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  1. Zentrum und Peripherie
    aus literaturwissenschaftlicher Sicht
    Contributor: Maurach, Martin (Herausgeber); Urbanec, Miroslav (Herausgeber)
    Published: 2017
    Publisher:  Slezská univerzita v Opavě, Opava ; Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

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    Source: Union catalogues
    Contributor: Maurach, Martin (Herausgeber); Urbanec, Miroslav (Herausgeber)
    Language: German
    Media type: Conference proceedings
    Format: Online
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    DDC Categories: 800; 830
    Corporations / Congresses: Zentrum und Peripherie (2016, Opava)
    Subjects: Kanon; Zentrum-Peripherie-Modell; Literatur; Germanistik
    Scope: 1 Online-Ressource (284 Seiten)
  2. Zentrum und Peripherie
    aus literaturwissenschaftlicher Sicht
    Contributor: Maurach, Martin (Publisher); Urbanec, Miroslav (Publisher)
    Published: 2017
    Publisher:  Slezská univerzita v Opavě, Opava

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    Source: Union catalogues
    Contributor: Maurach, Martin (Publisher); Urbanec, Miroslav (Publisher)
    Language: German
    Media type: Conference proceedings
    Format: Print
    ISBN: 9788075102621
    RVK Categories: GB 1726
    Edition: Vydání první
    Corporations / Congresses: Zentrum und Peripherie (2016, Opava)
    Subjects: Germanistik; Literaturwissenschaft; Zentrum; Peripherie;
    Scope: 284 Seiten, Illustrationen, 20,5 cm
    Notes:

    Enthält Literaturangaben

  3. Zentrum und Peripherie
    aus literaturwissenschaftlicher Sicht
    Contributor: Maurach, Martin (HerausgeberIn); Urbanec, Miroslav (HerausgeberIn)
    Published: 2017
    Publisher:  Slezská univerzita v Opavě, Opava ; Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

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    Contributor: Maurach, Martin (HerausgeberIn); Urbanec, Miroslav (HerausgeberIn)
    Language: German
    Media type: Conference proceedings
    Format: Online
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    Corporations / Congresses: Zentrum und Peripherie (2016, Opava)
    Scope: 1 Online-Ressource (284 Seiten)
  4. Zentrum und Peripherie
    aus literaturwissenschaftlicher Sicht
    Contributor: Maurach, Martin (Herausgeber); Urbanec, Miroslav (Herausgeber)
    Published: 2017
    Publisher:  Slezská univerzita v Opavě, Opava ; Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

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    Source: Specialised Catalogue of Comparative Literature
    Contributor: Maurach, Martin (Herausgeber); Urbanec, Miroslav (Herausgeber)
    Language: German
    Media type: Conference proceedings
    Format: Online
    Other identifier:
    DDC Categories: 800; 830
    Corporations / Congresses: Zentrum und Peripherie (2016, Opava)
    Subjects: Kanon; Zentrum-Peripherie-Modell; Literatur; Germanistik
    Scope: 1 Online-Ressource (284 Seiten)
  5. Figuren an der Peripherie und im Zentrum der 'neuen Zeit'
    Published: 2018

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    Language: German
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    Format: Online
    DDC Categories: 830
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  6. Königin oder Dirne?
    zur Darstellung der böhmischen Königin Kunigunde von Halitsch bei Franz Grillparzer und František Zavřel = Queen or whore? : on the depiction of the Queen of Bohemia Kunigunda of Galicia by Franz Grillparzer and František Zavřel
    Published: 2015

    Kunigunda of Galicia, the second wife of the Bohemian King Otokar II and later the second wife of the powerful nobleman Záviš of Falkenstein, suffers from a very poor reputation due to her depiction in medieval chronicles, especially the Styrian... more

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    Kunigunda of Galicia, the second wife of the Bohemian King Otokar II and later the second wife of the powerful nobleman Záviš of Falkenstein, suffers from a very poor reputation due to her depiction in medieval chronicles, especially the Styrian Rhymed Chronicle written by Ottokar aus der Gaal. Her image as a domineering and morally dubious figure is also echoed in Franz Grillparzer's play "König Ottokars Glück und Ende", which draws partly on the Styrian chronicle as source material. ...

