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  1. Sea-changes: Melville - Forster - Britten
    the story of Billy Budd and its operatic adaptation
    Published: 2012
    Publisher:  Univ.-Verl. Göttingen, Göttingen

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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 9783863950453
    Subjects: Britten, Benjamin; Libretto;
    Scope: 594 S.
    Notes:

    Zugl.: Kassel, Univ., Diss., 2011

  2. Sea-changes: Melville - Forster - Britten
    the story of Billy Budd and its operatic adaptation
    Published: 2012
    Publisher:  Univ.-Verl. Göttingen, Göttingen

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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 9783863950453
    Other identifier:
    9783863950453
    Subjects: Libretto
    Other subjects: Britten, Benjamin (1913-1976): Billy Budd; (Produktform)Hardback; (VLB-WN)1564: Hardcover, Softcover / Englische Sprachwissenschaft, Literaturwissenschaft
    Scope: XVIII, 594 S., 25 cm
    Notes:

    Zugl.: Kassel, Univ., Diss., 2011

  3. Sea-changes: Melville - Forster - Britten
    the story of Billy Budd and its operatic adaptation
    Published: 2012
    Publisher:  Univ.-Verl. Göttingen, Göttingen

    E. M. Forster first encountered Billy Budd in 1926. Some twenty years later, he embarked on a collaboration with Benjamin Britten and Eric Crozier, adapting Melvilleś novella for the opera stage. The libretto they produced poignantly reaffirms the... more

    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Unlimited inter-library loan, copies and loan
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2012 A 1137
    Unlimited inter-library loan, copies and loan
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    R MeZ 1000 ff
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    A 9.7. Melville (21)
    Unlimited inter-library loan, copies and loan
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    B/120919
    Unlimited inter-library loan, copies and loan
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    2013/1818
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    Württembergische Landesbibliothek
    63/6822
    Unlimited inter-library loan, copies and loan

     

    E. M. Forster first encountered Billy Budd in 1926. Some twenty years later, he embarked on a collaboration with Benjamin Britten and Eric Crozier, adapting Melvilleś novella for the opera stage. The libretto they produced poignantly reaffirms the Forsterian creed of salvation through personal relationships. This study presents an extensive exploration of Forsterś involvement in the interpretation, transformation and re-creation of Melvilleś text. It situates the story of the Handsome Sailor in the wider context of Forsterś literary oeuvre, his life, and his life writings. In detailed readings, Billy Budd becomes a lens through which the themes, patterns and leitmotifs of Forsterian thought and creative imagination are brought into focus. A close re-examination of the libretto sketches serves to shed new light on the collaborative process in which Melvilleś story was changed to fit an archetypal array of plot and character types that is central to Forsterś own storytelling.

     

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    Source: Union catalogues
    Language: German; English
    Media type: Dissertation
    Format: Print
    ISBN: 9783863950453
    Other identifier:
    9783863950453
    RVK Categories: HT 6015
    Subjects: Britten, Benjamin; Libretto;
    Scope: XVIII, 594 S., Notenbeisp.
    Notes:

    Zugl.: Kassel, Univ., Diss., 2011

  4. Sea-changes : Melville - Forster - Britten : the story of Billy Budd and its operatic adaptation
    Published: 2012
    Publisher:  Universitätsverlag Göttingen

    E. M. Forster first encountered Billy Budd in 1926. Some twenty years later, he embarked on a collaboration with Benjamin Britten and Eric Crozier, adapting Melville’s novella for the opera stage. The libretto they produced poignantly reaffirms the... more

     

    E. M. Forster first encountered Billy Budd in 1926. Some twenty years later, he embarked on a collaboration with Benjamin Britten and Eric Crozier, adapting Melville’s novella for the opera stage. The libretto they produced poignantly reaffirms the Forsterian creed of salvation through personal relationships. This study presents an extensive exploration of Forster’s involvement in the interpretation, transformation and re-creation of Melville’s text. It situates the story of the Handsome Sailor in the wider context of Forster’s literary oeuvre, his life, and his life writings. In detailed readings, Billy Budd becomes a lens through which the themes, patterns and leitmotifs of Forsterian thought and creative imagination are brought into focus. A close re-examination of the libretto sketches serves to shed new light on the collaborative process in which Melville’s story was changed to fit an archetypal array of plot and character types that is central to Forster’s own storytelling.

     

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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: Language; Literature & literary studies; Literature: history & criticism; Classical texts; Opera
    Other subjects: Storytelling; Opera; Melville; Forster; Britten; Novella
  5. Sea-changes - Melville - Forster - Britten : the story of Billy Budd and its operatic adaptation
    Published: 2012
    Publisher:  Universitätsverlag Göttingen, s.l.

