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Displaying results 1 to 25 of 37.

  1. Infamous Commerce
    Prostitution in Eighteenth-Century British Literature and Culture
    Published: [2015]; © 2006
    Publisher:  Cornell University Press, Ithaca, N.Y.

    In Infamous Commerce, Laura J. Rosenthal uses literary and historical sources to explore the meaning of prostitution from the Restoration through the eighteenth century, showing how both reformers and libertines constructed the modern meaning of sex... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    In Infamous Commerce, Laura J. Rosenthal uses literary and historical sources to explore the meaning of prostitution from the Restoration through the eighteenth century, showing how both reformers and libertines constructed the modern meaning of sex work during this period. From Grub Street's lurid "whore biographies" to the period's most acclaimed novels, the prostitute was depicted as facing a choice between abject poverty and some form of sex work. Prostitution, in Rosenthal's view, confronted the core controversies of eighteenth-century capitalism: luxury, desire, global trade, commodification, social mobility, gender identity, imperialism, self-ownership, alienation, and even the nature of work itself. In the context of extensive research into printed accounts of both male and female prostitution—among them sermons, popular prostitute biographies, satire, pornography, brothel guides, reformist writing, and travel narratives—Rosenthal offers in-depth readings of Samuel Richardson's Clarissa and Pamela and the responses to the latter novel (including Eliza Haywood's Anti-Pamela), Bernard Mandeville's defenses of prostitution, Daniel Defoe's Roxana, Henry Fielding's Tom Jones, and travel journals about the voyages of Captain Cook to the South Seas. Throughout, Rosenthal considers representations of the prostitute's own sexuality (desire, revulsion, etc.) to be key parts of the changing meaning of "the oldest profession."

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801454356
    Other identifier:
    Subjects: Geschichte; English literature; Prostitutes in literature; Prostitution; Englisch; Prostitution <Motiv>; Literatur
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Dec. 14, 2016)

  2. Playwrights and Plagiarists in Early Modern England
    Gender, Authorship, Literary Property
    Published: [2019]; © 1997
    Publisher:  Cornell University Press, Ithaca, NY

    Passage of the first copyright law in 1710 marked a radical change in the perception of authorship. According to Laura J. Rosenthal, the new construction of the author as the owner of literary property bore different consequences for women than for... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Passage of the first copyright law in 1710 marked a radical change in the perception of authorship. According to Laura J. Rosenthal, the new construction of the author as the owner of literary property bore different consequences for women than for men, for amateurs than for professionals, and for playwrights than for other authors. Rosenthal explores distinctions between legitimate and illegitimate forms of literary appropriation in drama from 1650 to 1730. In considering the alleged plagiarists Margaret Cavendish (the Duchess of Newcastle), Aphra Behn, John Dryden, Colley Cibber, and Susanna Centlivre, Rosenthal maintains that accusations had less to do with the degree of repetition in texts than with the gender of the authors and the cultural location of the plays. Questions of literary property, then, became not just legal matters but part of a discourse aimed at conferring or withholding cultural authority. Struggles over literary property must be seen in the context of competing conceptions of property in general, Rosenthal asserts, and she shows how both Filmerian and Lockean models gender the position of the owner. Drawing on feminist theory and from scholarship in history, philosophy, and political science, Rosenthal debates the relationship between women and property in modern England. Gender and class, she contends, continue to influence judgments as to what stories a playwright can own or use, as to whom critics praise as heirs to Shakespeare and Jonson, and as to whom they damn as plagiarists

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501744808
    Other identifier:
    Subjects: Performing Arts & Drama; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Authorship; Authorship; English drama; English drama; English drama; Intertextuality; Literature and society; Plagiarism; Plagiarism; Playwriting; Theater; Women and literature; Plagiat; Englisch; Drama
    Scope: 1 online resource (272 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)

  3. Ways of the world
    theater and cosmopolitanism in the restoration and beyond
    Published: [2020]; © 2020
    Publisher:  Cornell University Press, Ithaca ; London