     

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    Source: Union catalogues
    Language: German
    Media type: Article (journal)
    Format: Online
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    Parent title: Enthalten in: Studia Germanistica; Ostrava : Ostravská univerzita v Ostravě, [2009]-; Band 15 (2014), Seite 61-72; Online-Ressource

    DDC Categories: 830
    Subjects: Frauenbild; Literatur
    Other subjects: Kunhuta Böhmen, Königin (1245-1285)
    Scope: 1 Online-Ressource (12 Seiten)
  7. Herrscherfiguren als Ausdruck des Idealen
    Franz Grillparzers Rudolf von Habsburg und Stanislav Loms Karel IV
    Published: 2016

    Herder-Institut für historische Ostmitteleuropaforschung, Bibliothek / Bibliographieportal
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    Language: German
    Media type: Article (journal)
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    Parent title: Enthalten in: Brünner Beiträge zur Germanistik und Nordistik; Brno : Masarykova Univerzita, 1977-; Band 30, Heft 2 (2016), Seite 105-124; 25 cm

    Subjects: Herrscher <Motiv>
    Other subjects: Rudolf Heiliges Römisches Reich, König (1218-1291); Karl Heiliges Römisches Reich, Kaiser (1316-1378); Grillparzer, Franz (1791-1872): König Ottokars Glück und Ende; Lom, Stanislav (1883-1967)
  8. Wiedergänger und Vorbote
    zur Darstellung des böhmischen Königs Přemysl Otakar II. bei Franz Grillparzer und František Zavřel
    Published: 2017

    Herder-Institut für historische Ostmitteleuropaforschung, Bibliothek / Bibliographieportal
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    Language: German
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    Parent title: Enthalten in: Ostravská univerzita. Filozofická fakulta; Studia Germanistica; Ostrava : Univ., 2006-; Band 20 (2017), Seite 97-109; 25 cm

    Subjects: Literarische Gestalt
    Other subjects: Ottokar Přemysl Böhmen, König (1232-1278); Grillparzer, Franz (1791-1872): König Ottokars Glück und Ende; Zavřel, František (1885-1947)
  9. Des Kaisers grauer Rock : zur Herausstellung des Deutschtums Kaiser Rudolfs in Franz Grillparzers Trauerspiel 'König Ottokars Glück und Ende'

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    Language: German
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    Enthalten in: Studia Germanistica; Ostrava : Ostravská univerzita v Ostravě, [2009]-; 25.2019, S. 63-73; Online-Ressource
    Subjects: Grillparzer, Franz; König Ottokars Glück und Ende; Deutschland; Nationalismus
    Other subjects: German nationalism; Altdeutsche Tracht
    Scope: Online-Ressource
  10. Herrscherfiguren als Ausdruck des Idealen. Franz Grillparzers Rudolf von Habsburg und Stanislav Loms Karel IV.
    Published: 2016

    Universitätsbibliothek Kiel, Zentralbibliothek
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    Source: Union catalogues
    Language: German
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    Parent title: Enthalten in: Brünner Beiträge zur Germanistik und Nordistik; Brno : Masarykova Univerzita, 1977; 30(2016), 2, Seite 105-124

    RVK Categories: GB 1724
  11. Deutsch als Sprache der Privilegierten
    zur literarischen Darstellung der deutsch-tschechischen Kontroversen unter Přemysl Otakar II. am Beispiel von Franz Grillparzer und Nina Bonhardová = German as the language of the privileged
    Published: 2012

    The Přemyslid King Otakar II is one of the most prominent figures in Czech (and Central European) history. However, he is also a highly controversial figure, primarily due to his unflagging support for the German-speaking communities on his... more

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    The Přemyslid King Otakar II is one of the most prominent figures in Czech (and Central European) history. However, he is also a highly controversial figure, primarily due to his unflagging support for the German-speaking communities on his territory, which figures such as František Palacký considered to be excessive. The theme of German medieval colonization and Czech/German coexistence naturally appears in literary works dealing with Otakar's life. ...