    E. M. Forster first encountered Billy Budd in 1926. Some twenty years later, he embarked on a collaboration with Benjamin Britten and Eric Crozier, adapting Melville’s novella for the opera stage. The libretto they produced poignantly reaffirms the... more

    Hochschule für Bildende Künste Dresden, Bibliothek
    No inter-library loan

     

    E. M. Forster first encountered Billy Budd in 1926. Some twenty years later, he embarked on a collaboration with Benjamin Britten and Eric Crozier, adapting Melville’s novella for the opera stage. The libretto they produced poignantly reaffirms the Forsterian creed of salvation through personal relationships. This study presents an extensive exploration of Forster’s involvement in the interpretation, transformation and re-creation of Melville’s text. It situates the story of the Handsome Sailor in the wider context of Forster’s literary oeuvre, his life, and his life writings. In detailed readings, Billy Budd becomes a lens through which the themes, patterns and leitmotifs of Forsterian thought and creative imagination are brought into focus. A close re-examination of the libretto sketches serves to shed new light on the collaborative process in which Melville’s story was changed to fit an archetypal array of plot and character types that is central to Forster’s own storytelling.

    E. M. Forster first encountered Billy Budd in 1926. Some twenty years later, he embarked on a collaboration with Benjamin Britten and Eric Crozier, adapting Melville’s novella for the opera stage. The libretto they produced poignantly reaffirms the Forsterian creed of salvation through personal relationships. This study presents an extensive exploration of Forster’s involvement in the interpretation, transformation and re-creation of Melville’s text. It situates the story of the Handsome Sailor in the wider context of Forster’s literary oeuvre, his life, and his life writings. In detailed readings, Billy Budd becomes a lens through which the themes, patterns and leitmotifs of Forsterian thought and creative imagination are brought into focus. A close re-examination of the libretto sketches serves to shed new light on the collaborative process in which Melville’s story was changed to fit an archetypal array of plot and character types that is central to Forster’s own storytelling

     

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    Content information
    Volltext (Description of rights in Directory of Open Access Books (DOAB): Attribution Non-commercial No Derivatives (CC by-nc-nd))
    Source: Union catalogues
    Media type: Ebook
    Format: Online
    ISBN: 9783863950453
    RVK Categories: HM 2655 ; HT 6015 ; LP 91546
    Subjects: Music; Philology. Linguistics; Literature (General); Music; Philology. Linguistics; Literature (General)
    Scope: 1 Online-Ressource (1 electronic resource ( p.))
  6. Sea-changes: Melville - Forster - Britten: The Story of Billy Budd and Its Operatic Adaptation
    Published: 2012
    Publisher:  Universitätsverlag Göttingen

    E. M. Forster first encountered Billy Budd in 1926. Some twenty years later, he embarked on a collaboration with Benjamin Britten and Eric Crozier, adapting Melville’s novella for the opera stage. The libretto they produced poignantly reaffirms the... more

     

    E. M. Forster first encountered Billy Budd in 1926. Some twenty years later, he embarked on a collaboration with Benjamin Britten and Eric Crozier, adapting Melville’s novella for the opera stage. The libretto they produced poignantly reaffirms the Forsterian creed of salvation through personal relationships. This study presents an extensive exploration of Forster’s involvement in the interpretation, transformation and re-creation of Melville’s text. It situates the story of the Handsome Sailor in the wider context of Forster’s literary oeuvre, his life, and his life writings. In detailed readings, Billy Budd becomes a lens through which the themes, patterns and leitmotifs of Forsterian thought and creative imagination are brought into focus. A close re-examination of the libretto sketches serves to shed new light on the collaborative process in which Melville’s story was changed to fit an archetypal array of plot and character types that is central to Forster’s own storytelling.

     

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    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Book
    Format: Online
    DDC Categories: 800; 941; 993
    Subjects: americanstudies; literarystudies
    Rights:

    L::CC BY-NC-ND 3.0 ; creativecommons.org/licenses/by-nc-nd/3.0/

  7. 'I've sighted a sail in the storm [.] She has a land of her own where she'll anchor forever': The British Melville Revival, Billy Budd, and E.M. Forster's Visions of a Queer Utopia
    Published: 2008
    Publisher:  Raja Peary Mohan College

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    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Article (edited volume)
    Format: Online
    DDC Categories: 800; 820; 941; 993
    Subjects: americanstudies; englishstudies; literarystudies
    Rights:

    L::The Stacks License ; thestacks.libaac.de/rights

  8. 'I've sighted a sail in the storm [.] She has a land of her own where she'll anchor forever': The British Melville Revival, Billy Budd, and E.M. Forster's Visions of a Queer Utopia
    Published: 2008
    Publisher:  Raja Peary Mohan College

