    Other identifier:
    RVK Categories: HI 3423
    Series: Shakespeare & ; 9
    Subjects: English drama (Tragedy); LITERARY CRITICISM / Shakespeare
    Scope: 1 Online-Ressource ( viii, 254 Seiten), Illustrationen, Diagramme
  2. Interruptions in early modern English drama
    Author: Wagoner, Michael M.
    Published: 2023
    Publisher:  The Arden Shakespeare, London

    "From the Ghost's appearance in Hamlet to Celia's frightful speech in Volpone, interruptions are an overlooked linguistic and dramatic form that delineates the balance of power within a scene. This book analyses interruptions as a specific form in... more

    Location:
    Universitätsbibliothek Braunschweig
    Signature:
    2969-9418
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    Unlimited inter-library loan, copies and loan

    Location:
    Staats- und Universitätsbibliothek Bremen
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    Location:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signature:
    A 2022/5231
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    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    bestellt
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    Location:
    Universitätsbibliothek der Eberhard Karls Universität
    Signature:
    63 A 799
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    Location:
    Brechtbau-Bibliothek
    Signature:
    NJ 263.206
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    Location:
    Herzog August Bibliothek Wolfenbüttel
    Signature:
    73.1890
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    "From the Ghost's appearance in Hamlet to Celia's frightful speech in Volpone, interruptions are an overlooked linguistic and dramatic form that delineates the balance of power within a scene. This book analyses interruptions as a specific form in dramatic literature, arguing how these everyday occurrences, when transformed into aesthetic phenomena, reveal the connections among characters, between actor and audience, and between text and reader. To interrupt, both on stage and off, is to wrest power. Focusing on the works of William Shakespeare, Ben Jonson and John Fletcher, Michael M. Wagoner considers early modern drama as an exemplary, influential moment of dramatic output. This study examines interruptions that occur through the use of punctuation and stage directions, as well as through larger forms such as conventions and dramaturgy. Studying interruptions may indicate aspects of authorial style, emphasizing a playwright's use and control of a text and its implications and expectations. Exploring relative power dynamics pushes readers and audiences to reconsider key plays and characters, providing new considerations of the relationships between Othello and Iago or Macbeth and the Ghost of Banquo. Interruptions, as a form on the stage, codify and expose these balances and imbalances of power"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781350238312; 9781350238343
    Series: Arden studies in early modern drama
    Subjects: English drama; English drama; Interruption (Rhetoric) in literature
    Other subjects: Shakespeare, William (1564-1616); Jonson, Ben (1573?-1637); Fletcher, John (1579-1625)
    Scope: x, 284 Seiten
    Notes:

    Literaturverzeichnis Seite 259-277

    Section I. Microinterruptions -- Dialogue -- Self -- Action -- Section II. Macrointerruptions -- Dramaturgy -- Convention -- Continuation.
  3. Interruptions in Early Modern English Drama
    Author: Wagoner, Michael M.
    Published: 2022; ©2022
    Publisher:  Bloomsbury Publishing Plc, London

    Intro -- Half Title -- Series Page -- Title Page -- Copyright Page -- Dedication -- Contents -- Illustrations -- Acknowledgements -- Introduction -- Part I: Microinterruptions -- Chapter 1: Dialogue -- Chapter 2: Self -- Chapter 3: Action -- Part II:... more

    Access:
    Aggregator (lizenzpflichtig)

    Location:
    Technische Universität Chemnitz, Universitätsbibliothek
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    Location:
    Hochschulbibliothek Friedensau
    Signature:
    Online-Ressource
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    No inter-library loan

     

    Intro -- Half Title -- Series Page -- Title Page -- Copyright Page -- Dedication -- Contents -- Illustrations -- Acknowledgements -- Introduction -- Part I: Microinterruptions -- Chapter 1: Dialogue -- Chapter 2: Self -- Chapter 3: Action -- Part II: Macrointerruptions -- Chapter 4: Dramaturgy -- Chapter 5: Convention -- Continuation -- Notes -- Bibliography -- Index.

     
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    Source: Union catalogues
    Contributor: Hopkins, Lisa (MitwirkendeR); Bruster, Douglas (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781350238336
    Series: Arden Studies in Early Modern Drama Ser.
    Subjects: Fletcher, John,-1579-1625-Literary style; Jonson, Ben,-1573?-1637-Literary style; Shakespeare, William,-1564-1616-Literary style; English drama-Early modern and Elizabethan, 1500-1600-History and criticism; English drama-17th century-History and criticism; Interruption (Rhetoric) in literature; Electronic books
    Scope: 1 online resource (297 pages)
    Notes:

    Description based on publisher supplied metadata and other sources