    Ways of the World explores cosmopolitanism as it emerged during the Restoration and the role theater played in both memorializing and satirizing its implications and consequences. Rooted in the Stuart ambition to raise the status of England through... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Ways of the World explores cosmopolitanism as it emerged during the Restoration and the role theater played in both memorializing and satirizing its implications and consequences. Rooted in the Stuart ambition to raise the status of England through two crucial investments-global traffic, including the slave trade, and cultural sophistication-this intensified global orientation led to the creation of global mercantile networks and to the rise of an urban British elite who drank Ethiopian coffee out of Asian porcelain at Ottoman-inspired coffeehouses. Restoration drama exposed cosmopolitanism's most embarrassing and troubling aspects, with such writers as Joseph Addison, Aphra Behn, John Dryden, and William Wycherley dramatizing the emotional and ethical dilemmas that imperial and commercial expansion brought to light.Altering standard narratives about Restoration drama, Laura J. Rosenthal shows how the reinvention of theater in this period-including technical innovations and introduction of female performers-helped make possible performances that held the actions of the nation up for scrutiny, simultaneously indulging and ridiculing the violence and exploitation being perpetuated. In doing so, Ways of the World reveals an otherwise elusive consistency between Restoration genres (comedy, tragedy, heroic plays, and tragicomedy), disrupts conventional understandings of the rise and reception of early capitalism, and offers a fresh perspective on theatrical culture in the context of the shifting political realities of seventeenth- and eighteenth-century Britain

     

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  4. Playwrights and plagiarists in early modern England
    gender, authorship, literary property
    Published: 1996
    Publisher:  Cornell Univ. Press, Ithaca, NY [u.a.]

    Universität Mainz, Bereichsbibliothek Philosophicum, Standort Anglistik/ Amerikanistik
    L/V/4 R 22 I
    No inter-library loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0801432529
    RVK Categories: HK 1264
    Edition: 1. publ.
    Subjects: Englisch; Plagiat; Dramatiker
    Scope: X, 257 S.
  5. Infamous commerce
    prostitution in eighteenth-century British literature and culture
    Published: 2006
    Publisher:  Cornell Univ. Pr., Ithaca [u.a.]

    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
    01/HD 300.256 R815
    No inter-library loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0801444047; 9780801444043
    RVK Categories: HK 1091 ; HD 300
    Subjects: Prostitution <Motiv>; Literatur; Englisch
    Scope: 270 S.
  6. Playwrights and Plagiarists in Early Modern England
    Gender, Authorship, Literary Property
    Published: [1997]
    Publisher:  Cornell University Press, Ithaca, NY ; Walter de Gruyter GmbH, Berlin

    Passage of the first copyright law in 1710 marked a radical change in the perception of authorship. According to Laura J. Rosenthal, the new construction of the author as the owner of literary property bore different consequences for women than for... more

    Universitätsbibliothek Gießen
    No inter-library loan
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    No inter-library loan
    Universität Mainz, Zentralbibliothek
    No inter-library loan
    Universität Marburg, Universitätsbibliothek
    No inter-library loan

     

    Passage of the first copyright law in 1710 marked a radical change in the perception of authorship. According to Laura J. Rosenthal, the new construction of the author as the owner of literary property bore different consequences for women than for men, for amateurs than for professionals, and for playwrights than for other authors. Rosenthal explores distinctions between legitimate and illegitimate forms of literary appropriation in drama from 1650 to 1730. In considering the alleged plagiarists Margaret Cavendish (the Duchess of Newcastle), Aphra Behn, John Dryden, Colley Cibber, and Susanna Centlivre, Rosenthal maintains that accusations had less to do with the degree of repetition in texts than with the gender of the authors and the cultural location of the plays. Questions of literary property, then, became not just legal matters but part of a discourse aimed at conferring or withholding cultural authority. Struggles over literary property must be seen in the context of competing conceptions of property in general, Rosenthal asserts, and she shows how both Filmerian and Lockean models gender the position of the owner. Drawing on feminist theory and from scholarship in history, philosophy, and political science, Rosenthal debates the relationship between women and property in modern England. Gender and class, she contends, continue to influence judgments as to what stories a playwright can own or use, as to whom critics praise as heirs to Shakespeare and Jonson, and as to whom they damn as plagiarists.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501744808
    Other identifier:
    Scope: 1 Online-Ressource (272 p.)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)