     

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    Source: Union catalogues
    Language: German
    Media type: Article (journal)
    Format: Online
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    Parent title: In:: Studia Germanistica; Ostrava : Ostravská univerzita v Ostravě, [2009]-; Band 11 (2012), Seite 123-133; Online-Ressource

    DDC Categories: 830
    Subjects: Motiv; Literatur; Deutsch
    Other subjects: Ottokar Přemysl Böhmen, König (1232-1278)
    Notes:

    Online-Ausg.:

  12. Das Problem der "Tschechenfeindlichkeit" in den literarischen Adaptionen der Lebensgeschichte des böhmischen Königs Přemysl Otakar II
    am Beispiel von Franz Grillparzer und František Zavřel = The problem of "anti-Czech sentiment" in literary adaptations of the life story of the Czech Přemyslid King Otakar II
    Published: 2014

    The aim of this study is to present two older literary adaptations of the tragic life story of King Otakar (Ottokar) II – the "classic" play "König Ottokars Glück und Ende" by the Austrian dramatist Franz Grillparzer and the now forgotten drama "Král... more

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    The aim of this study is to present two older literary adaptations of the tragic life story of King Otakar (Ottokar) II – the "classic" play "König Ottokars Glück und Ende" by the Austrian dramatist Franz Grillparzer and the now forgotten drama "Král Přemysl Otakar Druhý" by the Czech author František Zavřel. The article focuses on the controversial depiction of the king and his Czech subjects, which led to a number of angry protests from Czech audiences. ...

     

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    Source: Union catalogues
    Language: German
    Media type: Article (journal)
    Format: Online
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    Parent title: In:: Studia Germanistica; Ostrava : Ostravská univerzita v Ostravě, [2009]-; Band 14 (2014), Seite 61-76; Online-Ressource

    DDC Categories: 830
    Subjects: Motiv; Literatur
    Other subjects: Ottokar Přemysl Böhmen, König (1232-1278); Grillparzer, Franz (1791-1872); Zavřel, František (1885-1947)
    Scope: Online-Ressource
  13. Wiedergänger und Vorbote : zur Darstellung des böhmischen Königs Přemysl Otakar II. bei Franz Grillparzer und František Zavřel Revenant and harbinger : on the depiction of the Bohemian King Otakar II in the work of Franz Grillparzer and František Zavřel
    Published: 10.10.2018

    This study compares the dramas König Ottokars Glück und Ende by the Austrian dramatist Franz Grillparzer and Král Přemysl Otakar Druhý by the Czech writer František Zavřel. The focus is on the character of the Bohemian King Otakar II. The king is... more

     

    This study compares the dramas König Ottokars Glück und Ende by the Austrian dramatist Franz Grillparzer and Král Přemysl Otakar Druhý by the Czech writer František Zavřel. The focus is on the character of the Bohemian King Otakar II. The king is depicted by both authors as a strong and remarkable figure, but while Grillparzer presents him as an anti-hero who falls victim to his own ruthless politics, Zavřel shows him to be a form of superman, whose downfall is caused by the pettiness of those around him. The study explores these differences and seeks to explain their origins

     

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    Language: German
    Media type: Article
    Format: Online
    DDC Categories: 830
    Subjects: Grillparzer, Franz; König Ottokars Glück und Ende; Otakar II., Böhmen, König; Zavřel, František
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  14. Der König und der Usurpator : die Figuren von Franz Grillparzers Primislaus Ottokar und Jaroslav Hilberts Záviš z Falkenštejna im Vergleich The king and the usurper : comparing the characters of Franz Grillparzer's Primislaus Ottokar und Jaroslav Hilbert's Záviš z Falkenštejna
    Published: 12.11.2018

    King Ottokar II and Záviš z Falkenštejna are often depicted in literary fiction as rivals – both in politics and in love. A similar representation can be found in the work of Franz Grillparzer, whose Zawisch incorporates both demonic and comic... more

     

    King Ottokar II and Záviš z Falkenštejna are often depicted in literary fiction as rivals – both in politics and in love. A similar representation can be found in the work of Franz Grillparzer, whose Zawisch incorporates both demonic and comic elements. He can be interpreted in various ways: as a sophisticated plotter of intrigues, a malicious poisoner, an arrogant figure who betrays his king and his country due to his wounded pride, or a seducer who eventually becomes subservient to an Amazon whom he had originally envisaged as his own puppet. Directors, viewers and readers usually do not see him as a great statesman. However, Jaroslav Hilbert depicted him in an entirely different manner. His Falkenštejn is a violent conspirator and usurper - but also a patriot, a statesman and a modern thinker. In Grillparzers work, the character of Zawisch is more reminiscent of his traditional rival Ottakar than of Hilbert's depiction. This study presents a comparison of both characters.

