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  1. Bauhaus weaving theory
    from feminine craft to mode of design
    Author: Smith, T'ai Lin
    Published: [2014]; © 2014
    Publisher:  University of Minnesota Press, Minneapolis

    Location:
    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
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    Dienstzimmer: 14/H. p. 241
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    Universität Mainz, Bereichsbibliothek Georg Forster-Gebäude / Kunstgeschichte
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    O s.2/208
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780816687244; 9780816687237
    DDC Categories: 740; 700
    Subjects: Bauhaus; Textilkünstlerin; Webarbeit; Ästhetik
    Scope: xxxiv, 229 Seiten, Illustrationen (teilweise farbig), 21 cm
    Notes:

    Literaturangaben
  2. Bauhaus Weaving Theory
    From Feminine Craft to Mode of Design
    Author: Smith, T'ai Lin
    Published: 2014
    Publisher:  University of Minnesota Press, Minneapolis

    The Bauhaus school in Germany has long been understood through the writings of its founding director, Walter Gropius, and well-known artists who taught there such as Wassily Kandinsky and László Moholy-Nagy. Far less recognized are texts by women in... more

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    Universität Frankfurt, Elektronische Ressourcen
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    The Bauhaus school in Germany has long been understood through the writings of its founding director, Walter Gropius, and well-known artists who taught there such as Wassily Kandinsky and László Moholy-Nagy. Far less recognized are texts by women in the school's weaving workshop. In Bauhaus Weaving Theory, T'ai Smith uncovers new significance in the work the Bauhaus weavers did as writers. From colorful, expressionist tapestries to the invention of soundproofing and light-reflective fabric, the workshop's innovative creations influenced a modernist theory of weaving. In the first careful exami...

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780816687244; 9781452943237 (Sekundärausgabe)
    RVK Categories: LH 78960
    DDC Categories: 700; 740
    Subjects: Bauhaus; Textilkünstlerin; Webarbeit; Ästhetik
    Scope: 273 p.
    Notes:

    Description based upon print version of record

    Online-Ausg.:
  3. Bauhaus weaving theory
    from feminine craft to mode of design
    Author: Smith, T'ai Lin
    Published: [2014]; © 2014
    Publisher:  University of Minnesota Press, Minneapolis ; London

    Zusammenfassung: "The Bauhaus school in Germany has long been understood through the writings of its founding director, Walter Gropius, and well-known artists who taught there such as Wassily Kandinsky and László Moholy-Nagy. Far less recognized are... more

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    Universitäts- und Landesbibliothek Düsseldorf
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    Zusammenfassung: "The Bauhaus school in Germany has long been understood through the writings of its founding director, Walter Gropius, and well-known artists who taught there such as Wassily Kandinsky and László Moholy-Nagy. Far less recognized are texts by women in the school's weaving workshop. In Bauhaus Weaving Theory, T'ai Smith uncovers new significance in the work the Bauhaus weavers did as writers. From colorful, expressionist tapestries to the invention of soundproofing and light-reflective fabric, the workshop's innovative creations influenced a modernist theory of weaving. In the first careful examination of the writings of Bauhaus weavers, including Anni Albers, Gunta Stözl, and Otti Berger, Smith details how these women challenged assumptions about the feminine nature of their craft. As they harnessed the vocabulary of other disciplines like painting, architecture, and photography, Smith argues, the weavers resisted modernist thinking about distinct media. In parsing texts about tapestries and functional textiles, the vital role of these women in debates about medium in the twentieth century and a nuanced history of the Bauhaus come to light. Bauhaus Weaving Theory deftly reframes the Bauhaus weaving workshop as central to theoretical inquiry at the school. Putting questions of how value and legitimacy are established in the art world into dialogue with the limits of modernism, Smith confronts the belief that the crafts are manual and technical but never intellectual arts."--Publisher's description