  7. Ways of the World
    Theater and Cosmopolitanism in the Restoration and Beyond
    Published: [2020]; ©2020
    Publisher:  Cornell University Press, Ithaca, NY ; Walter de Gruyter GmbH, Berlin

    Ways of the World explores cosmopolitanism as it emerged during the Restoration and the role theater played in both memorializing and satirizing its implications and consequences. Rooted in the Stuart ambition to raise the status of England through... more

    Universitätsbibliothek Gießen
    No inter-library loan

     

    Ways of the World explores cosmopolitanism as it emerged during the Restoration and the role theater played in both memorializing and satirizing its implications and consequences. Rooted in the Stuart ambition to raise the status of England through two crucial investments—global traffic, including the slave trade, and cultural sophistication—this intensified global orientation led to the creation of global mercantile networks and to the rise of an urban British elite who drank Ethiopian coffee out of Asian porcelain at Ottoman-inspired coffeehouses. Restoration drama exposed cosmopolitanism's most embarrassing and troubling aspects, with such writers as Joseph Addison, Aphra Behn, John Dryden, and William Wycherley dramatizing the emotional and ethical dilemmas that imperial and commercial expansion brought to light.Altering standard narratives about Restoration drama, Laura J. Rosenthal shows how the reinvention of theater in this period—including technical innovations and introduction of female performers—helped make possible performances that held the actions of the nation up for scrutiny, simultaneously indulging and ridiculing the violence and exploitation being perpetuated. In doing so, Ways of the World reveals an otherwise elusive consistency between Restoration genres (comedy, tragedy, heroic plays, and tragicomedy), disrupts conventional understandings of the rise and reception of early capitalism, and offers a fresh perspective on theatrical culture in the context of the shifting political realities of seventeenth- and eighteenth-century Britain.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501751608
    Other identifier:
    Scope: 1 Online-Ressource (330 p.), 16 b&w halftones
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020)

  8. Infamous Commerce
    Prostitution in Eighteenth-Century British Literature and Culture
    Published: [2015]
    Publisher:  Cornell University Press, Ithaca, N.Y. ; Walter de Gruyter GmbH, Berlin

    In Infamous Commerce, Laura J. Rosenthal uses literary and historical sources to explore the meaning of prostitution from the Restoration through the eighteenth century, showing how both reformers and libertines constructed the modern meaning of sex... more

    Universitätsbibliothek Gießen
    No inter-library loan
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    No inter-library loan
    Universität Mainz, Zentralbibliothek
    No inter-library loan
    Universität Marburg, Universitätsbibliothek
    No inter-library loan

     

    In Infamous Commerce, Laura J. Rosenthal uses literary and historical sources to explore the meaning of prostitution from the Restoration through the eighteenth century, showing how both reformers and libertines constructed the modern meaning of sex work during this period. From Grub Street's lurid "whore biographies" to the period's most acclaimed novels, the prostitute was depicted as facing a choice between abject poverty and some form of sex work. Prostitution, in Rosenthal's view, confronted the core controversies of eighteenth-century capitalism: luxury, desire, global trade, commodification, social mobility, gender identity, imperialism, self-ownership, alienation, and even the nature of work itself. In the context of extensive research into printed accounts of both male and female prostitution—among them sermons, popular prostitute biographies, satire, pornography, brothel guides, reformist writing, and travel narratives—Rosenthal offers in-depth readings of Samuel Richardson's Clarissa and Pamela and the responses to the latter novel (including Eliza Haywood's Anti-Pamela), Bernard Mandeville's defenses of prostitution, Daniel Defoe's Roxana, Henry Fielding's Tom Jones, and travel journals about the voyages of Captain Cook to the South Seas. Throughout, Rosenthal considers representations of the prostitute's own sexuality (desire, revulsion, etc.) to be key parts of the changing meaning of "the oldest profession."...