     

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    Language: German
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    DDC Categories: 830
    Subjects: Grillparzer, Franz; König Ottokars Glück und Ende; Zavřel, František; Hilbert, Jaroslav; Záviš, z Falkenštejna; Literarische Gestalt
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  15. Königin oder Dirne? : zur Darstellung der böhmischen Königin Kunigunde von Halitsch bei Franz Grillparzer und František Zavřel Queen or whore? : on the depiction of the Queen of Bohemia Kunigunda of Galicia by Franz Grillparzer and František Zavřel

    Kunigunda of Galicia, the second wife of the Bohemian King Otokar II and later the second wife of the powerful nobleman Záviš of Falkenstein, suffers from a very poor reputation due to her depiction in medieval chronicles, especially the Styrian... more

     

    Kunigunda of Galicia, the second wife of the Bohemian King Otokar II and later the second wife of the powerful nobleman Záviš of Falkenstein, suffers from a very poor reputation due to her depiction in medieval chronicles, especially the Styrian Rhymed Chronicle written by Ottokar aus der Gaal. Her image as a domineering and morally dubious figure is also echoed in Franz Grillparzer's play "König Ottokars Glück und Ende", which draws partly on the Styrian chronicle as source material. This study attempts to answer the question of what role Kunigunda plays in Grillparzer's drama, and whether she genuinely deserves to be known as a "whore" – a designation which was applied to her immediately after the play's premiere. Grillparzer's version of Kunigunda is also compared with her depiction in the tragedy "Král Přemysl Otakar Druhý" by František Zavřel.

     

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    Language: German
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    DDC Categories: 830
    Subjects: Grillparzer, Franz; König Ottokars Glück und Ende
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  16. Wartburg, Wartburgfest, "Wartburg-Zeit" : Richard Wagners "Tannhäuser und der Sängerkrieg auf Wartburg", die Bildmetapher "Wartburg" und ihre Anwendungsmöglichkeiten in der deutschen (Literatur-)Geschichte Wagnerův "Tannhäuser a zápas pěvců na Wartburgu", metafora "Wartburg" a moţnosti jejího uţití v německých (literárních) dějinách Wagner's "Tannhäuser und der Sängerkrieg auf Wartburg", the metaphor "Wartburg" and the possibilities for its use in German (literary) history

    Hrad Wartburg v Durynsku je jedním z nejvýznamnějších památníků německé kultury. Jeho jméno je spojeno s dějinami minnesangu stejně jako s historií německé reformace. Ve Wagnerově opeře 'Tannhäuser' se však tento hrad stává především symbolem,... more

     

    Hrad Wartburg v Durynsku je jedním z nejvýznamnějších památníků německé kultury. Jeho jméno je spojeno s dějinami minnesangu stejně jako s historií německé reformace. Ve Wagnerově opeře 'Tannhäuser' se však tento hrad stává především symbolem, metaforou, za níţ se skrývá tradiční německá "Kultura" (tak jak ji definoval např. Thomas Mann ve svých 'Betrachtungen eines Unpolitischen'). Novější německé dějiny znají hned několik epoch, v nichţ hrály hodnoty reprezentované wagnerovským Wartburgem významnou roli – wilhelmovská "Druhá" stejně jako – ještě radikálněji – Hitlerova "Třetí říše". Cílem tohoto příspěvku je objasnit na příkladu německé literatury, jak "wartburské" tyto doby byly a jak reálné je zrcadlo, které Wagner se svým 'Tannhäuserem' nastavil (německému) světu. Wartburg castle in Thuringia is one of the most important sites in German culture. Its name is linked with the history of Minnesang and the German Reformation. In Wagner's opera 'Tannhäuser', however, the castle functions primarily as a symbol, a metaphor, representing traditional German "Culture" (as defined by Thomas Mann in his 'Betrachtungen eines Unpolitischen'). Modern German history included two eras in which the values represented by the Wagnerian Wartburg played a key role: the "Second Reich" of Wilhelm II and the even more radical "Third Reich" of Hitler. This paper discusses, using German literary examples, how 'Wartburgian' these eras were, and how realistic was the mirror held up by Wagner to the (German) world in his 'Tannhäuser'.