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780816687237; 9780816687244
    Subjects: Bauhaus; Textilkünstlerin; Webarbeit; Ästhetik
    Other subjects: Bauhaus; Bauhaus Dessau, 1925 - 1932; Staatliches Bauhaus Weimar
    Scope: xxxiv, 229 Seiten, 8 ungezählte Seiten Bildtafeln, Illustrationen
    Notes:

    Includes bibliographical references (pages 175-219) and index

    Introduction: textiles, text, and a medium-specific craft -- Pictures made of wool: weaving labor in the workshop -- Toward a modernist theory of weaving: the use of textiles in architectural space -- The haptics of optics: weaving and photography -- Weaving as invention: patenting authorship -- Conclusion: on weaving, on writing
  4. Bauhaus weaving theory
    from feminine craft to mode of design
    Author: Smith, T'ai Lin
    Published: 2015
    Publisher:  University of Minnesota Press, Minneapolis ; Oxford University Press, London

    Zusammenfassung: "The Bauhaus school in Germany has long been understood through the writings of its founding director, Walter Gropius, and well-known artists who taught there such as Wassily Kandinsky and László Moholy-Nagy. Far less recognized are... more

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Zusammenfassung: "The Bauhaus school in Germany has long been understood through the writings of its founding director, Walter Gropius, and well-known artists who taught there such as Wassily Kandinsky and László Moholy-Nagy. Far less recognized are texts by women in the school's weaving workshop. In Bauhaus Weaving Theory, T'ai Smith uncovers new significance in the work the Bauhaus weavers did as writers. From colorful, expressionist tapestries to the invention of soundproofing and light-reflective fabric, the workshop's innovative creations influenced a modernist theory of weaving. In the first careful examination of the writings of Bauhaus weavers, including Anni Albers, Gunta Stözl, and Otti Berger, Smith details how these women challenged assumptions about the feminine nature of their craft. As they harnessed the vocabulary of other disciplines like painting, architecture, and photography, Smith argues, the weavers resisted modernist thinking about distinct media. In parsing texts about tapestries and functional textiles, the vital role of these women in debates about medium in the twentieth century and a nuanced history of the Bauhaus come to light. Bauhaus Weaving Theory deftly reframes the Bauhaus weaving workshop as central to theoretical inquiry at the school. Putting questions of how value and legitimacy are established in the art world into dialogue with the limits of modernism, Smith confronts the belief that the crafts are manual and technical but never intellectual arts."--Publisher's description

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    DDC Categories: 740; 700
    Subjects: Bauhaus; Textilkünstlerin; Webarbeit; Ästhetik
    Scope: 1 Online-Ressource (xxxiv, 229 Seiten), Illustrationen
  5. Bauhaus weaving theory
    from feminine craft to mode of design
    Author: Smith, T'ai Lin
    Published: 2014
    Publisher:  Univ. of Minnesota Press, Minneapolis, Minn. [u.a.]

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    Freie Universität Berlin, Universitätsbibliothek
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  6. Bauhaus weaving theory
    from feminine craft to mode of design
    Author: Smith, T'ai Lin
    Published: 2014
    Publisher:  Univ. of Minnesota Press, Minneapolis [u.a.]

  7. Bauhaus weaving theory
    from feminine craft to mode of design
    Author: Smith, T'ai Lin
    Published: 2014; ©2014
    Publisher:  University of Minnesota Press, Minneapolis

    The Bauhaus school has been understood through the writings of its founding director Walter Gropius and several artists who taught there. Far less recognised are texts written by women in the school's weaving workshop. It was here that a modernist... more