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801454356
    Other identifier:
    Scope: 1 Online-Ressource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Dec. 14, 2016)

  9. Playwrights and plagiarists in early modern England
    gender, authorship, literary property
    Published: 1996
    Publisher:  Cornell Univ. Press, Ithaca [u.a.]

    Passage of the first copyright law in 1710 marked a radical change in the perception of authorship. According to Laura J. Rosenthal, the new construction of the author as the owner of literary property bore different consequences for women than for... more

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Unlimited inter-library loan, copies and loan
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Passau
    Unlimited inter-library loan, copies and loan

     

    Passage of the first copyright law in 1710 marked a radical change in the perception of authorship. According to Laura J. Rosenthal, the new construction of the author as the owner of literary property bore different consequences for women than for men, for amateurs than for professionals, and for playwrights than for other authors. Rosenthal explores distinctions between legitimate and illegitimate forms of literary appropriation in drama from 1650 to 1730. In considering the alleged plagiarists Margaret Cavendish (the duchess of Newcastle), Aphra Behn, John Dryden, Colley Cibber, and Susanna Centlivre, Rosenthal maintains that accusations had less to do with the degree of repetition in texts than with the gender of the authors and the cultural location of the plays. Questions of literary property, then, became not just legal matters but part of a discourse aimed at conferring or withholding cultural authority Gender and class, she contends, continued to influence judgments as to what stories a playwright could own or use, as to whom critics praised as heirs to Shakespeare and Jonson, and as to whom they damned as plagiarists

     

    Export to reference management software   RIS file
      BibTeX file
  10. Infamous Commerce
    Prostitution in Eighteenth-Century British Literature and Culture
    Published: [2015]; © 2006
    Publisher:  Cornell University Press, Ithaca, N.Y.

    In Infamous Commerce, Laura J. Rosenthal uses literary and historical sources to explore the meaning of prostitution from the Restoration through the eighteenth century, showing how both reformers and libertines constructed the modern meaning of sex... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Technische Hochschule Augsburg
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Bamberg
    Unlimited inter-library loan, copies and loan
    Hochschule Coburg, Zentralbibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule Kempten, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Passau
    Unlimited inter-library loan, copies and loan

     

    In Infamous Commerce, Laura J. Rosenthal uses literary and historical sources to explore the meaning of prostitution from the Restoration through the eighteenth century, showing how both reformers and libertines constructed the modern meaning of sex work during this period. From Grub Street's lurid "whore biographies" to the period's most acclaimed novels, the prostitute was depicted as facing a choice between abject poverty and some form of sex work. Prostitution, in Rosenthal's view, confronted the core controversies of eighteenth-century capitalism: luxury, desire, global trade, commodification, social mobility, gender identity, imperialism, self-ownership, alienation, and even the nature of work itself. In the context of extensive research into printed accounts of both male and female prostitution—among them sermons, popular prostitute biographies, satire, pornography, brothel guides, reformist writing, and travel narratives—Rosenthal offers in-depth readings of Samuel Richardson's Clarissa and Pamela and the responses to the latter novel (including Eliza Haywood's Anti-Pamela), Bernard Mandeville's defenses of prostitution, Daniel Defoe's Roxana, Henry Fielding's Tom Jones, and travel journals about the voyages of Captain Cook to the South Seas. Throughout, Rosenthal considers representations of the prostitute's own sexuality (desire, revulsion, etc.) to be key parts of the changing meaning of "the oldest profession."

     

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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801454356
    Other identifier:
    Subjects: Geschichte; English literature; Prostitutes in literature; Prostitution; Englisch; Prostitution <Motiv>; Literatur
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Dec. 14, 2016)

  11. Infamous commerce
    prostitution in eighteenth-century British literature and culture
    Published: 2014
    Publisher:  Cornell Univ. Press, Ithaca [u.a.]