     

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    Language: German
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    DDC Categories: 830
    Subjects: Wartburg; Wagner, Richard / Tannhäuser
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  17. Hamlet oder Die lange Wartburg-Nacht nimmt kein Ende : die westdeutsche Literaturlandschaft der Nachkriegs- und frühen Adenauer-Zeit aus der Sicht des Re-Emigranten Alfred Döblin Hamlet or The long night at Wartburg never ends : The literary scene in West Germany in the immediate post-war period and during the first Adenauer years as viewed by the re-emigrant Alfred Döblin

    The theme of Wagner's opera 'Tannhäuser' is the conflict between the artist and society, between nonconformism and servility to the dictates of a regime, with all its dogmas and taboos. This theme remains real and 'modern' to this day, and it has... more

     

    The theme of Wagner's opera 'Tannhäuser' is the conflict between the artist and society, between nonconformism and servility to the dictates of a regime, with all its dogmas and taboos. This theme remains real and 'modern' to this day, and it has been acted out several times in German history. 'Truth fanatics' – artists, academics and intellectuals – have repeatedly been ostracized, boycotted or mocked. One such figure was Alfred Döblin, nowadays a half-forgotten novelist who returned to post-war Germany after several years of exile to participate in the country's spiritual regeneration. Döblin's novel 'Hamlet oder Die lange Nacht nimmt ein Ende' – begun during the writer's Hollywood exile – can be viewed as a work of 'Trauerarbeit' – a way of dealing with the Nazi past. This paper examines the questions asked by Döblin and the problems he faced in the nascent Federal Republic of Germany, using his 'Hamlet' as a source of illustrative examples. Wagner's 'Tannhäuser' – a work to which Döblin was strongly drawn – serves as a framework.

     

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  18. Deutsch als Sprache der Privilegierten : zur literarischen Darstellung der deutsch-tschechischen Kontroversen unter Přemysl Otakar II. am Beispiel von Franz Grillparzer und Nina Bonhardová German as the language of the privileged : on the literary depiction of Czech-German conflicts during the reign of the Přemyslid King Otakar II in the works of Franz Grillparzer and Nina Bonhardová

    The Přemyslid King Otakar II is one of the most prominent figures in Czech (and Central European) history. However, he is also a highly controversial figure, primarily due to his unflagging support for the German-speaking communities on his... more

     

    The Přemyslid King Otakar II is one of the most prominent figures in Czech (and Central European) history. However, he is also a highly controversial figure, primarily due to his unflagging support for the German-speaking communities on his territory, which figures such as František Palacký considered to be excessive. The theme of German medieval colonization and Czech/German coexistence naturally appears in literary works dealing with Otakar's life. The Austrian dramatist Franz Grillparzer's play "König Ottokars Glück und Ende" is no exception. The topic of German colonization is relatively peripheral within the work, however the brief scene featuring the King and the burghers of Prague (who protest at Prague Castle against the expulsion of the Czechs and the settlement of Germans in their place) so incensed the Czech literary scene that the work has still not yet been translated into Czech. This article aims to analyze the scene in question, comparing Grillparzer's drama with the novel "Královský úděl" by the Czech author Nina Bonhardová.

