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  1. Performance in the texts of Mallarmé
    the passage from art to ritual
    Author: Shaw, Mary Lewis
    Published: 1993
    Publisher:  Pennsylvania State Univ. Press, University Park, Pa.

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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    12.638.61
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    Universität Mainz, Zentralbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0271008075
    RVK Categories: IG 6805
    Other subjects: Mallarmé, Stéphane (1842-1898)
    Scope: 277 S.
    Notes:

    Literaturverz. S. [259] - 265
  2. Performance in the Texts of Mallarmé
    The Passage from Art to Ritual
    Author: Shaw, Mary Lewis
    Published: [1992]; ©1992
    Publisher:  Penn State University Press, University Park, PA ; Walter de Gruyter GmbH, Berlin

    Performance in the Texts of Mallarmé offers a new theory of performance in the poetic and critical texts of Stephane Mallarmé, a theory challenging the prevailing interpretation of his work as epitomizing literary purism and art for art's... more

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    Performance in the Texts of Mallarmé offers a new theory of performance in the poetic and critical texts of Stephane Mallarmé, a theory challenging the prevailing interpretation of his work as epitomizing literary purism and art for art's sake.Following an analytical presentation of the concepts of ritual and performance generally applied, Mary Shaw shows that Mallarmé perceived music, dance, and theater as ideal languages of the body and therefore as ideal forms of ritual through which to supplement and celebrate poetic texts. She focuses on previously unexplored references to supplementary, extratextual performances in four of Mallarmé's major poetic texts—Herodiade, L'après-midi d'un faune, Igitur, and Un coup de des—revealing the consistent formal expression of his original conception of literature's relationship to the performing arts.Shaw then discusses Mallarmé's monumental project, Le Livre, a metaphysical book designed to be performed in a series of ritual celebrations. She analyzes and describes the intrinsic structure and contents of this unfinished work as the fullest realization of the text-performance relationship elaborated throughout Mallarmé's corpus. Shaw offers Le Livre as a prototype of avant-garde performance, drawing important parallels between Mallarmé's literary experimentation and crucial developments in twentieth-century arts.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780271075556
    Other identifier:
    Subjects: Avant-garde (Aesthetics); Performing arts in literature; Ritual in literature; LITERARY CRITICISM / European / French
    Scope: 1 Online-Ressource (288 p.)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Jun 2021)
  3. Performance in the texts of Mallarmé
    the passage from art to ritual
    Author: Shaw, Mary Lewis
    Published: 1993
    Publisher:  Pennsylvania State Univ. Press, University Park, Pa.

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  4. The Cambridge introduction to French poetry
    Author: Shaw, Mary Lewis
    Published: 2003
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521808766; 0521004853
    Other identifier:
    9780521004855
    2002-41544
    RVK Categories: IE 3016
    Edition: 1. publ.
    Subjects: French poetry; French poetry
    Scope: XII, 226 S., Ill., 23cm
    Notes:

    Includes bibliographical references and index
  5. The Cambridge introduction to French poetry
    Author: Shaw, Mary Lewis
    Published: 2003
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521808766; 0521004853
    Other identifier:
    9780521004855
    2002-41544
    RVK Categories: IE 3016
    Edition: 1. publ.
    Subjects: French poetry; French poetry
    Scope: XII, 226 S., Ill., 23cm
    Notes:

    Includes bibliographical references and index
  6. Rhétoriques fin de siècle
    Contributor: Shaw, Mary Lewis (Hrsg.); Cornilliat, François (Hrsg.)
    Published: 1992
    Publisher:  Bourgois, [Paris]

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 211093
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Universitätsbibliothek Freiburg
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    93/4976
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    AL 2 | SHA
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    Universitätsbibliothek Mannheim
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    2003 BA 9537
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    Universitätsbibliothek Osnabrück
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    4628-147 2
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    Universitätsbibliothek der Eberhard Karls Universität
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    Source: Staatsbibliothek zu Berlin
    Contributor: Shaw, Mary Lewis (Hrsg.); Cornilliat, François (Hrsg.)
    Language: French
    Media type: Book
    Format: Print
    ISBN: 2267011344
    Subjects: Französisch; Dekadenz; Literatur; ; Französisch; Dekadenzliteratur;
    Other subjects: Array; Literature and history
    Scope: 271 S
    Notes:

    Literaturangaben
  7. Rhétoriques fin de siècle
    Contributor: Shaw, Mary Lewis (Hrsg.); Cornilliat, François (Hrsg.)
    Published: 1992
    Publisher:  Bourgois, [Paris]

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Contributor: Shaw, Mary Lewis (Hrsg.); Cornilliat, François (Hrsg.)
    Language: French
    Media type: Book
    Format: Print
    ISBN: 2267011344
    Subjects: Französisch; Dekadenz; Literatur; ; Französisch; Dekadenzliteratur;
    Other subjects: Array; Literature and history
    Scope: 271 S
    Notes:

    Literaturangaben
  8. Performance in the texts of Mallarmé
    the passage from art to ritual
    Author: Shaw, Mary Lewis
    Published: 1993
    Publisher:  Pennsylvania State Univ. Press, University Park, Pa.