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Würzburg
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780801456817
    RVK Categories: HK 1091
    Edition: 1. pr., Cornell Paperbacks
    Subjects: Geschichte; English literature; Prostitution in literature; Prostitution; Englisch; Literatur; Prostitution <Motiv>
    Scope: X, 270 S., Ill., 24 cm
    Notes:

    Includes bibliographical references (p. 239-263) and index

  12. Ways of the world
    theater and cosmopolitanism in the restoration and beyond
    Published: [2020]; © 2020
    Publisher:  Cornell University Press, Ithaca ; London

    Ways of the World explores cosmopolitanism as it emerged during the Restoration and the role theater played in both memorializing and satirizing its implications and consequences. Rooted in the Stuart ambition to raise the status of England through... more

    Technische Hochschule Augsburg
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Unlimited inter-library loan, copies and loan
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Ways of the World explores cosmopolitanism as it emerged during the Restoration and the role theater played in both memorializing and satirizing its implications and consequences. Rooted in the Stuart ambition to raise the status of England through two crucial investments-global traffic, including the slave trade, and cultural sophistication-this intensified global orientation led to the creation of global mercantile networks and to the rise of an urban British elite who drank Ethiopian coffee out of Asian porcelain at Ottoman-inspired coffeehouses. Restoration drama exposed cosmopolitanism's most embarrassing and troubling aspects, with such writers as Joseph Addison, Aphra Behn, John Dryden, and William Wycherley dramatizing the emotional and ethical dilemmas that imperial and commercial expansion brought to light.Altering standard narratives about Restoration drama, Laura J. Rosenthal shows how the reinvention of theater in this period-including technical innovations and introduction of female performers-helped make possible performances that held the actions of the nation up for scrutiny, simultaneously indulging and ridiculing the violence and exploitation being perpetuated. In doing so, Ways of the World reveals an otherwise elusive consistency between Restoration genres (comedy, tragedy, heroic plays, and tragicomedy), disrupts conventional understandings of the rise and reception of early capitalism, and offers a fresh perspective on theatrical culture in the context of the shifting political realities of seventeenth- and eighteenth-century Britain

     

    Export to reference management software   RIS file
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    Content information
    Volltext (URL des Erstveröffentlichers)
  13. Playwrights and Plagiarists in Early Modern England
    Gender, Authorship, Literary Property
    Published: [2019]; © 1997
    Publisher:  Cornell University Press, Ithaca, NY

    Passage of the first copyright law in 1710 marked a radical change in the perception of authorship. According to Laura J. Rosenthal, the new construction of the author as the owner of literary property bore different consequences for women than for... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Technische Hochschule Augsburg
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Bamberg
    Unlimited inter-library loan, copies and loan
    Hochschule Coburg, Zentralbibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule Kempten, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Passau
    Unlimited inter-library loan, copies and loan

     

    Passage of the first copyright law in 1710 marked a radical change in the perception of authorship. According to Laura J. Rosenthal, the new construction of the author as the owner of literary property bore different consequences for women than for men, for amateurs than for professionals, and for playwrights than for other authors. Rosenthal explores distinctions between legitimate and illegitimate forms of literary appropriation in drama from 1650 to 1730. In considering the alleged plagiarists Margaret Cavendish (the Duchess of Newcastle), Aphra Behn, John Dryden, Colley Cibber, and Susanna Centlivre, Rosenthal maintains that accusations had less to do with the degree of repetition in texts than with the gender of the authors and the cultural location of the plays. Questions of literary property, then, became not just legal matters but part of a discourse aimed at conferring or withholding cultural authority. Struggles over literary property must be seen in the context of competing conceptions of property in general, Rosenthal asserts, and she shows how both Filmerian and Lockean models gender the position of the owner. Drawing on feminist theory and from scholarship in history, philosophy, and political science, Rosenthal debates the relationship between women and property in modern England. Gender and class, she contends, continue to influence judgments as to what stories a playwright can own or use, as to whom critics praise as heirs to Shakespeare and Jonson, and as to whom they damn as plagiarists

     

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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501744808
    Other identifier:
    Subjects: Performing Arts & Drama; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Authorship; Authorship; English drama; English drama; English drama; Intertextuality; Literature and society; Plagiarism; Plagiarism; Playwriting; Theater; Women and literature; Plagiat; Englisch; Drama
    Scope: 1 online resource (272 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)