     

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    Language: German
    Media type: Article
    Format: Online
    DDC Categories: 830
    Subjects: Sprachpolitik; Otakar <II., Böhmen, König>; Deutsch; Tschechisch; Grillparzer, Franz / König Ottokars Glück und Ende
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  19. Der Sängerkrieg auf der Wartburg und dessen Bearbeitung durch Richard Wagner und Robert Löhr The singing contest at the Wartburg and its depiction by Richard Wagner and Robert Löhr : a comparison

    Wartburg castle is associated not only with Luther's German translation of the Bible, but also with the legendary singing contest that is said to have taken place there in the early 13th century. Although today it is impossible to tell whether this... more

     

    Wartburg castle is associated not only with Luther's German translation of the Bible, but also with the legendary singing contest that is said to have taken place there in the early 13th century. Although today it is impossible to tell whether this was a real event or merely a legend, the contest became a popular basis for literary treatments. The "classic" version of the story was presented in the 19th century by Richard Wagner in his opera "Tannhäuser und der Sängerkrieg auf Wartburg", while the most recent version of the story dates from 2012: Robert Löhr's novel "Krieg der Sänger". Because Löhr's version was almost immediately compared with Wagner's, the aim of this study is to analyze the two works and draw conclusions from such a comparison. Which sources did both authors work with, and how? Were they primarily concerned with a historically accurate depiction of events, entertaining the reader or audience, or communicating some deeper thoughts? In what light are the main hero and his competitors presented? What do Wagner and Löhr have in common, and how do they differ?

     

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    DDC Categories: 830
    Subjects: Wagner, Richard / Tannhäuser; Löhr, Robert
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  20. Das Problem der "Tschechenfeindlichkeit" in den literarischen Adaptionen der Lebensgeschichte des böhmischen Königs Přemysl Otakar II : am Beispiel von Franz Grillparzer und František Zavřel The problem of "anti-Czech sentiment" in literary adaptations of the life story of the Czech Přemyslid King Otakar II : with examples from Franz Grillparzer and František Zavřel

    The aim of this study is to present two older literary adaptations of the tragic life story of King Otakar (Ottokar) II – the "classic" play "König Ottokars Glück und Ende" by the Austrian dramatist Franz Grillparzer and the now forgotten drama "Král... more

     

    The aim of this study is to present two older literary adaptations of the tragic life story of King Otakar (Ottokar) II – the "classic" play "König Ottokars Glück und Ende" by the Austrian dramatist Franz Grillparzer and the now forgotten drama "Král Přemysl Otakar Druhý" by the Czech author František Zavřel. The article focuses on the controversial depiction of the king and his Czech subjects, which led to a number of angry protests from Czech audiences. The study also explores the causes of the "anti-Czech sentiment" which is said to be found in these plays.

     

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    Language: German
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    DDC Categories: 830
    Subjects: Grillparzer, Franz / König Ottokars Glück und Ende; Tschechen <Motiv>; Fremdenfeindlichkeit <Motiv>
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  21. [Rezension zu:] Radek Malý (2012): Domovem v jazyce : České čtení Paula Celana = Zu Hause in der Sprache : Paul Celan aus tschechischer Sicht
    Published: 25.11.2014

    Rezension zu Radek Malý (2012): Domovem v jazyce. České čtení Paula Celana [Zu Hause in der Sprache. Paul Celan aus tschechischer Sicht]. Olomouc. 188 S. ISBN 978-80-86624-64-8. more

     

    Rezension zu Radek Malý (2012): Domovem v jazyce. České čtení Paula Celana [Zu Hause in der Sprache. Paul Celan aus tschechischer Sicht]. Olomouc. 188 S. ISBN 978-80-86624-64-8.

     

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    Source: CompaRe
    Language: German
    Media type: Review
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    DDC Categories: 830
    Subjects: Celan, Paul; Literarische Rezeption; Tschechische Republik
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  22. Des Kaisers grauer Rock : zur Herausstellung des Deutschtums Kaiser Rudolfs in Franz Grillparzers Trauerspiel 'König Ottokars Glück und Ende'
    Published: 16.09.2020

    The Austrian poet Franz Grillparzer is often presented in scholarly literature as an opponent of nationalism. Indeed, Grillparzer did oppose nationally motivated separatist tendencies, which he viewed as a threat to the existence of the supranational... more

     