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    Leibniz-Zentrum Moderner Orient, Bibliothek, Geisteswissenschaftliche Zentren Berlin e.V.
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    Universitätsbibliothek Freiburg
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    The Bauhaus school has been understood through the writings of its founding director Walter Gropius and several artists who taught there. Far less recognised are texts written by women in the school's weaving workshop. It was here that a modernist theory of weaving emerged - an investigation of its material elements, loom practice, and functional applications. The women harnessed the vocabulary of other disciplines (painting, architecture, or photography) to take a profound step in the recognition of weaving as a medium-specific craft - one that could be compared to and differentiated from others.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781452949031
    RVK Categories: LH 78960 ; LK 92607
    Subjects: Textile design; Weaving; Women textile designers; Modernism (Art); Art and craft debate; Textile design; Weaving; Women textile designers
    Scope: Online-Ressource (1 online resource (xxxiv, 229 pages, 8 unnumbered pages of plates))
  8. Bauhaus weaving theory
    from feminine craft to mode of design
    Author: Smith, T'ai Lin
    Published: [2014]; © 2014
    Publisher:  University of Minnesota Press, Minneapolis ; London

    Zusammenfassung: "The Bauhaus school in Germany has long been understood through the writings of its founding director, Walter Gropius, and well-known artists who taught there such as Wassily Kandinsky and László Moholy-Nagy. Far less recognized are... more

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    Universitäts- und Landesbibliothek Düsseldorf
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    kuni540.s662
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    G 52.4/241
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    Zusammenfassung: "The Bauhaus school in Germany has long been understood through the writings of its founding director, Walter Gropius, and well-known artists who taught there such as Wassily Kandinsky and László Moholy-Nagy. Far less recognized are texts by women in the school's weaving workshop. In Bauhaus Weaving Theory, T'ai Smith uncovers new significance in the work the Bauhaus weavers did as writers. From colorful, expressionist tapestries to the invention of soundproofing and light-reflective fabric, the workshop's innovative creations influenced a modernist theory of weaving. In the first careful examination of the writings of Bauhaus weavers, including Anni Albers, Gunta Stözl, and Otti Berger, Smith details how these women challenged assumptions about the feminine nature of their craft. As they harnessed the vocabulary of other disciplines like painting, architecture, and photography, Smith argues, the weavers resisted modernist thinking about distinct media. In parsing texts about tapestries and functional textiles, the vital role of these women in debates about medium in the twentieth century and a nuanced history of the Bauhaus come to light. Bauhaus Weaving Theory deftly reframes the Bauhaus weaving workshop as central to theoretical inquiry at the school. Putting questions of how value and legitimacy are established in the art world into dialogue with the limits of modernism, Smith confronts the belief that the crafts are manual and technical but never intellectual arts."--Publisher's description

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780816687237; 9780816687244
    Subjects: Ästhetik; Bauhaus; Webarbeit; Textilkünstlerin
    Other subjects: (lcsh)Bauhaus; Bauhaus; Bauhaus Dessau, 1925 - 1932; Staatliches Bauhaus Weimar; (fast)Bauhaus; (fast)1900-1999; (lcsh)Textile design--Germany--History--20th century; (lcsh)Weaving--Germany--History--20th century; (lcsh)Women textile designers--Germany; (lcsh)Modernism (Art); (lcsh)Art and craft debate; (bisacsh)ART--History--General; (bisacsh)DESIGN--History & Criticism; (bisacsh)SOCIAL SCIENCE--Women's Studies; (fast)Art and craft debate; (fast)Modernism (Art); (fast)Textile design; (fast)Weaving; (fast)Women textile designers; (fast)Germany; (fast)History
    Scope: xxxiv, 229 Seiten, 8 ungezählte Seiten Bildtafeln, Illustrationen
    Notes:

    Includes bibliographical references (pages 175-219) and index

    Introduction: textiles, text, and a medium-specific craft -- Pictures made of wool: weaving labor in the workshop -- Toward a modernist theory of weaving: the use of textiles in architectural space -- The haptics of optics: weaving and photography -- Weaving as invention: patenting authorship -- Conclusion: on weaving, on writing.
  9. Bauhaus weaving theory
    from feminine craft to mode of design
    Author: Smith, T'ai Lin
    Published: 2014
    Publisher:  Univ. of Minnesota Press, Minneapolis, Minn. [u.a.]