  14. Ways of the world
    theater and cosmopolitanism in the Restoration and beyond
    Published: 2020
    Publisher:  Cornell University Press, Ithaca, New York ; London

    "An account of how Restoration drama (England, 1660-1700) both promoted and satirized Stuart imperial and cosmopolitan ambitions, including discussions of the depiction of the Ottoman, Chinese, French, Dutch and Spanish Empires; the slave trade; the... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    "An account of how Restoration drama (England, 1660-1700) both promoted and satirized Stuart imperial and cosmopolitan ambitions, including discussions of the depiction of the Ottoman, Chinese, French, Dutch and Spanish Empires; the slave trade; the novelty of the actress; and the lasting impact of the Restoration on British theater"--

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781501751585
    Subjects: Restauration; Drama; Weltbürgertum <Motiv>; Englisch
    Other subjects: English drama / Restoration, 1660-1700 / History and criticism; Theater / England / History / 17th century; Cosmopolitanism / England / History / 17th century; Cosmopolitanism in literature; Literature and society / England / 17th century; Cosmopolitanism; Cosmopolitanism in literature; English drama / Restoration; Literature and society; Theater; England; 1600-1700; Criticism, interpretation, etc; History
    Scope: xvii, 308 Seiten, Illustrationen, Portraits, 24 cm
    Notes:

    All Roads Lead to Rhodes : William Davenant, Ottomanphilia, and the Reinvention of Theater in the Restoration -- Travesties : William Wycherley, the Fop, and the Provincial Girl -- Indian Queens and the Queen Who Brought the Indies -- Restoration Legacies : Tragic Monarchs, Exotic and Enslaved -- "Have you not been sophisticated?" : The After-life of the Restoration Actress -- Histories of Their Own Times: Burnet, Cibber, and Rochester -- Epilogue : Mr. Spectator, Adam Smith, and the New Global Citizenship

  15. Infamous commerce
    prostitution in eighteenth-century British literature and culture
    Published: 2006
    Publisher:  Cornell Univ. Press, Ithaca, N.Y.

    Universitätsbibliothek Bayreuth
    Unlimited inter-library loan, copies and loan
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Passau
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0801444047
    RVK Categories: HK 1091
    Subjects: Geschichte; English literature; Prostitution in literature; Prostitution; Englisch; Prostitution <Motiv>; Literatur
    Scope: X, 270 S., Ill., 24 cm
    Notes:

    Includes bibliographical references (p. 239-263) and index

  16. Infamous commerce
    prostitution in eighteenth-century British literature and culture
    Published: 2006
    Publisher:  Cornell University Press, Ithaca, N.Y. [u.a.]

    Universitäts- und Landesbibliothek Düsseldorf
    Unlimited inter-library loan, copies and loan
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780801444043; 0801444047
    Subjects: Englisch; Literatur; Prostitution <Motiv>; Geschichte 1700-1800; Großbritannien; Kultur; Prostitution; Geschichte 1700-1800
    Scope: X, 270 S., 23cm
    Notes:

    Includes bibliographical references and index

  17. Infamous commerce
    prostitution in eighteenth-century British literature and culture
    Published: 2006
    Publisher:  Cornell University Press, Ithaca, N.Y. [u.a.]

    Universitäts- und Landesbibliothek Düsseldorf
    angg870.r815
    Unlimited inter-library loan, copies and loan
    Universitäts- und Landesbibliothek Münster
    3H 95364
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780801444043; 0801444047
    Subjects: Englisch; Prostitution; Kultur; Prostitution <Motiv>; Literatur
    Scope: X, 270 S., 23cm
    Notes:

    Includes bibliographical references and index

  18. Ways of the world
    theater and cosmopolitanism in the Restoration and beyond
    Published: 2020
    Publisher:  Cornell University Press, Ithaca