    The Austrian poet Franz Grillparzer is often presented in scholarly literature as an opponent of nationalism. Indeed, Grillparzer did oppose nationally motivated separatist tendencies, which he viewed as a threat to the existence of the supranational Habsburg Monarchy. However, his tragedy 'König Ottokars Glück und Ende' includes clear examples of the early Habsburg ideology which emerged along with the Austrian Empire during the Napoleonic Wars (a time of nationalist tensions) and which - at least initially - was imbued with a form of German Romantic nationalism. This ideology is displayed by the character of Rudolf von Habsburg, who - in the spirit of Romantic nationalism - is depicted as the embodiment of Germany. Rudolf's fervent Germanness - which appears to have been one of the reasons behind Grillparzer's problems with censorship under the Metternich regime - is not only evident in the character's words, but also in the clothes he wears. The grey coat that is one of Rudolf's most distinctive features may be a reference to what was known as an 'Old German' folk costume ('Altdeutsche Tracht'); after the Napoleonic Wars, this garment became a symbol used by the German nationalist student movement known as the 'Burschenschaftler'.

     

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    Language: German
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    DDC Categories: 830
    Subjects: Grillparzer, Franz; König Ottokars Glück und Ende; Deutschland; Nationalismus
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  23. Zentrum und Peripherie : aus literaturwissenschaftlicher Sicht
    Published: 13.07.2018

    Zentrum und Peripherie wurde zum leitenden Thema der gleichnamigen Konferenz, die vom 25. bis 27. Mai 2016 an der Schlesischen Universität Opava stattfand. Die Tagung, an der beinahe 90 Fachleute aus 9 Ländern teilnahmen, wurde vom Germanistenverband... more

     

    Zentrum und Peripherie wurde zum leitenden Thema der gleichnamigen Konferenz, die vom 25. bis 27. Mai 2016 an der Schlesischen Universität Opava stattfand. Die Tagung, an der beinahe 90 Fachleute aus 9 Ländern teilnahmen, wurde vom Germanistenverband der Tschechischen Republik und der Germanistischen Abteilung des Instituts für Fremdsprachen der Schlesischen Universität Opava organisiert. Die Tagung verfolgte das Ziel, Zentrum und Peripherie in unterschiedlichen Bereichen zu untersuchen und einen Überblick über neue Methoden und Erkenntnisse im Bereich der sprachwissenschaftlichen, literarischen und didaktischen Forschungen in fünf Sektionen zu bieten: Die deutsche Sprache: Zentrum und Peripherie; Korpuserstellung und -analyse; Literatur interkulturell vs. transkulturell; Kanon und Norm in Literatur und Literaturdidaktik; Fehler und ihre Behandlung, und stellte eine Vielzahl an Fragestellungen und eine Vielzahl an Ansätzen vor. Die breite thematische und historische Streuung der hier versammelten Aufsätze sowie die Vielfalt ihrer Methoden lassen die vielseitige Anschlussfähigkeit des Rahmenthemas erkennen, für die Mediävistik ebenso wie für die Gegenwartsliteratur, für die soziologischen Aspekte von Literaturpreisen genauso wie für kulturwissenschaftliche Analysen. Darüber hinaus eröffnet der Band seinen Leserinnen und Lesern aber auch die Möglichkeit, innerhalb des hier gebotenen Einblicks in den Forschungsstand der tschechischen germanistischen Literaturwissenschaft und einiger ihrer Nachbarn ihre jeweils eigenen Zentren und Peripherien zu lokalisieren, zu verschieben und kritisch zu reflektieren. Zentrum und Peripherie (Centre and Periphery) was the main topic of the conference with the same title that was held from 25th to 27th May 2016 at Silesian University in Opava. The gathering of almost 90 experts from nine countries was organized by the Association for German Studies in the Czech Republic together with the Department of German Studies at Silesian University in Opava. The main objective of the conference was to investigate the centre and the periphery of the language from various points of view and provide an overview of new methods and findings in the field of linguistic, literary and didactic research. Within the individual contributions, many questions were posed and many different approaches presented in relation to the given issues, all of which took place in five sections: Centre and Periphery of the German Language, Creation and Analysis of a Language Corpus, Literature Approached Interculturally vs. Transculturally, Canon and Norm in Literature and Didactics of Literature, Error and How to Deal with It. A wide thematic and historical scope of the contributions published in this volume and the variety of the utilized methods are a proof of the complexity of the general topic, which may be approached historically, sociologically as well as culturologically. In addition, this volume allows its readers to take a look into the scientific research of the Czech Germanists and some of their neighbours and based on this view locate, shift and reflect on their own centres and peripheries.