    Access:
    Verlag (kostenfrei)
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    ftthestacks:oai:localhost:11858/346
    Parent title: Datenlieferant: The Stacks (Library of Anglo-American Culture & History - FID AAC)
    Other subjects: americanstudies; englishstudies; literarystudies
    Scope: Online-Ressource
  9. Sea-changes
    Melville - Forster - Britten : the story of Billy Budd and its operatic adaptation
    Published: 2012
    Publisher:  Univ.-Verl. Göttingen, Göttingen

    E. M. Forster first encountered Billy Budd in 1926. Some twenty years later, he embarked on a collaboration with Benjamin Britten and Eric Crozier, adapting Melvilleś novella for the opera stage. The libretto they produced poignantly reaffirms the... more

    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    No inter-library loan

     

    E. M. Forster first encountered Billy Budd in 1926. Some twenty years later, he embarked on a collaboration with Benjamin Britten and Eric Crozier, adapting Melvilleś novella for the opera stage. The libretto they produced poignantly reaffirms the Forsterian creed of salvation through personal relationships. This study presents an extensive exploration of Forsterś involvement in the interpretation, transformation and re-creation of Melvilleś text. It situates the story of the Handsome Sailor in the wider context of Forsterś literary oeuvre, his life, and his life writings. In detailed readings, Billy Budd becomes a lens through which the themes, patterns and leitmotifs of Forsterian thought and creative imagination are brought into focus. A close re-examination of the libretto sketches serves to shed new light on the collaborative process in which Melvilleś story was changed to fit an archetypal array of plot and character types that is central to Forsterś own storytelling. E. M. Forster first encountered Billy Budd in 1926. Some twenty years later, he embarked on a collaboration with Benjamin Britten and Eric Crozier, adapting Melville’s novella for the opera stage. The libretto they produced poignantly reaffirmsthe Forsterian creed of salvation through personal relationships.This study presents an extensive exploration of Forster’s involvement in the interpretation, transformation and re-creation of Melville’s text. It situates the story of the Handsome Sailor in the wider context of Forster’s literary oeuvre, his life, and his lifewritings. In detailed readings, Billy Budd becomes a lens through which the themes, patterns and leitmotifs of Forsterian thought and creative imagination are brought into focus. A close re-examination of the libretto sketches serves to shed new light on the collaborative process in which Melville’s story was changed to fit an archetypal array of plot and character types that is central to Forster’s own storytelling

     

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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    Other identifier:
    RVK Categories: HT 6015 ; LP 91546
    Subjects: Britten, Benjamin; Libretto; Entstehung;
    Scope: Online-Ressource (PDF-Datei: 597 S., ca. 6,5 MB)
    Notes:

    Literaturverz. S. 575 - 589

    Zugl.: Kassel, Univ., Diss., 2011

  10. Sea-changes: Melville - Forster - Britten: The Story of Billy Budd and Its Operatic Adaptation
    Published: 2012
    Publisher:  Universitätsverlag Göttingen

    E. M. Forster first encountered Billy Budd in 1926. Some twenty years later, he embarked on a collaboration with Benjamin Britten and Eric Crozier, adapting Melville’s novella for the opera stage. The libretto they produced poignantly reaffirms the... more

     

    E. M. Forster first encountered Billy Budd in 1926. Some twenty years later, he embarked on a collaboration with Benjamin Britten and Eric Crozier, adapting Melville’s novella for the opera stage. The libretto they produced poignantly reaffirms the Forsterian creed of salvation through personal relationships. This study presents an extensive exploration of Forster’s involvement in the interpretation, transformation and re-creation of Melville’s text. It situates the story of the Handsome Sailor in the wider context of Forster’s literary oeuvre, his life, and his life writings. In detailed readings, Billy Budd becomes a lens through which the themes, patterns and leitmotifs of Forsterian thought and creative imagination are brought into focus. A close re-examination of the libretto sketches serves to shed new light on the collaborative process in which Melville’s story was changed to fit an archetypal array of plot and character types that is central to Forster’s own storytelling.

     

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    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Book
    Format: Online
    DDC Categories: 800; 941; 993
    Subjects: americanstudies; literarystudies
    Rights:

    L::CC BY-NC-ND 3.0 ; creativecommons.org/licenses/by-nc-nd/3.0/

  11. 'I've sighted a sail in the storm [.] She has a land of her own where she'll anchor forever': The British Melville Revival, Billy Budd, and E.M. Forster's Visions of a Queer Utopia
    Published: 2008
    Publisher:  Raja Peary Mohan College

    Export to reference management software   RIS file
      BibTeX file
    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Article (edited volume)
    Format: Online
    DDC Categories: 800; 820; 941; 993
    Subjects: americanstudies; englishstudies; literarystudies
    Rights:

    L::The Stacks License ; thestacks.libaac.de/rights