    All Roads Lead to Rhodes : William Davenant, Ottomanphilia, and the Reinvention of Theater in the Restoration -- Travesties : William Wycherley, the Fop, and the Provincial Girl -- Indian Queens and the Queen Who Brought the Indies -- Restoration... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 108361
    Unlimited inter-library loan, copies and loan
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2021 A 13729
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    Universitätsbibliothek Heidelberg
    2021 A 4081
    Unlimited inter-library loan, copies and loan
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek der Eberhard Karls Universität
    61 A 1470
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    All Roads Lead to Rhodes : William Davenant, Ottomanphilia, and the Reinvention of Theater in the Restoration -- Travesties : William Wycherley, the Fop, and the Provincial Girl -- Indian Queens and the Queen Who Brought the Indies -- Restoration Legacies : Tragic Monarchs, Exotic and Enslaved -- "Have you not been sophisticated?" : The After-life of the Restoration Actress -- Histories of Their Own Times: Burnet, Cibber, and Rochester -- Epilogue : Mr. Spectator, Adam Smith, and the New Global Citizenship. "An account of how Restoration drama (England, 1660-1700) both promoted and satirized Stuart imperial and cosmopolitan ambitions, including discussions of the depiction of the Ottoman, Chinese, French, Dutch and Spanish Empires; the slave trade; the novelty of the actress; and the lasting impact of the Restoration on British theater"--

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781501751585
    RVK Categories: HK 1241
    Subjects: English drama; Theater; Cosmopolitanism; Cosmopolitanism in literature; Literature and society
    Scope: xvii, 308 Seiten, Illustrationen, 24 cm
    Notes:

    Literaturverzeichnis: Seite 287-297. Index

  19. Infamous commerce
    prostitution in eighteenth-century British literature and culture
    Published: 2006
    Publisher:  Cornell Univ. Press, Ithaca, NY [u.a.]

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 616496
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Freiburg
    GE 2006/6835
    Unlimited inter-library loan, copies and loan
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2007 A 8557
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    A 2006/11180
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Heidelberg
    2007 A 770
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Kiel, Zentralbibliothek
    Bf 264
    Unlimited inter-library loan, copies and loan
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    ang 523.5 CR 3963
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    Württembergische Landesbibliothek
    57/5415
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    Brechtbau-Bibliothek
    NJ 350.090
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    Herzog August Bibliothek Wolfenbüttel
    65.1361
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0801444047; 9780801444043
    Other identifier:
    9780801444043
    978080144404390000
    2006001753
    RVK Categories: HK 1091 ; HK 1071
    Edition: 1. publ.
    Subjects: English literature; Prostitutes in literature; Prostitution
    Scope: X, 270 S., Ill.
    Notes:

    A "cool state of indifference" : Mother Creswell's academyThe "deluge of depravity" : Bernard Mandeville and the reform societies -- Whore, Turk, and Jew : Defoe's Roxana -- Fanny's sisters : the prostitute narrative -- Clarissa among the whores -- Tom Jones and the "new vice" -- Risky business in the South Seas and back.

    Literaturverz. S. [239] - 263

  20. Ways of the world
    theater and cosmopolitanism in the Restoration and beyond
    Published: 2020
    Publisher:  Cornell University Press, Ithaca

    All Roads Lead to Rhodes : William Davenant, Ottomanphilia, and the Reinvention of Theater in the Restoration -- Travesties : William Wycherley, the Fop, and the Provincial Girl -- Indian Queens and the Queen Who Brought the Indies -- Restoration... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    All Roads Lead to Rhodes : William Davenant, Ottomanphilia, and the Reinvention of Theater in the Restoration -- Travesties : William Wycherley, the Fop, and the Provincial Girl -- Indian Queens and the Queen Who Brought the Indies -- Restoration Legacies : Tragic Monarchs, Exotic and Enslaved -- "Have you not been sophisticated?" : The After-life of the Restoration Actress -- Histories of Their Own Times: Burnet, Cibber, and Rochester -- Epilogue : Mr. Spectator, Adam Smith, and the New Global Citizenship. "An account of how Restoration drama (England, 1660-1700) both promoted and satirized Stuart imperial and cosmopolitan ambitions, including discussions of the depiction of the Ottoman, Chinese, French, Dutch and Spanish Empires; the slave trade; the novelty of the actress; and the lasting impact of the Restoration on British theater"--