     

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    Language: German
    Media type: Conference object; Conference object
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    ISBN: 978-80-7510-262-1
    DDC Categories: 800; 830
    Subjects: Literaturwissenschaft; Germanistik; Kanon; Literatur; Kulturvergleich; Kongress
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  24. Figuren an der Peripherie und im Zentrum der 'neuen Zeit' : Franz Grillparzers König Ottokar und Rudolf von Habsburg
    Published: 17.07.2018

    Franz Grillparzers Trauerspiel 'König Ottokars Glück und Ende' wurde lange Zeit als ein patriotisches Festspiel (miss-)verstanden. Ebenso interessant wie die Frage nach der Berechtigung dieses (Miss-)Verständnisses ist jedoch die Frage, wie... more

     

    Franz Grillparzers Trauerspiel 'König Ottokars Glück und Ende' wurde lange Zeit als ein patriotisches Festspiel (miss-)verstanden. Ebenso interessant wie die Frage nach der Berechtigung dieses (Miss-)Verständnisses ist jedoch die Frage, wie Grillparzer in diesem Drama den Lauf der Geschichte darstellt. Die zwei rivalisierenden männlichen Hauptfiguren, nämlich Ottokar von Böhmen und Rudolf von Habsburg, lassen sich als Repräsentanten zweier historischer Epochen interpretieren. Während Rudolf eine neue Zeit proklamiert und sich gleich in deren Zentrum stellt, bleibt Ottokar dem Vergehenden verpflichtet und stirbt an der Peripherie einer kommenden Epoche, deren Gebot er zu spät erkennt. The tragedy 'The rise and fall of King Ottokar' ('König Ottokars Glück und Ende') by Franz Grillparzer has been (mis)understood for a long time as a patriotic festival production. Nevertheless, the question of how Grillparzer does present the course of history is as fascinating as the question for the justifiability of this (mis)understanding. Both rivalling male protagonists, that is, Ottokar of Bohemia (Ottokar von Böhmen) and Rudolf of Habsburg (Rudolf von Habsburg) may be seen as representatives of two different historical eras. While Rudolf proclaims a new era and at once places himself at its center, Ottokar stays committed to the declining world and dies near the periphery of a modern epoch whose requirements he does not recognize early enough.

     

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    Language: German
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    ISBN: 978-80-7510-262-1
    DDC Categories: 800; 830
    Subjects: Grillparzer, Franz / König Ottokars Glück und Ende; Otakar II., <Böhmen, König>; Rudolf I., Heiliges Römisches Reich, König
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  25. Der Mantel des Königs : zum symbolischen Gehalt von Ottokars Prunkmantel in Franz Grillparzers Trauerspiel 'König Ottokars Glück und Ende'
    Published: 25.02.2021

    Clothing plays an important role in the tragedy 'König Ottokars Glück und Ende' by the Austrian dramatist Franz Grillparzer - however, this role has not yet been adequately explored. Coats, jackets, helmets and garters are not mere props in the play;... more

     

    Clothing plays an important role in the tragedy 'König Ottokars Glück und Ende' by the Austrian dramatist Franz Grillparzer - however, this role has not yet been adequately explored. Coats, jackets, helmets and garters are not mere props in the play; sometimes they are elevated to the level of symbols which can (and indeed must) be interpreted. Two types of garment play a particularly important symbolic role: Emperor Rudolf's grey jacket (jerkin) and King Ottokar's gold-embroidered coat. The King's coat is a symbol of his power and authority, yet it also evokes his alienation from his Bohemian subjects. It can also be interpreted as an allusion to the French Emperor Napoleon, whose features are clearly transferred into the figure of Ottokar.

     

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    Language: German
    Media type: Article
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    DDC Categories: 830
    Subjects: Grillparzer, Franz; König Ottokars Glück und Ende; Mantel <Motiv>; Symbol; Napoleon I., Frankreich, Kaiser
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