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    Bayerische Staatsbibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    OTH- Ostbayerische Technische Hochschule Regensburg, Hochschulbibliothek
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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  10. Bauhaus weaving theory
    from feminine craft to mode of design
    Author: Smith, T'ai Lin
    Published: [2014]
    Publisher:  University of Minnesota Press, Minneapolis

    Zusammenfassung: "The Bauhaus school in Germany has long been understood through the writings of its founding director, Walter Gropius, and well-known artists who taught there such as Wassily Kandinsky and László Moholy-Nagy. Far less recognized are... more

     

    Zusammenfassung: "The Bauhaus school in Germany has long been understood through the writings of its founding director, Walter Gropius, and well-known artists who taught there such as Wassily Kandinsky and László Moholy-Nagy. Far less recognized are texts by women in the school's weaving workshop. In Bauhaus Weaving Theory, T'ai Smith uncovers new significance in the work the Bauhaus weavers did as writers. From colorful, expressionist tapestries to the invention of soundproofing and light-reflective fabric, the workshop's innovative creations influenced a modernist theory of weaving. In the first careful examination of the writings of Bauhaus weavers, including Anni Albers, Gunta Stözl, and Otti Berger, Smith details how these women challenged assumptions about the feminine nature of their craft. As they harnessed the vocabulary of other disciplines like painting, architecture, and photography, Smith argues, the weavers resisted modernist thinking about distinct media. In parsing texts about tapestries and functional textiles, the vital role of these women in debates about medium in the twentieth century and a nuanced history of the Bauhaus come to light. Bauhaus Weaving Theory deftly reframes the Bauhaus weaving workshop as central to theoretical inquiry at the school. Putting questions of how value and legitimacy are established in the art world into dialogue with the limits of modernism, Smith confronts the belief that the crafts are manual and technical but never intellectual arts."--Publisher's description

     
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  11. Bauhaus weaving theory
    from feminine craft to mode of design
    Author: Smith, T'ai Lin
    Published: 2014
    Publisher:  University of Minnesota Press, Minneapolis, Minn. [u.a.]

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2015:1938:
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Burg Giebichenstein Kunsthochschule Halle, Hochschulbibliothek
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780816687244; 9780816687237
    Other identifier:
    9780816687237
    RVK Categories: LH 78960 ; LK 92607
    Subjects: Weaving; Women textile designers; Textile design; Modernism (Art); Art and craft debate
    Scope: XXXIV, 229 S., [4] Bl., Ill., 21 cm
    Notes:

    Includes bibliographical references and index

    Includes bibliographical references and index
  12. Bauhaus weaving theory
    from feminine craft to mode of design
    Author: Smith, T'ai Lin
    Published: 2014
    Publisher:  University of Minnesota Press, Minneapolis, MN

    Acknowledgments -- Introduction -- 1. Pictures Made of Wool -- 2. Toward a Modernist Theory of Weaving -- 3. The Haptics of Optics -- 4. Weaving as Invention -- Conclusion -- Notes -- Index. The Bauhaus school in Germany has long been understood... more

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    Universitätsbibliothek Freiburg
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    Acknowledgments -- Introduction -- 1. Pictures Made of Wool -- 2. Toward a Modernist Theory of Weaving -- 3. The Haptics of Optics -- 4. Weaving as Invention -- Conclusion -- Notes -- Index. The Bauhaus school in Germany has long been understood through the writings of its founding director, Walter Gropius, and well-known artists who taught there such as Wassily Kandinsky and László Moholy-Nagy. Far less recognized are texts by women in the school's weaving workshop. In Bauhaus Weaving Theory, T'ai Smith uncovers new significance in the work the Bauhaus weavers did as writers. From colorful, expressionist tapestries to the invention of soundproofing and light-reflective fabric, the workshop's innovative creations influenced a modernist theory of weaving. In the first careful examination of the writings of Bauhaus weavers, including Anni Albers, Gunta Stözl, and Otti Berger, Smith details how these women challenged assumptions about the feminine nature of their craft. As they harnessed the vocabulary of other disciplines like painting, architecture, and photography, Smith argues, the weavers resisted modernist thinking about distinct media. In parsing texts about tapestries and functional textiles, the vital role these women played in debates about medium in the twentieth century and a nuanced history of the Bauhaus comes to light. Bauhaus Weaving Theory deftly reframes the Bauhaus weaving workshop as central to theoretical inquiry at the school. Putting questions of how value and legitimacy are established in the art world into dialogue with the limits of modernism, Smith confronts the belief that the crafts are manual and technical but never intellectual arts