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781501751585
    RVK Categories: HK 1241
    Subjects: English drama; Theater; Cosmopolitanism; Cosmopolitanism in literature; Literature and society
    Scope: xvii, 308 Seiten, Illustrationen, 24 cm
    Notes:

    Literaturverzeichnis: Seite 287-297. Index

  21. Monstrous dreams of reason
    body, self, and other in the Enlightenment
    Contributor: Rosenthal, Laura J. (Hrsg.)
    Published: 2002
    Publisher:  Bucknell Univ. Press [u.a.], Lewisburg

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Rosenthal, Laura J. (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0838754600
    RVK Categories: CF 1050
    Series: The Bucknell studies in eighteenth-century literature and culture
    Subjects: Enlightenment; Intellectual life; Enlightenment; Enlightenment; Intellectual life
    Scope: 292 S, Ill
    Notes:

    Includes bibliographical references and index

  22. Infamous commerce
    prostitution in eighteenth-century British literature and culture
    Published: 2006
    Publisher:  Cornell Univ. Press, Ithaca, NY [u.a.]

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0801444047; 9780801444043
    Other identifier:
    9780801444043
    978080144404390000
    2006001753
    RVK Categories: HK 1091 ; HK 1071
    Edition: 1. publ.
    Subjects: English literature; Prostitutes in literature; Prostitution
    Scope: X, 270 S., Ill.
    Notes:

    A "cool state of indifference" : Mother Creswell's academyThe "deluge of depravity" : Bernard Mandeville and the reform societies -- Whore, Turk, and Jew : Defoe's Roxana -- Fanny's sisters : the prostitute narrative -- Clarissa among the whores -- Tom Jones and the "new vice" -- Risky business in the South Seas and back.

    Literaturverz. S. [239] - 263

  23. The future of feminist theory in eighteenth-century studies
    Contributor: Rosenthal, Laura J. (Hrsg.)
    Published: 2009
    Publisher:  Univ. of Pennsylvania Press, Philadelphia

    Universitätsbibliothek Freiburg
    ZG 3946-50.2009
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Contributor: Rosenthal, Laura J. (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    RVK Categories: HK 1020
    Series: Array ; vol. 50, nr. 1
    Subjects: Englisch; Literatur; Geschichte 1700-1800; Feministische Literaturwissenschaft;
    Scope: 115 S.
  24. Infamous commerce
    prostitution in eighteenth-century British literature and culture
    Published: [2015]
    Publisher:  Cornell University Press, Ithaca, N.Y.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801454356; 0801454352
    Subjects: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; English literature; Prostitution; Prostitutes in literature; Geschichte; Array; Literatur; Prostitution <Motiv>; Englisch
    Scope: 1 online resource
    Notes:

    Vendor-supplied metadata

  25. Playwrights and plagiarists in early modern England
    gender, authorship, literary property
    Published: 1996
    Publisher:  Cornell Univ. Press, Ithaca, NY [u.a.]

    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    HK 1264 R815
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Freiburg
    GE 97/3336
    Unlimited inter-library loan, copies and loan
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    97 A 3994
    Unlimited inter-library loan, copies and loan
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    98/6701
    Unlimited inter-library loan, copies and loan
    Anglistisches Seminar der Universität, Bibliothek
    F KD 1534
    No loan of volumes, only paper copies will be sent
    Universitätsbibliothek Kiel, Zentralbibliothek
    829.2/17/18 | ROS | Pla
    No inter-library loan
    Saarländische Universitäts- und Landesbibliothek
    98-10600
    Unlimited inter-library loan, copies and loan
    Brechtbau-Bibliothek
    NJ 385.037
    Unlimited inter-library loan, copies and loan
    Herzog August Bibliothek Wolfenbüttel
    48.2002
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0801432529
    RVK Categories: HK 1264
    Edition: 1. publ.
    Subjects: English drama; English drama; English drama; Authorship; Authorship; Plagiarism; Plagiarism; Literature and society; Women and literature; Theater; Intertextuality; Playwriting
    Scope: X, 257 S
    Notes:

    Includes bibliographical references and index