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    Freie Universität Berlin, Universitätsbibliothek
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    Source: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 0271008075
    RVK Categories: IG 6805
    Subjects: Letterkunde; Uitvoerende kunsten; Literatur; Wissen; Ästhetik; Avant-garde (Aesthetics); Performing arts in literature; Ritual in literature; Darstellende Kunst; Musik; Küste
    Other subjects: Mallarmé, Stéphane <1842-1898>; Mallarmé, Stéphane <1842-1898>; Mallarmé, Stéphane (1842-1898)
    Scope: 277 S., Ill.
  9. Performance in the texts of Mallarmé
    the passage from art to ritual
    Author: Shaw, Mary Lewis
    Published: 1993
    Publisher:  The Pennsylvania State Univ. Press, University Park, Pa.

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 199834
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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Romanisches Seminar der Universität, Bibliothek
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    F 18.800 e(197)
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0271008075
    Other identifier:
    9780271008073
    RVK Categories: IG 6805
    Subjects: Mallarmé, Stéphane;
    Other subjects: Array; Array; Performing arts in literature; Avant-garde (Aesthetics); Ritual in literature
    Scope: 277 S, Ill
    Notes:

    Literaturverz. S. [259] - 265
  10. The printed poem and the reader
    Contributor: Bradford, Richard (Hrsg.); Shaw, Mary Lewis (Mitarb.); York, R. A. (Mitarb.); Webster, Michael (Mitarb.); Berry, Eleanor (Mitarb.); Markham, Edward A. (Mitarb.); Waterman, Andrew (Mitarb.)
    Published: 1989

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    Source: Online Contents Comparative Literature
    Contributor: Bradford, Richard (Hrsg.); Shaw, Mary Lewis (Mitarb.); York, R. A. (Mitarb.); Webster, Michael (Mitarb.); Berry, Eleanor (Mitarb.); Markham, Edward A. (Mitarb.); Waterman, Andrew (Mitarb.)
    Language: English
    Media type: Article (journal)
    Format: Print
    Parent title: In: Visible language; Cincinnati, Ohio : University of Cincinnati, 1971-; Band 23, Heft 1 (1989), Seite 5-132

  11. Performance in the Texts of Mallarmé
    The Passage from Art to Ritual
    Author: Shaw, Mary Lewis
    Published: [2021]; © 1992
    Publisher:  Penn State University Press, University Park, PA

    Performance in the Texts of Mallarmé offers a new theory of performance in the poetic and critical texts of Stephane Mallarmé, a theory challenging the prevailing interpretation of his work as epitomizing literary purism and art for art's... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Performance in the Texts of Mallarmé offers a new theory of performance in the poetic and critical texts of Stephane Mallarmé, a theory challenging the prevailing interpretation of his work as epitomizing literary purism and art for art's sake.Following an analytical presentation of the concepts of ritual and performance generally applied, Mary Shaw shows that Mallarmé perceived music, dance, and theater as ideal languages of the body and therefore as ideal forms of ritual through which to supplement and celebrate poetic texts. She focuses on previously unexplored references to supplementary, extratextual performances in four of Mallarmé's major poetic texts-Herodiade, L'après-midi d'un faune, Igitur, and Un coup de des-revealing the consistent formal expression of his original conception of literature's relationship to the performing arts.Shaw then discusses Mallarmé's monumental project, Le Livre, a metaphysical book designed to be performed in a series of ritual celebrations. She analyzes and describes the intrinsic structure and contents of this unfinished work as the fullest realization of the text-performance relationship elaborated throughout Mallarmé's corpus. Shaw offers Le Livre as a prototype of avant-garde performance, drawing important parallels between Mallarmé's literary experimentation and crucial developments in twentieth-century arts

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780271075556
    Other identifier:
    Subjects: LITERARY CRITICISM / European / French; Avant-garde (Aesthetics); Performing arts in literature; Ritual in literature
    Scope: 1 Online-Ressource (288 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Jun 2021)
  12. The Cambridge introduction to French poetry
    Author: Shaw, Mary Lewis
    Published: 2003
    Publisher:  Cambridge Univ. Press, Cambridge, U.K. [u.a.]