     
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  13. Wow! Woven?
    entering the (sub)textiles
    Author: Smith, T'ai Lin
    Published: [2015]; © 2015
    Publisher:  Künstlerhaus, Halle für Kunst & Medien, Graz

    Location:
    Zentrum für Kunst und Medien Karlsruhe / Staatliche Hochschule für Gestaltung, Bibliothek
    Signature:
    C Gra9 2086
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    Source: Union catalogues
    Contributor: Droschl, Sandro (HerausgeberIn); Egger, Christian (HerausgeberIn, VerfasserIn); Steps, Stefanie (HerausgeberIn)
    Language: German
    Media type: Book
    Format: Print
    Subjects: Kunst; Moderne; Weben <Motiv>; ; Kunst; Textilien;
    Scope: 95 Seiten
  14. Bauhaus weaving theory
    from feminine craft to mode of design
    Author: Smith, T'ai Lin
    Published: 2014
    Publisher:  University of Minnesota Press, Minneapolis ; Oxford University Press, Oxford

    The Bauhaus school has been understood through the writings of its founding director Walter Gropius and several artists who taught there. Far less recognised are texts written by women in the school's weaving workshop. It was here that a modernist... more

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    The Bauhaus school has been understood through the writings of its founding director Walter Gropius and several artists who taught there. Far less recognised are texts written by women in the school's weaving workshop. It was here that a modernist theory of weaving emerged - an investigation of its material elements, loom practice, and functional applications. The women harnessed the vocabulary of other disciplines (painting, architecture, or photography) to take a profound step in the recognition of weaving as a medium-specific craft - one that could be compared to and differentiated from others.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781452949031
    Other identifier:
    DDC Categories: 700; 740
    Subjects: Bauhaus; Textilkünstlerin; Webarbeit; Ästhetik; Textile design; Weaving; Women textile designers; Modernism (Art); Art and craft debate
    Scope: 1 Online-Ressource (xxxiv, 229 pages, 8 unnumbered pages of plates), Illustrations (black and white, and colour)
    Notes:

    Includes bibliographical references and index
  15. Bauhaus weaving theory
    from feminine craft to mode of design
    Author: Smith, T'ai Lin
    Published: 2014
    Publisher:  University of Minnesota Press, Minneapolis

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    Universitätsbibliothek Gießen
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780816687237; 9780816687244; 9781452943237 (Sekundärausgabe); 1452943230 (Sekundärausgabe)
    RVK Categories: LH 78960
    DDC Categories: 700; 740
    Subjects: Bauhaus; Textilkünstlerin; Webarbeit; Ästhetik
    Notes:

    Online-Ausg.:
  16. Bauhaus weaving theory
    from feminine craft to mode of design
    Author: Smith, T'ai Lin
    Published: 2014; © 2014
    Publisher:  University of Minnesota Press, Minneapolis, Minnesota

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780816687244; 9780816687237; 9781452943237
    Subjects: Geschichte; Textile design; Weaving; Women textile designers; Modernism (Art); Art and craft debate; Textilkünstlerin; Bauhaus; Webarbeit; Ästhetik
    Scope: 1 online resource (273 pages, 8 unnumbered pages of plates), color illustrations, photographs
    Notes:

    Includes index

    Description based on print version record