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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0521808766; 0521004853
    RVK Categories: IE 3016
    Edition: 1. publ.
    Subjects: Frans; Gedichten; Poésie française - Histoire et critique; Französisch; Lyrik; French poetry
    Scope: XII, 226 S.
  13. Performance in the Texts of Mallarmé
    The Passage from Art to Ritual
    Author: Shaw, Mary Lewis
    Published: [2021]
    Publisher:  Penn State University Press, University Park, PA

    Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Performance as Ritual -- 2. Music: "Le dernier et plénier culte humain" -- 3. Dance: "Rite . . . énoncé de l'Idée" -- 4. Theater: "Le vrai culte moderne" -- 5. Opera: "Le... more

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    Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Performance as Ritual -- 2. Music: "Le dernier et plénier culte humain" -- 3. Dance: "Rite . . . énoncé de l'Idée" -- 4. Theater: "Le vrai culte moderne" -- 5. Opera: "Le Monstre-Qui-ne-peut-Être" -- 6. "La fausse entrée des sorcières dans Macbeth" -- 7. Hérodiade -- 8. L'après-midi d'un faune -- 9. lgitur -- 10. Un coup de dés -- 11. Le Livre -- 12. Avant-Garde Performance -- Bibliography -- Index Performance in the Texts of Mallarmé offers a new theory of performance in the poetic and critical texts of Stephane Mallarmé, a theory challenging the prevailing interpretation of his work as epitomizing literary purism and art for art's sake.Following an analytical presentation of the concepts of ritual and performance generally applied, Mary Shaw shows that Mallarmé perceived music, dance, and theater as ideal languages of the body and therefore as ideal forms of ritual through which to supplement and celebrate poetic texts. She focuses on previously unexplored references to supplementary, extratextual performances in four of Mallarmé's major poetic texts-Herodiade, L'après-midi d'un faune, Igitur, and Un coup de des-revealing the consistent formal expression of his original conception of literature's relationship to the performing arts.Shaw then discusses Mallarmé's monumental project, Le Livre, a metaphysical book designed to be performed in a series of ritual celebrations. She analyzes and describes the intrinsic structure and contents of this unfinished work as the fullest realization of the text-performance relationship elaborated throughout Mallarmé's corpus. Shaw offers Le Livre as a prototype of avant-garde performance, drawing important parallels between Mallarmé's literary experimentation and crucial developments in twentieth-century arts

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780271075556
    Other identifier:
    Subjects: Avant-garde (Aesthetics); Performing arts in literature; Ritual in literature; LITERARY CRITICISM / European / French
    Scope: 1 Online-Ressource (288 p)
  14. Performance in the Texts of Mallarmé
    The Passage from Art to Ritual
    Author: Shaw, Mary Lewis
    Published: [2021]; © 1992
    Publisher:  Penn State University Press, University Park, PA

    Performance in the Texts of Mallarmé offers a new theory of performance in the poetic and critical texts of Stephane Mallarmé, a theory challenging the prevailing interpretation of his work as epitomizing literary purism and art for art's... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Performance in the Texts of Mallarmé offers a new theory of performance in the poetic and critical texts of Stephane Mallarmé, a theory challenging the prevailing interpretation of his work as epitomizing literary purism and art for art's sake.Following an analytical presentation of the concepts of ritual and performance generally applied, Mary Shaw shows that Mallarmé perceived music, dance, and theater as ideal languages of the body and therefore as ideal forms of ritual through which to supplement and celebrate poetic texts. She focuses on previously unexplored references to supplementary, extratextual performances in four of Mallarmé's major poetic texts-Herodiade, L'après-midi d'un faune, Igitur, and Un coup de des-revealing the consistent formal expression of his original conception of literature's relationship to the performing arts.Shaw then discusses Mallarmé's monumental project, Le Livre, a metaphysical book designed to be performed in a series of ritual celebrations. She analyzes and describes the intrinsic structure and contents of this unfinished work as the fullest realization of the text-performance relationship elaborated throughout Mallarmé's corpus. Shaw offers Le Livre as a prototype of avant-garde performance, drawing important parallels between Mallarmé's literary experimentation and crucial developments in twentieth-century arts

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780271075556
    Other identifier:
    Subjects: LITERARY CRITICISM / European / French; Avant-garde (Aesthetics); Performing arts in literature; Ritual in literature
    Scope: 1 Online-Ressource (288 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Jun 2021)
  15. Performance in the texts of Mallarmé
    the passage from art to ritual
    Author: Shaw, Mary Lewis
    Published: 1993
    Publisher:  Pennsylvania State Univ. Press, University Park, Pa.